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David Allan
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Description
Property from the collection of the late Andrew Edmunds
David Allan
Alloa 1744–1796 Edinburgh
Portrait of a gentleman traditionally identified as Sir William Hamilton (1730–1803)
oil on canvas
unframed: 181.5 x 133.7 cm.; 71½ x 52⅝ in.
framed: 190 x 144.2 cm.; 74¾ x 56¾ in.
Provenance
Anonymous sale, London, Sotheby's, 4 July 2001, lot 46, for £30,000 (as attributed to Hugh Douglas Hamilton);
Private collection;
Anonymous sale, London, Christie's, 16 June 2005, lot 239 (as circle of Hugh Douglas Hamilton), where unsold;
Acquired post-sale by the present owner.Literature
J. Ingamells, Mid-Georgian Portraits 1760–1790, London 2004, p. 234 (under doubtful identified portraits of Sir William Hamilton).Catalogue note
When sold in 2001 this portrait was identified as a likeness of the antiquarian and diplomat Sir William Hamilton KB, PC, FRS, FRSE (1730–1803). Sir William was one of the most accomplished men of the late eighteenth century, and can be counted amongst one of the greatest collectors and patrons of his generation. This traditional identification, however, has since been placed into doubt, despite the passing resemblance found here to other portraits of Sir William. The reason for this doubt is mostly due to the fact that the portrait depicts the sitter without any of the regalia and trappings relating to his membership of the Order of the Bath, an honour he was awarded in 1772 and was subsequently painted with on almost every occasion thereafter.
It is perhaps due to the resemblance of the man in this portrait to Hugh Douglas Hamilton's portrait of Sir William Hamilton, now in a private collection, which warranted this painting's previous association with H.D. Hamilton.1 However, the authorship of this painting has now been convincingly reattributed to the Scottish artist David Allan (1744–1796), whose portrayals of figures in particularly austere interiors are highly comparable to the present work.2
1 I. Jenkins and K. Sloan, Vases & Volcanoes: Sir William Hamilton and his Collection, exh. cat., London 1996, p. 264, no. 163, reproduced in colour.
2 This attribution was noted by Brian Allen on an annotated card in the Paul Mellon Centre photographic archive, London.
David Allan
Alloa 1744–1796 Edinburgh
Portrait of a gentleman traditionally identified as Sir William Hamilton (1730–1803)
oil on canvas
unframed: 181.5 x 133.7 cm.; 71½ x 52⅝ in.
framed: 190 x 144.2 cm.; 74¾ x 56¾ in.
Provenance
Anonymous sale, London, Sotheby's, 4 July 2001, lot 46, for £30,000 (as attributed to Hugh Douglas Hamilton);
Private collection;
Anonymous sale, London, Christie's, 16 June 2005, lot 239 (as circle of Hugh Douglas Hamilton), where unsold;
Acquired post-sale by the present owner.Literature
J. Ingamells, Mid-Georgian Portraits 1760–1790, London 2004, p. 234 (under doubtful identified portraits of Sir William Hamilton).Catalogue note
When sold in 2001 this portrait was identified as a likeness of the antiquarian and diplomat Sir William Hamilton KB, PC, FRS, FRSE (1730–1803). Sir William was one of the most accomplished men of the late eighteenth century, and can be counted amongst one of the greatest collectors and patrons of his generation. This traditional identification, however, has since been placed into doubt, despite the passing resemblance found here to other portraits of Sir William. The reason for this doubt is mostly due to the fact that the portrait depicts the sitter without any of the regalia and trappings relating to his membership of the Order of the Bath, an honour he was awarded in 1772 and was subsequently painted with on almost every occasion thereafter.
It is perhaps due to the resemblance of the man in this portrait to Hugh Douglas Hamilton's portrait of Sir William Hamilton, now in a private collection, which warranted this painting's previous association with H.D. Hamilton.1 However, the authorship of this painting has now been convincingly reattributed to the Scottish artist David Allan (1744–1796), whose portrayals of figures in particularly austere interiors are highly comparable to the present work.2
1 I. Jenkins and K. Sloan, Vases & Volcanoes: Sir William Hamilton and his Collection, exh. cat., London 1996, p. 264, no. 163, reproduced in colour.
2 This attribution was noted by Brian Allen on an annotated card in the Paul Mellon Centre photographic archive, London.
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Property from the collection of the late Andrew Edmunds
David Allan
Alloa 1744–1796 Edinburgh
Portrait of a gentleman traditionally identified as Sir William Hamilton (1730–1803)
oil on canvas
unframed: 181.5 x 133.7 cm.; 71½ x 52⅝ in.
framed: 190 x 144.2 cm.; 74¾ x 56¾ in.
Provenance
Anonymous sale, London, Sotheby's, 4 July 2001, lot 46, for £30,000 (as attributed to Hugh Douglas Hamilton);
Private collection;
Anonymous sale, London, Christie's, 16 June 2005, lot 239 (as circle of Hugh Douglas Hamilton), where unsold;
Acquired post-sale by the present owner.Literature
J. Ingamells, Mid-Georgian Portraits 1760–1790, London 2004, p. 234 (under doubtful identified portraits of Sir William Hamilton).Catalogue note
When sold in 2001 this portrait was identified as a likeness of the antiquarian and diplomat Sir William Hamilton KB, PC, FRS, FRSE (1730–1803). Sir William was one of the most accomplished men of the late eighteenth century, and can be counted amongst one of the greatest collectors and patrons of his generation. This traditional identification, however, has since been placed into doubt, despite the passing resemblance found here to other portraits of Sir William. The reason for this doubt is mostly due to the fact that the portrait depicts the sitter without any of the regalia and trappings relating to his membership of the Order of the Bath, an honour he was awarded in 1772 and was subsequently painted with on almost every occasion thereafter.
It is perhaps due to the resemblance of the man in this portrait to Hugh Douglas Hamilton's portrait of Sir William Hamilton, now in a private collection, which warranted this painting's previous association with H.D. Hamilton.1 However, the authorship of this painting has now been convincingly reattributed to the Scottish artist David Allan (1744–1796), whose portrayals of figures in particularly austere interiors are highly comparable to the present work.2
1 I. Jenkins and K. Sloan, Vases & Volcanoes: Sir William Hamilton and his Collection, exh. cat., London 1996, p. 264, no. 163, reproduced in colour.
2 This attribution was noted by Brian Allen on an annotated card in the Paul Mellon Centre photographic archive, London.
David Allan
Alloa 1744–1796 Edinburgh
Portrait of a gentleman traditionally identified as Sir William Hamilton (1730–1803)
oil on canvas
unframed: 181.5 x 133.7 cm.; 71½ x 52⅝ in.
framed: 190 x 144.2 cm.; 74¾ x 56¾ in.
Provenance
Anonymous sale, London, Sotheby's, 4 July 2001, lot 46, for £30,000 (as attributed to Hugh Douglas Hamilton);
Private collection;
Anonymous sale, London, Christie's, 16 June 2005, lot 239 (as circle of Hugh Douglas Hamilton), where unsold;
Acquired post-sale by the present owner.Literature
J. Ingamells, Mid-Georgian Portraits 1760–1790, London 2004, p. 234 (under doubtful identified portraits of Sir William Hamilton).Catalogue note
When sold in 2001 this portrait was identified as a likeness of the antiquarian and diplomat Sir William Hamilton KB, PC, FRS, FRSE (1730–1803). Sir William was one of the most accomplished men of the late eighteenth century, and can be counted amongst one of the greatest collectors and patrons of his generation. This traditional identification, however, has since been placed into doubt, despite the passing resemblance found here to other portraits of Sir William. The reason for this doubt is mostly due to the fact that the portrait depicts the sitter without any of the regalia and trappings relating to his membership of the Order of the Bath, an honour he was awarded in 1772 and was subsequently painted with on almost every occasion thereafter.
It is perhaps due to the resemblance of the man in this portrait to Hugh Douglas Hamilton's portrait of Sir William Hamilton, now in a private collection, which warranted this painting's previous association with H.D. Hamilton.1 However, the authorship of this painting has now been convincingly reattributed to the Scottish artist David Allan (1744–1796), whose portrayals of figures in particularly austere interiors are highly comparable to the present work.2
1 I. Jenkins and K. Sloan, Vases & Volcanoes: Sir William Hamilton and his Collection, exh. cat., London 1996, p. 264, no. 163, reproduced in colour.
2 This attribution was noted by Brian Allen on an annotated card in the Paul Mellon Centre photographic archive, London.
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