34
AGUSTÍN REDONDELA (Madrid, 1922-2015)."Por el camino", 1978.Oil on canvas.Signed and dated in the
1/6
Description
AGUSTÍN REDONDELA (Madrid, 1922-2015).
"Por el camino", 1978.
Oil on canvas.
Signed and dated in the lower right corner.
Size: 54 x 65 cm; 80 x 91,5 cm (frame).
Agustín Redondela's continuous travels around the Spanish geography awoke in him a great interest for the landscape, which was the undisputed protagonist of his artistic production. Throughout his career his style evolved towards more synthetic compositional forms and a simplification in the use of colour, thus reducing the tonalities used. This work belongs to a period of transition of the artist, in which we can appreciate the landscape characteristics, as well as highlighting the beginning of a change from a chromatic range of ochre colours and warm tones of his first works to blues and violet tones with which he would end his career.
A painter who was mainly self-taught and considered one of the most original Spanish landscape painters of the 20th century, Agustín González Alonso trained with his father, the painter and set designer José González "Redondela". After the Civil War he attended classes at the Madrid School of Arts and Crafts with the landscape painter José Ordoñez, and in 1945 he sent a painting to the National Exhibition of Fine Arts for the first time, signed with the pseudonym Redondela. That same year he held his first personal exhibition at the Estilo gallery in Madrid. It was at this time that he came into contact with the Madrid School, and in 1947 he was selected to exhibit at the Salón de los Once de la Academia Breve e Crítica de Arte de Eugenio d'Ors. In the fifties Redondela won a grant from the Catherword Foundation in Philadelphia (1954), the National Painting Prize (1953) and the first medal at the National Exhibition (1957). Throughout his career he combined painting with stage design, working for plays by Jacinto Benavente, Joaquín Calvo Sotelo, Dodie Smith and Peter Ustinov, among others. He also did some work as an illustrator, including a luxurious edition of Cela's "Viaje a la Alcarria" in 1978. In 1996 the Real Academia de Bellas Artes de San Fernando awarded him the José González de la Peña prize, and two years later the Centro Cultural de la Villa de Madrid dedicated an important anthological exhibition to him. He is currently represented in the Museum of Fine Arts in La Coruña, the Museum of Contemporary Spanish Landscape in Priego de Córdoba, the Museum of Fine Arts in Bilbao, the Camón Aznar Museum in Zaragoza, the museums of Buenos Aires, Caracas and Havana and the Oswaldo Guayasamín House-Museum in Quito, among other public and private collections.
"Por el camino", 1978.
Oil on canvas.
Signed and dated in the lower right corner.
Size: 54 x 65 cm; 80 x 91,5 cm (frame).
Agustín Redondela's continuous travels around the Spanish geography awoke in him a great interest for the landscape, which was the undisputed protagonist of his artistic production. Throughout his career his style evolved towards more synthetic compositional forms and a simplification in the use of colour, thus reducing the tonalities used. This work belongs to a period of transition of the artist, in which we can appreciate the landscape characteristics, as well as highlighting the beginning of a change from a chromatic range of ochre colours and warm tones of his first works to blues and violet tones with which he would end his career.
A painter who was mainly self-taught and considered one of the most original Spanish landscape painters of the 20th century, Agustín González Alonso trained with his father, the painter and set designer José González "Redondela". After the Civil War he attended classes at the Madrid School of Arts and Crafts with the landscape painter José Ordoñez, and in 1945 he sent a painting to the National Exhibition of Fine Arts for the first time, signed with the pseudonym Redondela. That same year he held his first personal exhibition at the Estilo gallery in Madrid. It was at this time that he came into contact with the Madrid School, and in 1947 he was selected to exhibit at the Salón de los Once de la Academia Breve e Crítica de Arte de Eugenio d'Ors. In the fifties Redondela won a grant from the Catherword Foundation in Philadelphia (1954), the National Painting Prize (1953) and the first medal at the National Exhibition (1957). Throughout his career he combined painting with stage design, working for plays by Jacinto Benavente, Joaquín Calvo Sotelo, Dodie Smith and Peter Ustinov, among others. He also did some work as an illustrator, including a luxurious edition of Cela's "Viaje a la Alcarria" in 1978. In 1996 the Real Academia de Bellas Artes de San Fernando awarded him the José González de la Peña prize, and two years later the Centro Cultural de la Villa de Madrid dedicated an important anthological exhibition to him. He is currently represented in the Museum of Fine Arts in La Coruña, the Museum of Contemporary Spanish Landscape in Priego de Córdoba, the Museum of Fine Arts in Bilbao, the Camón Aznar Museum in Zaragoza, the museums of Buenos Aires, Caracas and Havana and the Oswaldo Guayasamín House-Museum in Quito, among other public and private collections.
Auction Details
Shipping
T&Cs & Important Info
Ask seller a question
AGUSTÍN REDONDELA (Madrid, 1922-2015).
"Por el camino", 1978.
Oil on canvas.
Signed and dated in the lower right corner.
Size: 54 x 65 cm; 80 x 91,5 cm (frame).
Agustín Redondela's continuous travels around the Spanish geography awoke in him a great interest for the landscape, which was the undisputed protagonist of his artistic production. Throughout his career his style evolved towards more synthetic compositional forms and a simplification in the use of colour, thus reducing the tonalities used. This work belongs to a period of transition of the artist, in which we can appreciate the landscape characteristics, as well as highlighting the beginning of a change from a chromatic range of ochre colours and warm tones of his first works to blues and violet tones with which he would end his career.
A painter who was mainly self-taught and considered one of the most original Spanish landscape painters of the 20th century, Agustín González Alonso trained with his father, the painter and set designer José González "Redondela". After the Civil War he attended classes at the Madrid School of Arts and Crafts with the landscape painter José Ordoñez, and in 1945 he sent a painting to the National Exhibition of Fine Arts for the first time, signed with the pseudonym Redondela. That same year he held his first personal exhibition at the Estilo gallery in Madrid. It was at this time that he came into contact with the Madrid School, and in 1947 he was selected to exhibit at the Salón de los Once de la Academia Breve e Crítica de Arte de Eugenio d'Ors. In the fifties Redondela won a grant from the Catherword Foundation in Philadelphia (1954), the National Painting Prize (1953) and the first medal at the National Exhibition (1957). Throughout his career he combined painting with stage design, working for plays by Jacinto Benavente, Joaquín Calvo Sotelo, Dodie Smith and Peter Ustinov, among others. He also did some work as an illustrator, including a luxurious edition of Cela's "Viaje a la Alcarria" in 1978. In 1996 the Real Academia de Bellas Artes de San Fernando awarded him the José González de la Peña prize, and two years later the Centro Cultural de la Villa de Madrid dedicated an important anthological exhibition to him. He is currently represented in the Museum of Fine Arts in La Coruña, the Museum of Contemporary Spanish Landscape in Priego de Córdoba, the Museum of Fine Arts in Bilbao, the Camón Aznar Museum in Zaragoza, the museums of Buenos Aires, Caracas and Havana and the Oswaldo Guayasamín House-Museum in Quito, among other public and private collections.
"Por el camino", 1978.
Oil on canvas.
Signed and dated in the lower right corner.
Size: 54 x 65 cm; 80 x 91,5 cm (frame).
Agustín Redondela's continuous travels around the Spanish geography awoke in him a great interest for the landscape, which was the undisputed protagonist of his artistic production. Throughout his career his style evolved towards more synthetic compositional forms and a simplification in the use of colour, thus reducing the tonalities used. This work belongs to a period of transition of the artist, in which we can appreciate the landscape characteristics, as well as highlighting the beginning of a change from a chromatic range of ochre colours and warm tones of his first works to blues and violet tones with which he would end his career.
A painter who was mainly self-taught and considered one of the most original Spanish landscape painters of the 20th century, Agustín González Alonso trained with his father, the painter and set designer José González "Redondela". After the Civil War he attended classes at the Madrid School of Arts and Crafts with the landscape painter José Ordoñez, and in 1945 he sent a painting to the National Exhibition of Fine Arts for the first time, signed with the pseudonym Redondela. That same year he held his first personal exhibition at the Estilo gallery in Madrid. It was at this time that he came into contact with the Madrid School, and in 1947 he was selected to exhibit at the Salón de los Once de la Academia Breve e Crítica de Arte de Eugenio d'Ors. In the fifties Redondela won a grant from the Catherword Foundation in Philadelphia (1954), the National Painting Prize (1953) and the first medal at the National Exhibition (1957). Throughout his career he combined painting with stage design, working for plays by Jacinto Benavente, Joaquín Calvo Sotelo, Dodie Smith and Peter Ustinov, among others. He also did some work as an illustrator, including a luxurious edition of Cela's "Viaje a la Alcarria" in 1978. In 1996 the Real Academia de Bellas Artes de San Fernando awarded him the José González de la Peña prize, and two years later the Centro Cultural de la Villa de Madrid dedicated an important anthological exhibition to him. He is currently represented in the Museum of Fine Arts in La Coruña, the Museum of Contemporary Spanish Landscape in Priego de Córdoba, the Museum of Fine Arts in Bilbao, the Camón Aznar Museum in Zaragoza, the museums of Buenos Aires, Caracas and Havana and the Oswaldo Guayasamín House-Museum in Quito, among other public and private collections.
24th November - 19th & 20th Century Arts & Berlanga´s Privat Collection
Sale Date(s)
Venue Address
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
General delivery information available from the auctioneer
Setdart offers Worldwide shipping
PICK UP IN ROOM: You can come and pick up your lots in our offices (Barcelona, Madrid or Valencia). At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
Important Information
25% buyer´s premium
OR
21% buyer´s premium at www.setdart.com
Terms & Conditions
The maximum period to pay the lots is 7 working days. You can pay either via bank transfer or with credit card through our platform www.setdart.com (we only accept VISA or Mastercard).
BUYER´S PREMIUM: 22% Hammer price + 21% VAT from the buyer´s premium
If your piece has more than 100 years, our Ministry of Culture requires an export certificate in order for the piece to leave the country. Note that if the piece goes inside the EU, there is no cost for the export certificate. If the piece goes outside the EU, there is a cost for the export certificate. You can find more information in our Ministry of Culture website: https://www.culturaydeporte.gob.es/en/cultura/patrimonio/exportacionimportacion/exportacion/tasas.html
INQUIRIES: admin@setdart.com
Setdart guides you through the entire process, from the time of award to the day you receive your lot. Our logistics team will be happy to manage your transport, and will advise you on the best shipping method with professionals from the sector used to handling works of art and jewelry.
WE OFFER WORLDWIDE DOOR TO DOOR SHIPPING
PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
SETDART IS NOT RESPONSIBLE FOR THE STATE OF THE PARTS ONCE THEY LEAVE OUR FACILITIES. MRW SHIPMENTS: Once the payment is made, your lot will be packed for shipment, the logistics department will send you an e-mail notifying you of the day it leaves our warehouse, changes of address cannot be made after receiving this e-mail.
INSURANCE INCIDENTS: Coverage for the value of the auction up to 3000 ? per shipment, if the value of the auction is higher, Setdart will send you a quote including the additional insurance. The insurance company WILL NOT BE RESPONSIBLE FOR THE SHIPMENT THAT EXCEEDS THAT AMOUNT AND IS NOT FULLY INSURED. MRW INCIDENTS: Maximum notification 48 hours after receipt, after which the insurance company WILL NOT BE RESPONSIBLE AND NO CLAIMS WILL BE ACCEPTED.
E-MAIL LOGISTICS: logistica@setdart.com
PICK UP YOUR MESSAGES: You can send your own messaging, prior notice via e-mail that your shipment is ready, please note 3 or 4 days in advance. This type of shipment is packaged so Setdart will provide you with a quote.
EXPENSES FOR STORAGE: We inform you that if the purchased lot is not picked up within a month, you will be charged 30€ per week per lot. Setdart Online S.L., owner of the web site "setdart.com", "setdart.net" and "setdart.org", acts as a company of Spanish nationality inscribed in the Volume 36955, sheet 182, page B-293056 of the Mercantile Registry, with registered office at Calle Aragó
