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Italian school, early 18th century."Landscape with hunter and dog".Oil on canvas.Measurements: 71,
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Description
Italian school, early 18th century.
"Landscape with hunter and dog".
Oil on canvas.
Measurements: 71,5 x 65 cm.
Pending export certificate.
It has repainting.
The work will be available approximately 15-20 days after payment.
Landscape painting was not codified as an independent genre until the beginning of the 17th century, having an important sustenance in the Baroque period, although under the strict rules of the rigid Counter-Reformation. Landscape as its own subject was categorised into different branches (mairnas, architectures, vedutas...) and was embraced by northern European artists mainly thanks to the Dutch Golden Age and the disappearance of religious patronage due to historical-political reasons, leading to the resounding flowering of a new bourgeois painting, with the triumph of all genres hitherto considered minor, including landscape. During the 18th century, the development of landscape painting contributed to the interest in theatrical scenography and to progress in the field of depth and optics, finding in the midst of it figures represented in a fortuitous manner. Landscape became the expression of idyllic visuals of classical inspiration.
In the present painting, a lush landscape appears in the foreground, with a group of trees on the left side awaiting the entrance of a hunter accompanied by his dog. As can be seen, the artist has given greater importance to the work and detail of the vegetation and natural composition than to the figure who appears almost by chance in the scene. If we look closely, after this foreground, another group of trees rises up on the right-hand edge until our gaze is drawn to the rocky mountains shrouded by a mist in the background.
"Landscape with hunter and dog".
Oil on canvas.
Measurements: 71,5 x 65 cm.
Pending export certificate.
It has repainting.
The work will be available approximately 15-20 days after payment.
Landscape painting was not codified as an independent genre until the beginning of the 17th century, having an important sustenance in the Baroque period, although under the strict rules of the rigid Counter-Reformation. Landscape as its own subject was categorised into different branches (mairnas, architectures, vedutas...) and was embraced by northern European artists mainly thanks to the Dutch Golden Age and the disappearance of religious patronage due to historical-political reasons, leading to the resounding flowering of a new bourgeois painting, with the triumph of all genres hitherto considered minor, including landscape. During the 18th century, the development of landscape painting contributed to the interest in theatrical scenography and to progress in the field of depth and optics, finding in the midst of it figures represented in a fortuitous manner. Landscape became the expression of idyllic visuals of classical inspiration.
In the present painting, a lush landscape appears in the foreground, with a group of trees on the left side awaiting the entrance of a hunter accompanied by his dog. As can be seen, the artist has given greater importance to the work and detail of the vegetation and natural composition than to the figure who appears almost by chance in the scene. If we look closely, after this foreground, another group of trees rises up on the right-hand edge until our gaze is drawn to the rocky mountains shrouded by a mist in the background.
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Italian school, early 18th century.
"Landscape with hunter and dog".
Oil on canvas.
Measurements: 71,5 x 65 cm.
Pending export certificate.
It has repainting.
The work will be available approximately 15-20 days after payment.
Landscape painting was not codified as an independent genre until the beginning of the 17th century, having an important sustenance in the Baroque period, although under the strict rules of the rigid Counter-Reformation. Landscape as its own subject was categorised into different branches (mairnas, architectures, vedutas...) and was embraced by northern European artists mainly thanks to the Dutch Golden Age and the disappearance of religious patronage due to historical-political reasons, leading to the resounding flowering of a new bourgeois painting, with the triumph of all genres hitherto considered minor, including landscape. During the 18th century, the development of landscape painting contributed to the interest in theatrical scenography and to progress in the field of depth and optics, finding in the midst of it figures represented in a fortuitous manner. Landscape became the expression of idyllic visuals of classical inspiration.
In the present painting, a lush landscape appears in the foreground, with a group of trees on the left side awaiting the entrance of a hunter accompanied by his dog. As can be seen, the artist has given greater importance to the work and detail of the vegetation and natural composition than to the figure who appears almost by chance in the scene. If we look closely, after this foreground, another group of trees rises up on the right-hand edge until our gaze is drawn to the rocky mountains shrouded by a mist in the background.
"Landscape with hunter and dog".
Oil on canvas.
Measurements: 71,5 x 65 cm.
Pending export certificate.
It has repainting.
The work will be available approximately 15-20 days after payment.
Landscape painting was not codified as an independent genre until the beginning of the 17th century, having an important sustenance in the Baroque period, although under the strict rules of the rigid Counter-Reformation. Landscape as its own subject was categorised into different branches (mairnas, architectures, vedutas...) and was embraced by northern European artists mainly thanks to the Dutch Golden Age and the disappearance of religious patronage due to historical-political reasons, leading to the resounding flowering of a new bourgeois painting, with the triumph of all genres hitherto considered minor, including landscape. During the 18th century, the development of landscape painting contributed to the interest in theatrical scenography and to progress in the field of depth and optics, finding in the midst of it figures represented in a fortuitous manner. Landscape became the expression of idyllic visuals of classical inspiration.
In the present painting, a lush landscape appears in the foreground, with a group of trees on the left side awaiting the entrance of a hunter accompanied by his dog. As can be seen, the artist has given greater importance to the work and detail of the vegetation and natural composition than to the figure who appears almost by chance in the scene. If we look closely, after this foreground, another group of trees rises up on the right-hand edge until our gaze is drawn to the rocky mountains shrouded by a mist in the background.
22nd November - Old Masters
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