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Female statue; Greece, Boeotia, 5th century BC.Terracotta.The fracture line at the neck has been
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Description
Female statue; Greece, Boeotia, 5th century BC.
Terracotta.
The fracture line at the neck has been restored.
Provenance: Private Collection France.
Measurements: 26 x 9 x 5 cm.
Round sculpture representing a female figure on her pedestal, dressed in peplos and wearing a "polos", on which a carefully curled hair can be seen.
In Boeotia (Greece) terracotta figures of this type from the Greek period were used both as offerings in temples and sanctuaries and as funerary offerings. The earliest Greek sculptures (9th century BC) were small human figures made of malleable materials such as clay, ivory or wax. It was not until the Archaic period (7th and 6th centuries BC) that the Greeks began to work with stone, although other materials were preserved, mainly pottery due to the rise of this industry, for small pieces intended to serve as offerings in temples or as part of funerary offerings. These types of pieces were modelled in clay and decorated with white or black engobes (coloured liquid clay), which were then fired in the kiln. The most common theme was the human figure, not so much divinities as in the large pieces, but characters from everyday life, as in the case of this statuette.
Terracotta.
The fracture line at the neck has been restored.
Provenance: Private Collection France.
Measurements: 26 x 9 x 5 cm.
Round sculpture representing a female figure on her pedestal, dressed in peplos and wearing a "polos", on which a carefully curled hair can be seen.
In Boeotia (Greece) terracotta figures of this type from the Greek period were used both as offerings in temples and sanctuaries and as funerary offerings. The earliest Greek sculptures (9th century BC) were small human figures made of malleable materials such as clay, ivory or wax. It was not until the Archaic period (7th and 6th centuries BC) that the Greeks began to work with stone, although other materials were preserved, mainly pottery due to the rise of this industry, for small pieces intended to serve as offerings in temples or as part of funerary offerings. These types of pieces were modelled in clay and decorated with white or black engobes (coloured liquid clay), which were then fired in the kiln. The most common theme was the human figure, not so much divinities as in the large pieces, but characters from everyday life, as in the case of this statuette.
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Female statue; Greece, Boeotia, 5th century BC.
Terracotta.
The fracture line at the neck has been restored.
Provenance: Private Collection France.
Measurements: 26 x 9 x 5 cm.
Round sculpture representing a female figure on her pedestal, dressed in peplos and wearing a "polos", on which a carefully curled hair can be seen.
In Boeotia (Greece) terracotta figures of this type from the Greek period were used both as offerings in temples and sanctuaries and as funerary offerings. The earliest Greek sculptures (9th century BC) were small human figures made of malleable materials such as clay, ivory or wax. It was not until the Archaic period (7th and 6th centuries BC) that the Greeks began to work with stone, although other materials were preserved, mainly pottery due to the rise of this industry, for small pieces intended to serve as offerings in temples or as part of funerary offerings. These types of pieces were modelled in clay and decorated with white or black engobes (coloured liquid clay), which were then fired in the kiln. The most common theme was the human figure, not so much divinities as in the large pieces, but characters from everyday life, as in the case of this statuette.
Terracotta.
The fracture line at the neck has been restored.
Provenance: Private Collection France.
Measurements: 26 x 9 x 5 cm.
Round sculpture representing a female figure on her pedestal, dressed in peplos and wearing a "polos", on which a carefully curled hair can be seen.
In Boeotia (Greece) terracotta figures of this type from the Greek period were used both as offerings in temples and sanctuaries and as funerary offerings. The earliest Greek sculptures (9th century BC) were small human figures made of malleable materials such as clay, ivory or wax. It was not until the Archaic period (7th and 6th centuries BC) that the Greeks began to work with stone, although other materials were preserved, mainly pottery due to the rise of this industry, for small pieces intended to serve as offerings in temples or as part of funerary offerings. These types of pieces were modelled in clay and decorated with white or black engobes (coloured liquid clay), which were then fired in the kiln. The most common theme was the human figure, not so much divinities as in the large pieces, but characters from everyday life, as in the case of this statuette.
10th November - Ancient Art
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Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
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