20
Spanish school; second half of the 17th century."Dolorosa".Oil on canvas.The original canvas is
1/6
Description
Spanish school; second half of the 17th century.
"Dolorosa".
Oil on canvas.
The original canvas is preserved.
It presents faults and repainting on the pictorial surface.
It conserves the period frame.
Measurements: 65 x 46 cm; 78 x 60 cm (frame).
In this work, Mary is represented as the Virgin of Sorrows and Solitude, a theme very much to the taste of popular Spanish devotion, which would enjoy a great diffusion during the Baroque period, especially in the works destined for chapels and private altars. The subject is usually depicted as we see here, with the Virgin alone in the foreground, in a dark, undefined setting of an undoubtedly dramatic nature. The drooping eyelids, moistened by silent weeping, give the image an intense but restrained pathos. The chiaroscuro models the soft feminine features. In this particular case the figure of the Virgin is depicted with a dagger through her heart, an iconography which, although frequent in the presentation of the Virgin of Sorrows, is not always present. The figure of the Virgin, depicted bust-length and inscribed in an oval, is shown to the viewer in an absent manner, with her gaze fixed on an external area of the composition, thus showing herself immersed in her sorrow as a mother.
The work is characterised by the use of dark tones, to which the skin and part of the Virgin's cloth add luminosity. This resource is not only aesthetic, but also thematic, as it introduces the viewer and helps him to empathise with the pain of a mother, who in this case is not presented as the queen of heaven, but as a sufferer.
"Dolorosa".
Oil on canvas.
The original canvas is preserved.
It presents faults and repainting on the pictorial surface.
It conserves the period frame.
Measurements: 65 x 46 cm; 78 x 60 cm (frame).
In this work, Mary is represented as the Virgin of Sorrows and Solitude, a theme very much to the taste of popular Spanish devotion, which would enjoy a great diffusion during the Baroque period, especially in the works destined for chapels and private altars. The subject is usually depicted as we see here, with the Virgin alone in the foreground, in a dark, undefined setting of an undoubtedly dramatic nature. The drooping eyelids, moistened by silent weeping, give the image an intense but restrained pathos. The chiaroscuro models the soft feminine features. In this particular case the figure of the Virgin is depicted with a dagger through her heart, an iconography which, although frequent in the presentation of the Virgin of Sorrows, is not always present. The figure of the Virgin, depicted bust-length and inscribed in an oval, is shown to the viewer in an absent manner, with her gaze fixed on an external area of the composition, thus showing herself immersed in her sorrow as a mother.
The work is characterised by the use of dark tones, to which the skin and part of the Virgin's cloth add luminosity. This resource is not only aesthetic, but also thematic, as it introduces the viewer and helps him to empathise with the pain of a mother, who in this case is not presented as the queen of heaven, but as a sufferer.
Auction Details
Shipping
T&Cs & Important Info
Ask seller a question
Spanish school; second half of the 17th century.
"Dolorosa".
Oil on canvas.
The original canvas is preserved.
It presents faults and repainting on the pictorial surface.
It conserves the period frame.
Measurements: 65 x 46 cm; 78 x 60 cm (frame).
In this work, Mary is represented as the Virgin of Sorrows and Solitude, a theme very much to the taste of popular Spanish devotion, which would enjoy a great diffusion during the Baroque period, especially in the works destined for chapels and private altars. The subject is usually depicted as we see here, with the Virgin alone in the foreground, in a dark, undefined setting of an undoubtedly dramatic nature. The drooping eyelids, moistened by silent weeping, give the image an intense but restrained pathos. The chiaroscuro models the soft feminine features. In this particular case the figure of the Virgin is depicted with a dagger through her heart, an iconography which, although frequent in the presentation of the Virgin of Sorrows, is not always present. The figure of the Virgin, depicted bust-length and inscribed in an oval, is shown to the viewer in an absent manner, with her gaze fixed on an external area of the composition, thus showing herself immersed in her sorrow as a mother.
The work is characterised by the use of dark tones, to which the skin and part of the Virgin's cloth add luminosity. This resource is not only aesthetic, but also thematic, as it introduces the viewer and helps him to empathise with the pain of a mother, who in this case is not presented as the queen of heaven, but as a sufferer.
"Dolorosa".
Oil on canvas.
The original canvas is preserved.
It presents faults and repainting on the pictorial surface.
It conserves the period frame.
Measurements: 65 x 46 cm; 78 x 60 cm (frame).
In this work, Mary is represented as the Virgin of Sorrows and Solitude, a theme very much to the taste of popular Spanish devotion, which would enjoy a great diffusion during the Baroque period, especially in the works destined for chapels and private altars. The subject is usually depicted as we see here, with the Virgin alone in the foreground, in a dark, undefined setting of an undoubtedly dramatic nature. The drooping eyelids, moistened by silent weeping, give the image an intense but restrained pathos. The chiaroscuro models the soft feminine features. In this particular case the figure of the Virgin is depicted with a dagger through her heart, an iconography which, although frequent in the presentation of the Virgin of Sorrows, is not always present. The figure of the Virgin, depicted bust-length and inscribed in an oval, is shown to the viewer in an absent manner, with her gaze fixed on an external area of the composition, thus showing herself immersed in her sorrow as a mother.
The work is characterised by the use of dark tones, to which the skin and part of the Virgin's cloth add luminosity. This resource is not only aesthetic, but also thematic, as it introduces the viewer and helps him to empathise with the pain of a mother, who in this case is not presented as the queen of heaven, but as a sufferer.
29th December - Old Masters
Sale Date(s)
Venue Address
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
General delivery information available from the auctioneer
Setdart offers Worldwide shipping
PICK UP IN ROOM: You can come and pick up your lots in our offices (Barcelona, Madrid or Valencia). At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
Important Information
25% buyer´s premium
21% buyer´s premium at www.setdart.com