107
Abraham Bloemaert
1566 - 1651
Studies of a Man Warming his hands over a Brazier
Red chalk, heightened with white, within brown ink framing lines
155 by 181 mm
__________________________
Abraham Bloemaert
1566 - 1651
Etudes d'un homme se réchauffant auprès d'un brasier
Sanguine et rehauts de blanc dans un encadrement à la plume et encre brune
155 x 181 mm
Provenance
Private Collection, France
With Herman Shickman Gallery, New York
Joseph et Deborah Goldyne, San Francisco
With Addison Fine Arts, San Francisco
With Didier Aaron, Paris, 2010
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Collection particulière, France
Herman Shickman Gallery, New York
Joseph et Deborah Goldyne, San Francisco
Addison Fine Arts, San Francisco
Didier Aaron, Paris, 2010
Literature
J. Bolten, 'The Drawings of Abraham Bloemaert: A Supplement', in Master Drawings, vol. 50, no. 1, 2017, p. 83, no. A44*
___________________________________________________________________________________________________
J. Bolten, 'The Drawings of Abraham Bloemaert: A Supplement', dans Master Drawings, vol. 50, n° 1, 2017, p. 83, n° A44*
Exhibited
San Francisco, The Fine Arts Museums of San Francisco, et Minneapolis, Minneapolis Institute of Arts, Judging by Appearance, Master Drawings from the Collection of Joseph and Deborah Goldyne, 2006-2007, cat. 20
______________________________________________________________________________________________________
San Francisco, The Fine Arts Museums of San Francisco, et Minneapolis, Minneapolis Institute of Arts, Judging by Appearance, Master Drawings from the Collection of Joseph and Deborah Goldyne, 2006-2007, cat. 20
Catalogue note
As Jaap Bolten notes (see Literature), the foreground figure is an allegorical representation of Winter. He dates the drawing to 1615-25.
___________________________________________________________________________________________________________________
Comme le note Jaap Bolten (voir Bibliographie), la figure du premier plan est une représentation allégorique de l'Hiver. Il date le dessin vers 1615-1625.
Additional Notices & Disclaimers
L’exportation de ce bien hors de France (y compris vers d’autres pays de l’Union Européenne), ainsi que son exportation hors de l’Union Européenne, peuvent-être subordonnées à l’obtention d’une ou plusieurs autorisation(s) d’exporter ou d’importer. Sotheby’s, sur demande et contre paiement de frais administratifs, peut présenter une demande d’autorisation pour exporter votre(vos) Lot(s) hors de France.
The export of this property from France (including to other Member States of the European Union), as well as export from the European Union, may be subject to one or more export or import licenses being granted. Sotheby’s, upon request and for an administrative fee, may apply for a license to export your Lot(s) outside France.
1566 - 1651
Studies of a Man Warming his hands over a Brazier
Red chalk, heightened with white, within brown ink framing lines
155 by 181 mm
__________________________
Abraham Bloemaert
1566 - 1651
Etudes d'un homme se réchauffant auprès d'un brasier
Sanguine et rehauts de blanc dans un encadrement à la plume et encre brune
155 x 181 mm
Provenance
Private Collection, France
With Herman Shickman Gallery, New York
Joseph et Deborah Goldyne, San Francisco
With Addison Fine Arts, San Francisco
With Didier Aaron, Paris, 2010
____________________________________________________
Collection particulière, France
Herman Shickman Gallery, New York
Joseph et Deborah Goldyne, San Francisco
Addison Fine Arts, San Francisco
Didier Aaron, Paris, 2010
Literature
J. Bolten, 'The Drawings of Abraham Bloemaert: A Supplement', in Master Drawings, vol. 50, no. 1, 2017, p. 83, no. A44*
___________________________________________________________________________________________________
J. Bolten, 'The Drawings of Abraham Bloemaert: A Supplement', dans Master Drawings, vol. 50, n° 1, 2017, p. 83, n° A44*
Exhibited
San Francisco, The Fine Arts Museums of San Francisco, et Minneapolis, Minneapolis Institute of Arts, Judging by Appearance, Master Drawings from the Collection of Joseph and Deborah Goldyne, 2006-2007, cat. 20
______________________________________________________________________________________________________
San Francisco, The Fine Arts Museums of San Francisco, et Minneapolis, Minneapolis Institute of Arts, Judging by Appearance, Master Drawings from the Collection of Joseph and Deborah Goldyne, 2006-2007, cat. 20
Catalogue note
As Jaap Bolten notes (see Literature), the foreground figure is an allegorical representation of Winter. He dates the drawing to 1615-25.
___________________________________________________________________________________________________________________
Comme le note Jaap Bolten (voir Bibliographie), la figure du premier plan est une représentation allégorique de l'Hiver. Il date le dessin vers 1615-1625.
Additional Notices & Disclaimers
L’exportation de ce bien hors de France (y compris vers d’autres pays de l’Union Européenne), ainsi que son exportation hors de l’Union Européenne, peuvent-être subordonnées à l’obtention d’une ou plusieurs autorisation(s) d’exporter ou d’importer. Sotheby’s, sur demande et contre paiement de frais administratifs, peut présenter une demande d’autorisation pour exporter votre(vos) Lot(s) hors de France.
The export of this property from France (including to other Member States of the European Union), as well as export from the European Union, may be subject to one or more export or import licenses being granted. Sotheby’s, upon request and for an administrative fee, may apply for a license to export your Lot(s) outside France.
Collection Hubert Guerrand-Hermès, L'hôtel de Lannion
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