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Andalusian school; second half of the 17th century."Virgin of Silence".Oil on canvas.Presents
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Description
Andalusian school; second half of the 17th century.
"Virgin of Silence".
Oil on canvas.
Presents restorations.
Measurements: 104 x 79 cm.
The iconographic theme is the contemplation of the child who is sleeping while his mother, the Virgin, adores him. It is the combination of the concepts of mother and son in a natural and tender attitude, as well as the mother of God observing the divine and transcendental character of her son. The painter offers us a scene with a very long tradition in the Christian West, worked with subtle gradations of half-tones. Since the end of the Middle Ages artists have insisted on depicting, in an increasingly intense manner, the bond of affection that united Christ with his Mother and the close relationship between the two, and this was encouraged in the Renaissance and, naturally, in the Baroque period, when the exacerbation of emotions characterised a large part of artistic production. This characteristic became increasingly common over the centuries. It is worth noting the symbolism of the colours of the cloth, the blue cloak representing universality, the red tunic alluding to the passion of Christ, and the white cloth showing the purity and innocence of Jesus. Therefore, despite the calmness of the Virgin's facial gestures, her clothing defines her as a suffering mother, aware of her son's fate.
"Virgin of Silence".
Oil on canvas.
Presents restorations.
Measurements: 104 x 79 cm.
The iconographic theme is the contemplation of the child who is sleeping while his mother, the Virgin, adores him. It is the combination of the concepts of mother and son in a natural and tender attitude, as well as the mother of God observing the divine and transcendental character of her son. The painter offers us a scene with a very long tradition in the Christian West, worked with subtle gradations of half-tones. Since the end of the Middle Ages artists have insisted on depicting, in an increasingly intense manner, the bond of affection that united Christ with his Mother and the close relationship between the two, and this was encouraged in the Renaissance and, naturally, in the Baroque period, when the exacerbation of emotions characterised a large part of artistic production. This characteristic became increasingly common over the centuries. It is worth noting the symbolism of the colours of the cloth, the blue cloak representing universality, the red tunic alluding to the passion of Christ, and the white cloth showing the purity and innocence of Jesus. Therefore, despite the calmness of the Virgin's facial gestures, her clothing defines her as a suffering mother, aware of her son's fate.
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Andalusian school; second half of the 17th century.
"Virgin of Silence".
Oil on canvas.
Presents restorations.
Measurements: 104 x 79 cm.
The iconographic theme is the contemplation of the child who is sleeping while his mother, the Virgin, adores him. It is the combination of the concepts of mother and son in a natural and tender attitude, as well as the mother of God observing the divine and transcendental character of her son. The painter offers us a scene with a very long tradition in the Christian West, worked with subtle gradations of half-tones. Since the end of the Middle Ages artists have insisted on depicting, in an increasingly intense manner, the bond of affection that united Christ with his Mother and the close relationship between the two, and this was encouraged in the Renaissance and, naturally, in the Baroque period, when the exacerbation of emotions characterised a large part of artistic production. This characteristic became increasingly common over the centuries. It is worth noting the symbolism of the colours of the cloth, the blue cloak representing universality, the red tunic alluding to the passion of Christ, and the white cloth showing the purity and innocence of Jesus. Therefore, despite the calmness of the Virgin's facial gestures, her clothing defines her as a suffering mother, aware of her son's fate.
"Virgin of Silence".
Oil on canvas.
Presents restorations.
Measurements: 104 x 79 cm.
The iconographic theme is the contemplation of the child who is sleeping while his mother, the Virgin, adores him. It is the combination of the concepts of mother and son in a natural and tender attitude, as well as the mother of God observing the divine and transcendental character of her son. The painter offers us a scene with a very long tradition in the Christian West, worked with subtle gradations of half-tones. Since the end of the Middle Ages artists have insisted on depicting, in an increasingly intense manner, the bond of affection that united Christ with his Mother and the close relationship between the two, and this was encouraged in the Renaissance and, naturally, in the Baroque period, when the exacerbation of emotions characterised a large part of artistic production. This characteristic became increasingly common over the centuries. It is worth noting the symbolism of the colours of the cloth, the blue cloak representing universality, the red tunic alluding to the passion of Christ, and the white cloth showing the purity and innocence of Jesus. Therefore, despite the calmness of the Virgin's facial gestures, her clothing defines her as a suffering mother, aware of her son's fate.
22nd November - Old Masters
Sale Date(s)
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Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
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