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Italian school of the 18th century."Pair of angels".Carved and gilded wood.They have faults.
1/5
Description
Italian school of the 18th century.
"Pair of angels".
Carved and gilded wood.
They have faults.
Measurements: 31 x 22 x 15 cm.
Pair of child angels of baroque style, dated in the 18th century, carved in wood in round and gilded. They appear in a flying position, in graceful, elegant and at the same time naturalistic postures, typically classical and well balanced, slightly different from each other. They appear with their arms outstretched, their feet raised and their gaze directed downwards.
Throughout Europe, sculpture played an important role during the Baroque period. It appeared in public spaces, in palaces and private residences, in churches and cathedrals, government buildings, among others, and also reflected a wide variety of subjects, from saints, popes and heroes to famous people, statesmen, mythological figures... Formally, these are works with very free compositions, always marked by their dynamism and by a marked tendency towards instability in the representation, in keeping with the taste for the curved line so typically Baroque.
"Pair of angels".
Carved and gilded wood.
They have faults.
Measurements: 31 x 22 x 15 cm.
Pair of child angels of baroque style, dated in the 18th century, carved in wood in round and gilded. They appear in a flying position, in graceful, elegant and at the same time naturalistic postures, typically classical and well balanced, slightly different from each other. They appear with their arms outstretched, their feet raised and their gaze directed downwards.
Throughout Europe, sculpture played an important role during the Baroque period. It appeared in public spaces, in palaces and private residences, in churches and cathedrals, government buildings, among others, and also reflected a wide variety of subjects, from saints, popes and heroes to famous people, statesmen, mythological figures... Formally, these are works with very free compositions, always marked by their dynamism and by a marked tendency towards instability in the representation, in keeping with the taste for the curved line so typically Baroque.
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Italian school of the 18th century.
"Pair of angels".
Carved and gilded wood.
They have faults.
Measurements: 31 x 22 x 15 cm.
Pair of child angels of baroque style, dated in the 18th century, carved in wood in round and gilded. They appear in a flying position, in graceful, elegant and at the same time naturalistic postures, typically classical and well balanced, slightly different from each other. They appear with their arms outstretched, their feet raised and their gaze directed downwards.
Throughout Europe, sculpture played an important role during the Baroque period. It appeared in public spaces, in palaces and private residences, in churches and cathedrals, government buildings, among others, and also reflected a wide variety of subjects, from saints, popes and heroes to famous people, statesmen, mythological figures... Formally, these are works with very free compositions, always marked by their dynamism and by a marked tendency towards instability in the representation, in keeping with the taste for the curved line so typically Baroque.
"Pair of angels".
Carved and gilded wood.
They have faults.
Measurements: 31 x 22 x 15 cm.
Pair of child angels of baroque style, dated in the 18th century, carved in wood in round and gilded. They appear in a flying position, in graceful, elegant and at the same time naturalistic postures, typically classical and well balanced, slightly different from each other. They appear with their arms outstretched, their feet raised and their gaze directed downwards.
Throughout Europe, sculpture played an important role during the Baroque period. It appeared in public spaces, in palaces and private residences, in churches and cathedrals, government buildings, among others, and also reflected a wide variety of subjects, from saints, popes and heroes to famous people, statesmen, mythological figures... Formally, these are works with very free compositions, always marked by their dynamism and by a marked tendency towards instability in the representation, in keeping with the taste for the curved line so typically Baroque.
29th December - Old Masters
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Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
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