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Spanish Renaissance school, 16th century."Calvary".Oil on panel.It presents faults and
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Description
Spanish Renaissance school, 16th century.
"Calvary".
Oil on panel.
It presents faults and restorations.
Measurements: 71 x 48 cm; 85 x 62 cm (frame).
Due to the technical characteristics, such as the modelling of the forms, the tonalities used, the type of composition, and even the aesthetic details used in the treatment of the canvases that make up the scene, this work can be inscribed within the Renaissance school. It shows the Crucifixion with the Virgin and Saint John at her feet, an iconographic form evolved from the original Byzantine Déesis, which depicted Christ in Majesty accompanied by Mary and Saint John the Baptist. In Western art, the depiction of Christ on the cross was preferred, as a narrative scene, and the figure of St John the Baptist was replaced by that of John the Evangelist. Another significant change, which seeks greater naturalism, is that while in the Byzantine model both the Virgin and Saint John have their faces raised or turned towards Christ, with their hands in a position of supplication on behalf of humanity, here they are shown mourning in the classical manner, with restrained expressiveness. Mary appears suffering, with her face bowed, while John shows greater emotional restraint, with his gaze fixed on the front, lost, holding his hand to his heart. The three figures are set in the foreground against a neutral background, with Adam's skull at their feet.
"Calvary".
Oil on panel.
It presents faults and restorations.
Measurements: 71 x 48 cm; 85 x 62 cm (frame).
Due to the technical characteristics, such as the modelling of the forms, the tonalities used, the type of composition, and even the aesthetic details used in the treatment of the canvases that make up the scene, this work can be inscribed within the Renaissance school. It shows the Crucifixion with the Virgin and Saint John at her feet, an iconographic form evolved from the original Byzantine Déesis, which depicted Christ in Majesty accompanied by Mary and Saint John the Baptist. In Western art, the depiction of Christ on the cross was preferred, as a narrative scene, and the figure of St John the Baptist was replaced by that of John the Evangelist. Another significant change, which seeks greater naturalism, is that while in the Byzantine model both the Virgin and Saint John have their faces raised or turned towards Christ, with their hands in a position of supplication on behalf of humanity, here they are shown mourning in the classical manner, with restrained expressiveness. Mary appears suffering, with her face bowed, while John shows greater emotional restraint, with his gaze fixed on the front, lost, holding his hand to his heart. The three figures are set in the foreground against a neutral background, with Adam's skull at their feet.
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Spanish Renaissance school, 16th century.
"Calvary".
Oil on panel.
It presents faults and restorations.
Measurements: 71 x 48 cm; 85 x 62 cm (frame).
Due to the technical characteristics, such as the modelling of the forms, the tonalities used, the type of composition, and even the aesthetic details used in the treatment of the canvases that make up the scene, this work can be inscribed within the Renaissance school. It shows the Crucifixion with the Virgin and Saint John at her feet, an iconographic form evolved from the original Byzantine Déesis, which depicted Christ in Majesty accompanied by Mary and Saint John the Baptist. In Western art, the depiction of Christ on the cross was preferred, as a narrative scene, and the figure of St John the Baptist was replaced by that of John the Evangelist. Another significant change, which seeks greater naturalism, is that while in the Byzantine model both the Virgin and Saint John have their faces raised or turned towards Christ, with their hands in a position of supplication on behalf of humanity, here they are shown mourning in the classical manner, with restrained expressiveness. Mary appears suffering, with her face bowed, while John shows greater emotional restraint, with his gaze fixed on the front, lost, holding his hand to his heart. The three figures are set in the foreground against a neutral background, with Adam's skull at their feet.
"Calvary".
Oil on panel.
It presents faults and restorations.
Measurements: 71 x 48 cm; 85 x 62 cm (frame).
Due to the technical characteristics, such as the modelling of the forms, the tonalities used, the type of composition, and even the aesthetic details used in the treatment of the canvases that make up the scene, this work can be inscribed within the Renaissance school. It shows the Crucifixion with the Virgin and Saint John at her feet, an iconographic form evolved from the original Byzantine Déesis, which depicted Christ in Majesty accompanied by Mary and Saint John the Baptist. In Western art, the depiction of Christ on the cross was preferred, as a narrative scene, and the figure of St John the Baptist was replaced by that of John the Evangelist. Another significant change, which seeks greater naturalism, is that while in the Byzantine model both the Virgin and Saint John have their faces raised or turned towards Christ, with their hands in a position of supplication on behalf of humanity, here they are shown mourning in the classical manner, with restrained expressiveness. Mary appears suffering, with her face bowed, while John shows greater emotional restraint, with his gaze fixed on the front, lost, holding his hand to his heart. The three figures are set in the foreground against a neutral background, with Adam's skull at their feet.
22nd November - Old Masters
Sale Date(s)
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Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
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