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Flemish school, mid-17th century."Adoration of the Magi".Oil on copper.With frame circa 1830.
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Description
Flemish school, mid-17th century.
"Adoration of the Magi".
Oil on copper.
With frame circa 1830.
Measurements: 56 x 73 cm; 65 x 82 cm (frame).
A light illuminates the scene and the illumination seems to emanate from the bodies, especially from the body of Jesus, Mary and the kneeling King Melchior. But the other figures also have a personality of their own. Enraptured, they carry myrrh and incense. Their cloaks shine like satin and fine silk, as do the soldiers' helmets. A great variety of human types come to Bethlehem. This painting is fully in keeping with the Baroque style, which is notable for the painstaking attention to detail, the use of contrasts of light and the varied range of facial expressions.
It is thus a symbolic representation of the Magi as the three ages of man, with maturity represented by the figure kneeling beside the Child.
"Adoration of the Magi".
Oil on copper.
With frame circa 1830.
Measurements: 56 x 73 cm; 65 x 82 cm (frame).
A light illuminates the scene and the illumination seems to emanate from the bodies, especially from the body of Jesus, Mary and the kneeling King Melchior. But the other figures also have a personality of their own. Enraptured, they carry myrrh and incense. Their cloaks shine like satin and fine silk, as do the soldiers' helmets. A great variety of human types come to Bethlehem. This painting is fully in keeping with the Baroque style, which is notable for the painstaking attention to detail, the use of contrasts of light and the varied range of facial expressions.
It is thus a symbolic representation of the Magi as the three ages of man, with maturity represented by the figure kneeling beside the Child.
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Flemish school, mid-17th century.
"Adoration of the Magi".
Oil on copper.
With frame circa 1830.
Measurements: 56 x 73 cm; 65 x 82 cm (frame).
A light illuminates the scene and the illumination seems to emanate from the bodies, especially from the body of Jesus, Mary and the kneeling King Melchior. But the other figures also have a personality of their own. Enraptured, they carry myrrh and incense. Their cloaks shine like satin and fine silk, as do the soldiers' helmets. A great variety of human types come to Bethlehem. This painting is fully in keeping with the Baroque style, which is notable for the painstaking attention to detail, the use of contrasts of light and the varied range of facial expressions.
It is thus a symbolic representation of the Magi as the three ages of man, with maturity represented by the figure kneeling beside the Child.
"Adoration of the Magi".
Oil on copper.
With frame circa 1830.
Measurements: 56 x 73 cm; 65 x 82 cm (frame).
A light illuminates the scene and the illumination seems to emanate from the bodies, especially from the body of Jesus, Mary and the kneeling King Melchior. But the other figures also have a personality of their own. Enraptured, they carry myrrh and incense. Their cloaks shine like satin and fine silk, as do the soldiers' helmets. A great variety of human types come to Bethlehem. This painting is fully in keeping with the Baroque style, which is notable for the painstaking attention to detail, the use of contrasts of light and the varied range of facial expressions.
It is thus a symbolic representation of the Magi as the three ages of man, with maturity represented by the figure kneeling beside the Child.
22nd November - Old Masters
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