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17th century Italian school."Penitent Magdalene".Oil on canvas.Size: 88 x 126 cm; 115 x 150 cm (
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Description
17th century Italian school.
"Penitent Magdalene".
Oil on canvas.
Size: 88 x 126 cm; 115 x 150 cm (frame).
In this painting, which belongs to the Italian school of the 17th century, Mary Magdalene is represented praying inside a cave, looking at the knob of essences with which she anointed Jesus' feet before his arrival to Jerusalem. The lighting is typically Baroque. It is a tenebrist light: directed, focused, it falls directly on the main points of the scene, leaving the rest in a nuanced semi-darkness and producing expressive plays of chiaroscuro and dense contrasts.
Mary Magdalene is mentioned in the New Testament as a distinguished disciple of Christ. According to the Gospels, she housed and provided materially for Jesus and his disciples during their stay in Galilee, and was present at the Crucifixion. She was a witness to the Resurrection, as well as the one in charge of transmitting the news to the apostles. She is also identified with the woman who anointed the feet of Jesus with perfumes before his arrival in Jerusalem, which is why her main iconographic attribute is a knob of essences, like the one shown here. Alone, Mary Magdalene is usually depicted as here, doing penance in the desert, repentant for her past sins, meditating on the Holy Scriptures. The story of this saint serves as an example of Christ's forgiveness, and conveys the message of the possibility of redemption of the soul through repentance and faith.
"Penitent Magdalene".
Oil on canvas.
Size: 88 x 126 cm; 115 x 150 cm (frame).
In this painting, which belongs to the Italian school of the 17th century, Mary Magdalene is represented praying inside a cave, looking at the knob of essences with which she anointed Jesus' feet before his arrival to Jerusalem. The lighting is typically Baroque. It is a tenebrist light: directed, focused, it falls directly on the main points of the scene, leaving the rest in a nuanced semi-darkness and producing expressive plays of chiaroscuro and dense contrasts.
Mary Magdalene is mentioned in the New Testament as a distinguished disciple of Christ. According to the Gospels, she housed and provided materially for Jesus and his disciples during their stay in Galilee, and was present at the Crucifixion. She was a witness to the Resurrection, as well as the one in charge of transmitting the news to the apostles. She is also identified with the woman who anointed the feet of Jesus with perfumes before his arrival in Jerusalem, which is why her main iconographic attribute is a knob of essences, like the one shown here. Alone, Mary Magdalene is usually depicted as here, doing penance in the desert, repentant for her past sins, meditating on the Holy Scriptures. The story of this saint serves as an example of Christ's forgiveness, and conveys the message of the possibility of redemption of the soul through repentance and faith.
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17th century Italian school.
"Penitent Magdalene".
Oil on canvas.
Size: 88 x 126 cm; 115 x 150 cm (frame).
In this painting, which belongs to the Italian school of the 17th century, Mary Magdalene is represented praying inside a cave, looking at the knob of essences with which she anointed Jesus' feet before his arrival to Jerusalem. The lighting is typically Baroque. It is a tenebrist light: directed, focused, it falls directly on the main points of the scene, leaving the rest in a nuanced semi-darkness and producing expressive plays of chiaroscuro and dense contrasts.
Mary Magdalene is mentioned in the New Testament as a distinguished disciple of Christ. According to the Gospels, she housed and provided materially for Jesus and his disciples during their stay in Galilee, and was present at the Crucifixion. She was a witness to the Resurrection, as well as the one in charge of transmitting the news to the apostles. She is also identified with the woman who anointed the feet of Jesus with perfumes before his arrival in Jerusalem, which is why her main iconographic attribute is a knob of essences, like the one shown here. Alone, Mary Magdalene is usually depicted as here, doing penance in the desert, repentant for her past sins, meditating on the Holy Scriptures. The story of this saint serves as an example of Christ's forgiveness, and conveys the message of the possibility of redemption of the soul through repentance and faith.
"Penitent Magdalene".
Oil on canvas.
Size: 88 x 126 cm; 115 x 150 cm (frame).
In this painting, which belongs to the Italian school of the 17th century, Mary Magdalene is represented praying inside a cave, looking at the knob of essences with which she anointed Jesus' feet before his arrival to Jerusalem. The lighting is typically Baroque. It is a tenebrist light: directed, focused, it falls directly on the main points of the scene, leaving the rest in a nuanced semi-darkness and producing expressive plays of chiaroscuro and dense contrasts.
Mary Magdalene is mentioned in the New Testament as a distinguished disciple of Christ. According to the Gospels, she housed and provided materially for Jesus and his disciples during their stay in Galilee, and was present at the Crucifixion. She was a witness to the Resurrection, as well as the one in charge of transmitting the news to the apostles. She is also identified with the woman who anointed the feet of Jesus with perfumes before his arrival in Jerusalem, which is why her main iconographic attribute is a knob of essences, like the one shown here. Alone, Mary Magdalene is usually depicted as here, doing penance in the desert, repentant for her past sins, meditating on the Holy Scriptures. The story of this saint serves as an example of Christ's forgiveness, and conveys the message of the possibility of redemption of the soul through repentance and faith.
22nd November - Old Masters
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