Lot

60

A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with

In Fine Chinese Art, Japanese and Buddhist Art

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A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 1 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 2 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 3 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 4 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 5 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 6 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 7 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 8 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 1 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 2 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 3 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 4 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 5 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 6 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 7 of 8
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY Zitan with - Image 8 of 8
Auctioneer has chosen not to publish the price of this lot
Wien
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY
Zitan with gold lacquer and polychrome hand painting
Tibeto-Chinese, 16th – 17th century


Seated in lalitasana atop a human corps the wrathful deity is shown in his four-armed version. His main hands hold a kapala and a curved knife, a sword is to be seen in his right hand. The deity is wearing a skull crown with a central cobra and precious jewelry. The face is exquisitely gilt and hand painted with special focus on the three eyes. An ornate aureole is framing the sculpture and bears XXX script as well as remnants of an old seal on the backside.

The present work is carved entirely from zitan, a hardwood from India that was exported to China in the late Ming and early Qing dynasties. While zitan is a general term which includes numerous species of wood, it is commonly agreed that it belongs to the genus Pterocarpus. A purplish-black, fine-grained hardwood, zitan was considered the most prized hardwood by the Chinese. The density of the wood makes this material especially suitable for fine and intricate carving. Due to its slow-growing nature, zitan often was only available in small quantities, and by the Qianlong period (1736-1795), its use was controlled by the emperor himself. Only few works of sculpture in zitan are known, although the precious nature of the wood meant it would have been an appropriate material for an object of worship.

Shape: Figural
Weight: 111 grams
Dimensions: Height 28 cm
Condition: good condition with appealing authentic patina, gilding and paint work very well preserved, material loss as seen in the images
Provenance: Hungarian private collection

Auction results comparison: For a closely related polychromed Zitan figure of SIMHANADA MANJUGHOSHA see Christie’s, Indian, Himalayan and Southeast Asian Works of Art, New York, 12 September 2018, lot 324.

罕見的重要鎏金紫檀大黑天像,十六至十七世紀
紫檀,金漆,手繪上彩
漢藏,十六至十七世紀

護法神大黑天以休閑坐姿于尸人之上,四臂雄壯。他一手拿著一个嘎巴拉碗和一把彎刀,右手持劍。大黑天頭戴頭骨冠,中央盤踞著一條眼鏡蛇以及珍貴的珠寶。臉部精美的鎏金和三眼手繪上彩獨特。一個華麗的光環表現爲造像外框,背面貼著XXX以及舊印章的遺余。

造像完全是用來自印度的紫檀木雕刻而成,紫檀在明末清初出口到中國。雖然紫檀是一個包括許多木材種類的通用術語,但人們普遍認為它屬於紫檀屬(Pterocarpus)。紫檀是一種紫黑色細粒硬木,是中國人認為最珍貴的硬木。木材的密度使這種材料特別適合精細和復雜的雕刻。由於其生長緩慢,紫檀通常只能少量供應,而在乾隆時期(1736-1795),它的使用是由皇帝控制的。木材的珍貴本質意味著它將成為重要物品的材料,只有少數雕塑造像被人所知。

造型:人物造像
重量:111 克
尺寸:高 28 厘米
品相:狀況良好,包漿真實,鎏金和彩繪部分保存良好,局部材料損失。如圖所見。
來源:匈牙利私人收藏

拍賣結果比較:一件相似的紫檀多彩綠文殊像見Christie’s, Indian, Himalayan and Southeast Asian Works of Art, New York, 12 September 2018, lot 324.
A RARE AND IMPORTANT GILT AND POLYCHROMED ZITAN FIGURE OF MAHAKALA, 16th – 17th CENTURY
Zitan with gold lacquer and polychrome hand painting
Tibeto-Chinese, 16th – 17th century


Seated in lalitasana atop a human corps the wrathful deity is shown in his four-armed version. His main hands hold a kapala and a curved knife, a sword is to be seen in his right hand. The deity is wearing a skull crown with a central cobra and precious jewelry. The face is exquisitely gilt and hand painted with special focus on the three eyes. An ornate aureole is framing the sculpture and bears XXX script as well as remnants of an old seal on the backside.

The present work is carved entirely from zitan, a hardwood from India that was exported to China in the late Ming and early Qing dynasties. While zitan is a general term which includes numerous species of wood, it is commonly agreed that it belongs to the genus Pterocarpus. A purplish-black, fine-grained hardwood, zitan was considered the most prized hardwood by the Chinese. The density of the wood makes this material especially suitable for fine and intricate carving. Due to its slow-growing nature, zitan often was only available in small quantities, and by the Qianlong period (1736-1795), its use was controlled by the emperor himself. Only few works of sculpture in zitan are known, although the precious nature of the wood meant it would have been an appropriate material for an object of worship.

Shape: Figural
Weight: 111 grams
Dimensions: Height 28 cm
Condition: good condition with appealing authentic patina, gilding and paint work very well preserved, material loss as seen in the images
Provenance: Hungarian private collection

Auction results comparison: For a closely related polychromed Zitan figure of SIMHANADA MANJUGHOSHA see Christie’s, Indian, Himalayan and Southeast Asian Works of Art, New York, 12 September 2018, lot 324.

罕見的重要鎏金紫檀大黑天像,十六至十七世紀
紫檀,金漆,手繪上彩
漢藏,十六至十七世紀

護法神大黑天以休閑坐姿于尸人之上,四臂雄壯。他一手拿著一个嘎巴拉碗和一把彎刀,右手持劍。大黑天頭戴頭骨冠,中央盤踞著一條眼鏡蛇以及珍貴的珠寶。臉部精美的鎏金和三眼手繪上彩獨特。一個華麗的光環表現爲造像外框,背面貼著XXX以及舊印章的遺余。

造像完全是用來自印度的紫檀木雕刻而成,紫檀在明末清初出口到中國。雖然紫檀是一個包括許多木材種類的通用術語,但人們普遍認為它屬於紫檀屬(Pterocarpus)。紫檀是一種紫黑色細粒硬木,是中國人認為最珍貴的硬木。木材的密度使這種材料特別適合精細和復雜的雕刻。由於其生長緩慢,紫檀通常只能少量供應,而在乾隆時期(1736-1795),它的使用是由皇帝控制的。木材的珍貴本質意味著它將成為重要物品的材料,只有少數雕塑造像被人所知。

造型:人物造像
重量:111 克
尺寸:高 28 厘米
品相:狀況良好,包漿真實,鎏金和彩繪部分保存良好,局部材料損失。如圖所見。
來源:匈牙利私人收藏

拍賣結果比較:一件相似的紫檀多彩綠文殊像見Christie’s, Indian, Himalayan and Southeast Asian Works of Art, New York, 12 September 2018, lot 324.

Fine Chinese Art, Japanese and Buddhist Art

Sale Date(s)
Venue Address
Mariahilferstraße 112/1/10
Wien
A-1070
Austria

For Galerie Zacke delivery information please telephone +43 1 5320452.

Important Information

26.40 % buyer's premium including VAT

3 % live surcharge plus VAT

Terms & Conditions

§ 1) The auction shall be carried out in accordance with the provisions of the rules of procedure of GALLERY ZACKE, KOHLMARKT 7, 1010 VIENNA (hereinafter referred to as the company) as well as in accordance with sections 244-246 of the Gewerbeordnung [Industrial Code] 1994. The auction shall be carried out on commission. The auctioneer shall be entitled to withdraw lots exceptionally, to conduct out the auction deviating from the order of the catalogue numbers and to offer lots jointly. In the event of any dispute concerning a double bid or if the auctioneer has missed a bid, the auctioneer shall be entitled to revoke acceptance of a bid and to continue auctioning off the item. The figures attached to the text shall be the expected last and highest bid in EURO (€) from the respective expert. As a rule, the bid shall be increased by 10% of the last bid. (See list of the bidding increments).

§ 2) The acceptance of a bid shall be granted to the highest bidder unless a seller’s reserve price has been agreed with the consignor. Such a seller’s reservation (also referred to as limit) shall be the minimum price limit below which particular lots shall not be sold during the auction. This limit shall be disclosed upon request and may not exceed the lower estimated price. If a limit (seller’s reserve price) is not achieved, the bid of the highest bidder shall be accepted subject to reservations only. In this case, the highest bidder shall be bound to its highest bid for a period of 8 (eight) working days. If the highest bid from the highest bidder is not finally accepted within this period of time, its binding commitment to this bid shall expire. In order for the final acceptance of the bid to become effective, it is sufficient to send a corresponding notification to the address named by the highest bidder within the stated period of 8 working days.

§ 3) All items shall be subject to differential taxation. A uniform surcharge of 22% plus the value added tax applicable to the surcharge to the amount of 20% shall be added to the achieved highest bid (final and highest bid). Thus the surcharge shall be 26.4% of the final and highest bid in total.

§ 4) In the event of sales abroad, the value added tax will be repaid if the item is sold to a country which is not a member country of the European Union (third country), the legal requirements are met and the proof of exportation is provided. The value added tax shall not be shown separately on the invoice.

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§ 11) ) If a customer is not able to participate in an auction personally, the company shall accept purchase orders. These orders may be placed in writing, via email or fax. In the case of a purchase order placed by phone or orally, the company shall reserve the right to make the performance dependent on a confirmation from the principal communicated in writing, via email or fax. Furthermore, the company shall not be liable for the performance of purchase orders. Purchase orders with equal top bid limits will be considered in the order of their receipt. Bids which are only one increment above the starting price shall be exhausted totally. Bids which do not correspond to the increments determined by the company (see bidding increments) in tabular form will be rounded up to the next higher increment. The table of these increments can be sent upon request. In the case of lots auctioned“without any limits“, bids below the estimated price shall be exhausted totally. The written bid (purchase order) must include the item stating the catalogue number and the offered top bid limit which is quoted as the amount of the acceptance of the bid without buyer’s commission and without value added tax. Ambiguities shall be carried by the bidder. A purchase order which has already been placed may only be cancelled if the written withdrawal is received by the company at least 72 hours prior to the beginning of the auction.

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§ 15) In the case of mixed lots with a starting price of less than EUR 350.00, the company shall not warrant for the completeness or correctness of the individual items within a mixed lot.

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§ 17) Payments made to the company by mistake (through the payer’s fault) (e.g. due to miscalculation of the exchange rate by the payer) or payments made to the company for the same invoice several times shall be compensated in form of a credit note for goods for an indefinite period of time. The repayment of such payments in cash shall be excluded.

§ 18) In the case of individual auction lots, it may happen that they are delivered several times. In such a case, the auctioneer may accept a second or third etc. bid from the underbidder(s). In this case, the text in the catalogue and not the illustration in the catalogue shall also be exclusively binding with regard to the warranty (relating to these auction lots).

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§ 21) The export of art objects from Austria, when indicated, shall require a permit from the Bundesdenkmalamt [Federal Monuments Office]. In any event, the company shall orally provide information about art objects for which an export permit will probably not be granted at the beginning of the auction.

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