051
Roman statuette of a Germanic captive
1/3
Description
ITEM: Statuette of a Germanic captive
MATERIAL: Bronze
CULTURE: Roman
PERIOD: 2nd - 3rd Century A.D
DIMENSIONS: 35 mm x 28 mm
CONDITION: Good condition
PROVENANCE: Ex Dutch private collection, acquired between 1980 - 1990
Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.
The depiction of the Germanic captive in the Roman period provides a glimpse into the complex and often tumultuous relationships between Rome and the various Germanic tribes. Roman art and literature frequently featured Germanic captives, especially in the context of military triumphs and conquests. These depictions served multiple purposes: they were symbols of Roman victory and dominance, and they also functioned as a means of showcasing the power and reach of the Roman Empire. Captives were often displayed in a way that emphasized their role in the Roman military narrative, symbolizing the subjugation of Rome’s enemies and the expansion of its territorial control.
One of the most notable examples of this portrayal is found in Roman monumental art, such as the reliefs on the Arch of Titus and the Column of Trajan. These monuments commemorate military victories and often include scenes of captive Germanic warriors in chains or being led in procession through Rome. Such imagery was designed to convey the might of the Roman Empire and to celebrate the emperor’s achievements. The depiction of these captives, typically shown with distinctive Germanic features and attire, underscored the contrast between the ‘civilized’ Romans and their ‘barbarian’ adversaries, reinforcing Roman cultural and ideological superiority.
The treatment and portrayal of Germanic captives also reflect broader themes in Roman attitudes toward the Germanic tribes. While captives were often shown in a humiliating or subdued state, Roman authors and officials sometimes depicted them with a degree of respect for their warrior ethos and resistance. This duality illustrates the complexity of Roman interactions with the Germanic tribes—while they were seen as formidable enemies, there was also an acknowledgment of their strength and valor
MATERIAL: Bronze
CULTURE: Roman
PERIOD: 2nd - 3rd Century A.D
DIMENSIONS: 35 mm x 28 mm
CONDITION: Good condition
PROVENANCE: Ex Dutch private collection, acquired between 1980 - 1990
Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.
The depiction of the Germanic captive in the Roman period provides a glimpse into the complex and often tumultuous relationships between Rome and the various Germanic tribes. Roman art and literature frequently featured Germanic captives, especially in the context of military triumphs and conquests. These depictions served multiple purposes: they were symbols of Roman victory and dominance, and they also functioned as a means of showcasing the power and reach of the Roman Empire. Captives were often displayed in a way that emphasized their role in the Roman military narrative, symbolizing the subjugation of Rome’s enemies and the expansion of its territorial control.
One of the most notable examples of this portrayal is found in Roman monumental art, such as the reliefs on the Arch of Titus and the Column of Trajan. These monuments commemorate military victories and often include scenes of captive Germanic warriors in chains or being led in procession through Rome. Such imagery was designed to convey the might of the Roman Empire and to celebrate the emperor’s achievements. The depiction of these captives, typically shown with distinctive Germanic features and attire, underscored the contrast between the ‘civilized’ Romans and their ‘barbarian’ adversaries, reinforcing Roman cultural and ideological superiority.
The treatment and portrayal of Germanic captives also reflect broader themes in Roman attitudes toward the Germanic tribes. While captives were often shown in a humiliating or subdued state, Roman authors and officials sometimes depicted them with a degree of respect for their warrior ethos and resistance. This duality illustrates the complexity of Roman interactions with the Germanic tribes—while they were seen as formidable enemies, there was also an acknowledgment of their strength and valor
Auction Details
Shipping
T&Cs & Important Info
Ask seller a question
ITEM: Statuette of a Germanic captive
MATERIAL: Bronze
CULTURE: Roman
PERIOD: 2nd - 3rd Century A.D
DIMENSIONS: 35 mm x 28 mm
CONDITION: Good condition
PROVENANCE: Ex Dutch private collection, acquired between 1980 - 1990
Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.
The depiction of the Germanic captive in the Roman period provides a glimpse into the complex and often tumultuous relationships between Rome and the various Germanic tribes. Roman art and literature frequently featured Germanic captives, especially in the context of military triumphs and conquests. These depictions served multiple purposes: they were symbols of Roman victory and dominance, and they also functioned as a means of showcasing the power and reach of the Roman Empire. Captives were often displayed in a way that emphasized their role in the Roman military narrative, symbolizing the subjugation of Rome’s enemies and the expansion of its territorial control.
One of the most notable examples of this portrayal is found in Roman monumental art, such as the reliefs on the Arch of Titus and the Column of Trajan. These monuments commemorate military victories and often include scenes of captive Germanic warriors in chains or being led in procession through Rome. Such imagery was designed to convey the might of the Roman Empire and to celebrate the emperor’s achievements. The depiction of these captives, typically shown with distinctive Germanic features and attire, underscored the contrast between the ‘civilized’ Romans and their ‘barbarian’ adversaries, reinforcing Roman cultural and ideological superiority.
The treatment and portrayal of Germanic captives also reflect broader themes in Roman attitudes toward the Germanic tribes. While captives were often shown in a humiliating or subdued state, Roman authors and officials sometimes depicted them with a degree of respect for their warrior ethos and resistance. This duality illustrates the complexity of Roman interactions with the Germanic tribes—while they were seen as formidable enemies, there was also an acknowledgment of their strength and valor
MATERIAL: Bronze
CULTURE: Roman
PERIOD: 2nd - 3rd Century A.D
DIMENSIONS: 35 mm x 28 mm
CONDITION: Good condition
PROVENANCE: Ex Dutch private collection, acquired between 1980 - 1990
Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.
The depiction of the Germanic captive in the Roman period provides a glimpse into the complex and often tumultuous relationships between Rome and the various Germanic tribes. Roman art and literature frequently featured Germanic captives, especially in the context of military triumphs and conquests. These depictions served multiple purposes: they were symbols of Roman victory and dominance, and they also functioned as a means of showcasing the power and reach of the Roman Empire. Captives were often displayed in a way that emphasized their role in the Roman military narrative, symbolizing the subjugation of Rome’s enemies and the expansion of its territorial control.
One of the most notable examples of this portrayal is found in Roman monumental art, such as the reliefs on the Arch of Titus and the Column of Trajan. These monuments commemorate military victories and often include scenes of captive Germanic warriors in chains or being led in procession through Rome. Such imagery was designed to convey the might of the Roman Empire and to celebrate the emperor’s achievements. The depiction of these captives, typically shown with distinctive Germanic features and attire, underscored the contrast between the ‘civilized’ Romans and their ‘barbarian’ adversaries, reinforcing Roman cultural and ideological superiority.
The treatment and portrayal of Germanic captives also reflect broader themes in Roman attitudes toward the Germanic tribes. While captives were often shown in a humiliating or subdued state, Roman authors and officials sometimes depicted them with a degree of respect for their warrior ethos and resistance. This duality illustrates the complexity of Roman interactions with the Germanic tribes—while they were seen as formidable enemies, there was also an acknowledgment of their strength and valor
Auction 4 of Ancient Art
Sale Date(s)
Venue Address
Apartado de Correos 521
El Campello
Alicante
03560
Spain
3. EXPORT LICENSES: All pieces have the corresponding export license to be shipped out of Spain.
3.1 For bidders from the European Union, it is not necessary to apply for any additional export license, as the one included in the piece is valid.
3.2 For bidders outside the European Union it will be necessary to apply again for an export license for your country, this usually takes from 4 weeks to 6 weeks and has a cost of 5% of the auction price. This cost will be added to the final price of each lot purchased.
8. The shipment, in general, take place within the three days following the receipt of payment, except in cases of agreement between both parties, in which case the client will be informed of the exact date and the means of dispatch. In the case where the country of destination is not Europe, the dispatching of the piece will take place in the same conditions stated, but counting from the receipt of the corresponding export permission issued by the Spanish authorities.
8.1. If you win more than one item, we can do a combined shipment and you will not be charged extra for it, unless one of the pieces won makes shipping more expensive.
8.2. Items will be shipped only upon receipt of payment in full and will be insured for their full value. For shipments outside Europe, customs and duties may apply upon entry in to customer country, and this fee, if any, is the buyer’s responsibility. We will not falsify customs value on international shipments! If you have questions about this, please inquire before bidding.
8.3. As a guideline, for a small parcel, our courier and insured shipping rates are: 9,95 € for Spain, 24,95 € for Europe, England and Switzerland and 39,95 € for America and Asia. If its a medium parcel, 9,95 € for Spain, 24,95 € for Europe, England and Switzerland and 69,95 € for America and Asia. In case it is large, heavy or for a value of more than 1000 euros may be increased slightly from the rates shown.
8.4 For pieces that are very fragile or very large in size/weight and that can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road will be shipped by private courier (door to door) and the price will be 350 euros, 100 euros for Spain.
Important Information
Ancient Art at the best price respecting and strictly complying with the laws of heritage protection and UNESCO heritage norms. Affordable in-house shipping.
Terms & Conditions
1. All ancient items offered for sale have been acquired strictly complying with the laws of heritage protection and UNESCO’s heritage norms, and guaranteed to be as described.
2. Our cataloguings, descriptions and certificates has been carried in accordance with their professional experience, previous investigation and checking against similar pieces catalogued in public collections, private collections or to be found in the art market.
3. EXPORT LICENSES: All pieces have the corresponding export license to be shipped out of Spain.
3.1 For bidders from the European Union, it is not necessary to apply for any additional export license, as the one included in the piece is valid.
3.2 For bidders outside the European Union it will be necessary to apply again for an export license for your country, this usually takes from 4 weeks to 6 weeks and has a cost of 5% of the auction price. This cost will be added to the final price of each lot purchased.
4. The bidder guarantees payment for the item(s). In case of discrepancy, the lot or lots may be offered for sale again.
5. All lots will sell to the highest bidder without hidden or confidential reserves. Prices marked as estimates (both minimum and maximum) are for reference only. The hammer price may be higher or lower depending on the demand.
6. PAYMENT POLICY: To provide a seamless bidder checkout, all winning lots will be invoiced through Biddr, LiveAuctioneers, Bidspirit, The-Saleroom, Lot-tissimo or Numis24 (depending on which one has been chosen for the live auction) invoicing system, unless bidder chooses to pay Your Antiquarian directly via credit card (MasterCard or Visa), PayPal or Bank Wire Transfer. If bidder chooses to pay Your Antiquarian directly, bidder must contact us to arrange payment. Payments not made within 5 business days of auction’s end will forfeit bidder’s right to purchase said item(s), with item(s) relisted to next appropriate auction.
6.1 If the customer wishes to pay through our website, we will generate a payment link and the customer can choose the payment method that is most suitable, payment by Credit Card (MasterCard, Visa or American Express), Bank Transfer or PayPal. Payment with PayPal is subject to an increase of 3% of the invoice.
7. BUYER’S PREMIUM: A 8% Buyer’s Premium will be added to the final price of each lot purchased.
8. The shipment, in general, take place within the three days following the receipt of payment, except in cases of agreement between both parties, in which case the client will be informed of the exact date and the means of dispatch. In the case where the country of destination is not Europe, the dispatching of the piece will take place in the same conditions stated, but counting from the receipt of the corresponding export permission issued by the Spanish authorities.
8.1. If you win more than one item, we can do a combined shipment and you will not be charged extra for it, unless one of the pieces won makes shipping more expensive.
8.2. Items will be shipped only upon receipt of payment in full and will be insured for their full value. For shipments outside Europe, customs and duties may apply upon entry in to customer country, and this fee, if any, is the buyer’s responsibility. We will not falsify customs value on international shipments! If you have questions about this, please inquire before bidding.
8.3. As a guideline, for a small parcel, our courier and insured shipping rates are: 9,95 € for Spain, 24,95 € for Europe, England and Switzerland and 39,95 € for America and Asia. If its a medium parcel, 9,95 € for Spain, 24,95 € for Europe, England and Switzerland and 69,95 € for America and Asia. In case it is large, heavy or for a value of more than 1000 euros may be increased slightly from the rates shown.
8.4 For pieces that are very fragile or very large in size/weight and that can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road will be shipped by private courier (door to door) and the price will be 350 euros, 100 euros for Spain.
9. RETURN POLICY: We have a no quibble 90 days return policy. We accept returns for any reason within 90 days of you receiving your item. The item(s) must returned in the same conditions in which the received (no damage or deterioration). The expenses that could derive from the return (transport, insurance, etc) will be at the expense of the buyer.
10. On the prevention of money laundering or terrorist financing, according with directive (EU) 2015/849 and 2018/843, all clients will be asked to provide proof of identification (valid passport, driving license, ID card and a proof of address) when purchasing or selling art works valued 10.000 € or more in a single or linked transaction. If you represent a company you will need to provide details of directors, evidence of incorporation and the ultimate beneficial owners.
11. QUESTIONS: For any questions, before / during and after the auction, feel free to email us: admin@yourantiquarian.com or a Whatsapp to the number +34 644811359. We will be happy to help you in any way we can.
Last update: September 13th, 2024
