48
A Transitional kingwood and tulipwood marquetry table ambulante, circa 1760, attributed to Roger van
inlaid with foliage, with a drawer to the frieze, on slender legs joined by a circular stretcher, both the top and lower tier with a gilt-bronze pierced gallery, with erased stamp
70.5cm. high, 38.5cm. diameter; 2ft. 3¾in., 1ft. 3¼in.
Saleroom notice
This lot contains endangered species. Sotheby's recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. For example, US regulations restrict or prohibit the import of certain items to protect wildlife conservation. Please note that Sotheby's will not assist buyers with the shipment of this lot to the US. A buyer's inability to export or import these lots cannot justify a delay in payment or sale cancellation.
Provenance
Dalva Brothers, New York.
Catalogue note
This table, crafted around 1760 and attributed to Roger van der Cruse dit Lacroix, exemplifies French craftsmanship during the Transitional period. Veneered in kingwood, tulipwood and floral marquetry, the table is of a form in which Lacroix specialised, the compact and light meubles volants that were intended to be easily moved around. Notably, this table does not feature gilt-bronze mounts to the corners or sabots, in a similar manner to the table signed R.V.L.C. that was sold at Sotheby’s New York, 24 October 2003, lot 30. Its minimalist yet elegant design, highlighted by slender cabriole legs and a gilt-bronze pierced gallery, is typical of Lacroix tables such as the one in the MET collection (1974.356.151) and another stamped R.V.L.C. sold at Sotheby’s New York, 20 May 1995, lot.189.
Roger van der Cruse, dit Lacroix (1727-1799), received maître in 1755
Roger van der Cruse, also known as Lacroix, was a highly respected Parisian ébéniste from a prominent dynasty. He was renowned for his exceptional craftsmanship, especially in crafting small tables with intricate marquetry. His talent earned him prestigious commissions from the crown, Duc d’Orléans, and private clients like Madame du Barry. Lacroix used two stamps, R. LACROIX and R.V.L.C., the latter adorned with fleur-de-lys between the initials. His work for establishments like the Garde-Meuble royal solidified his reputation as one of the most successful craftsmen of his time.
inlaid with foliage, with a drawer to the frieze, on slender legs joined by a circular stretcher, both the top and lower tier with a gilt-bronze pierced gallery, with erased stamp
70.5cm. high, 38.5cm. diameter; 2ft. 3¾in., 1ft. 3¼in.
Saleroom notice
This lot contains endangered species. Sotheby's recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. For example, US regulations restrict or prohibit the import of certain items to protect wildlife conservation. Please note that Sotheby's will not assist buyers with the shipment of this lot to the US. A buyer's inability to export or import these lots cannot justify a delay in payment or sale cancellation.
Provenance
Dalva Brothers, New York.
Catalogue note
This table, crafted around 1760 and attributed to Roger van der Cruse dit Lacroix, exemplifies French craftsmanship during the Transitional period. Veneered in kingwood, tulipwood and floral marquetry, the table is of a form in which Lacroix specialised, the compact and light meubles volants that were intended to be easily moved around. Notably, this table does not feature gilt-bronze mounts to the corners or sabots, in a similar manner to the table signed R.V.L.C. that was sold at Sotheby’s New York, 24 October 2003, lot 30. Its minimalist yet elegant design, highlighted by slender cabriole legs and a gilt-bronze pierced gallery, is typical of Lacroix tables such as the one in the MET collection (1974.356.151) and another stamped R.V.L.C. sold at Sotheby’s New York, 20 May 1995, lot.189.
Roger van der Cruse, dit Lacroix (1727-1799), received maître in 1755
Roger van der Cruse, also known as Lacroix, was a highly respected Parisian ébéniste from a prominent dynasty. He was renowned for his exceptional craftsmanship, especially in crafting small tables with intricate marquetry. His talent earned him prestigious commissions from the crown, Duc d’Orléans, and private clients like Madame du Barry. Lacroix used two stamps, R. LACROIX and R.V.L.C., the latter adorned with fleur-de-lys between the initials. His work for establishments like the Garde-Meuble royal solidified his reputation as one of the most successful craftsmen of his time.
The Silk Road: Orientalist Paintings and Furniture from a Belgravia Residence
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