33
Pair of 17th century baroque putti.Carved and patinated walnut wood.In good state of preservation.
1/7
Description
Pair of 17th century baroque putti.
Carved and patinated walnut wood.
In good state of preservation.
Measurements: 93 x 50 x 35 cm.
Pair of putti carved in round bulk, of outstanding workmanship and careful morphology. Both of them appear naked, covered with a veil that covers their pudent parts, in postures of great pathos. They show similar features and characteristics, but are worked individually, with slightly different expressions and very different postures, especially with regard to the position of their arms: while one crosses his hands over his chest, the other raises his arms holding an object, which has not been preserved today.
Baroque sculpture developed considerably in Spain, especially in its religious line. With the economy of the State in ruins, the nobility in decline and the high clergy heavily taxed, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, with the works sometimes being financed by popular subscription. Sculpture was thus obliged to express the prevailing ideals in these environments, which were none other than religious ones, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented, and an expression endowed with an intense emotional content in order to increase the fervour and devotion of the people. Religious themes were therefore the preferred subject matter of Spanish sculpture of this period, which in the early decades of the century was based on a priority interest in capturing the natural world, gradually intensifying over the course of the century in the depiction of expressive values, which it achieved through movement and the variety of gestures, the use of light resources and the representation of moods and feelings.
Carved and patinated walnut wood.
In good state of preservation.
Measurements: 93 x 50 x 35 cm.
Pair of putti carved in round bulk, of outstanding workmanship and careful morphology. Both of them appear naked, covered with a veil that covers their pudent parts, in postures of great pathos. They show similar features and characteristics, but are worked individually, with slightly different expressions and very different postures, especially with regard to the position of their arms: while one crosses his hands over his chest, the other raises his arms holding an object, which has not been preserved today.
Baroque sculpture developed considerably in Spain, especially in its religious line. With the economy of the State in ruins, the nobility in decline and the high clergy heavily taxed, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, with the works sometimes being financed by popular subscription. Sculpture was thus obliged to express the prevailing ideals in these environments, which were none other than religious ones, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented, and an expression endowed with an intense emotional content in order to increase the fervour and devotion of the people. Religious themes were therefore the preferred subject matter of Spanish sculpture of this period, which in the early decades of the century was based on a priority interest in capturing the natural world, gradually intensifying over the course of the century in the depiction of expressive values, which it achieved through movement and the variety of gestures, the use of light resources and the representation of moods and feelings.
Auction Details
Shipping
T&Cs & Important Info
Ask seller a question
Pair of 17th century baroque putti.
Carved and patinated walnut wood.
In good state of preservation.
Measurements: 93 x 50 x 35 cm.
Pair of putti carved in round bulk, of outstanding workmanship and careful morphology. Both of them appear naked, covered with a veil that covers their pudent parts, in postures of great pathos. They show similar features and characteristics, but are worked individually, with slightly different expressions and very different postures, especially with regard to the position of their arms: while one crosses his hands over his chest, the other raises his arms holding an object, which has not been preserved today.
Baroque sculpture developed considerably in Spain, especially in its religious line. With the economy of the State in ruins, the nobility in decline and the high clergy heavily taxed, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, with the works sometimes being financed by popular subscription. Sculpture was thus obliged to express the prevailing ideals in these environments, which were none other than religious ones, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented, and an expression endowed with an intense emotional content in order to increase the fervour and devotion of the people. Religious themes were therefore the preferred subject matter of Spanish sculpture of this period, which in the early decades of the century was based on a priority interest in capturing the natural world, gradually intensifying over the course of the century in the depiction of expressive values, which it achieved through movement and the variety of gestures, the use of light resources and the representation of moods and feelings.
Carved and patinated walnut wood.
In good state of preservation.
Measurements: 93 x 50 x 35 cm.
Pair of putti carved in round bulk, of outstanding workmanship and careful morphology. Both of them appear naked, covered with a veil that covers their pudent parts, in postures of great pathos. They show similar features and characteristics, but are worked individually, with slightly different expressions and very different postures, especially with regard to the position of their arms: while one crosses his hands over his chest, the other raises his arms holding an object, which has not been preserved today.
Baroque sculpture developed considerably in Spain, especially in its religious line. With the economy of the State in ruins, the nobility in decline and the high clergy heavily taxed, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, with the works sometimes being financed by popular subscription. Sculpture was thus obliged to express the prevailing ideals in these environments, which were none other than religious ones, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented, and an expression endowed with an intense emotional content in order to increase the fervour and devotion of the people. Religious themes were therefore the preferred subject matter of Spanish sculpture of this period, which in the early decades of the century was based on a priority interest in capturing the natural world, gradually intensifying over the course of the century in the depiction of expressive values, which it achieved through movement and the variety of gestures, the use of light resources and the representation of moods and feelings.
9th November - Old Masters
Sale Date(s)
Venue Address
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
General delivery information available from the auctioneer
Setdart offers Worldwide shipping
PICK UP IN ROOM: You can come and pick up your lots in our offices (Barcelona, Madrid or Valencia). At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
Important Information
25% buyer´s premium
OR
21% buyer´s premium at www.setdart.com
Terms & Conditions
The maximum period to pay the lots is 7 working days. You can pay either via bank transfer or with credit card through our platform www.setdart.com (we only accept VISA or Mastercard).
BUYER´S PREMIUM: 22% Hammer price + 21% VAT from the buyer´s premium
If your piece has more than 100 years, our Ministry of Culture requires an export certificate in order for the piece to leave the country. Note that if the piece goes inside the EU, there is no cost for the export certificate. If the piece goes outside the EU, there is a cost for the export certificate. You can find more information in our Ministry of Culture website: https://www.culturaydeporte.gob.es/en/cultura/patrimonio/exportacionimportacion/exportacion/tasas.html
INQUIRIES: admin@setdart.com
Setdart guides you through the entire process, from the time of award to the day you receive your lot. Our logistics team will be happy to manage your transport, and will advise you on the best shipping method with professionals from the sector used to handling works of art and jewelry.
WE OFFER WORLDWIDE DOOR TO DOOR SHIPPING
PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
SETDART IS NOT RESPONSIBLE FOR THE STATE OF THE PARTS ONCE THEY LEAVE OUR FACILITIES. MRW SHIPMENTS: Once the payment is made, your lot will be packed for shipment, the logistics department will send you an e-mail notifying you of the day it leaves our warehouse, changes of address cannot be made after receiving this e-mail.
INSURANCE INCIDENTS: Coverage for the value of the auction up to 3000 ? per shipment, if the value of the auction is higher, Setdart will send you a quote including the additional insurance. The insurance company WILL NOT BE RESPONSIBLE FOR THE SHIPMENT THAT EXCEEDS THAT AMOUNT AND IS NOT FULLY INSURED. MRW INCIDENTS: Maximum notification 48 hours after receipt, after which the insurance company WILL NOT BE RESPONSIBLE AND NO CLAIMS WILL BE ACCEPTED.
E-MAIL LOGISTICS: logistica@setdart.com
PICK UP YOUR MESSAGES: You can send your own messaging, prior notice via e-mail that your shipment is ready, please note 3 or 4 days in advance. This type of shipment is packaged so Setdart will provide you with a quote.
EXPENSES FOR STORAGE: We inform you that if the purchased lot is not picked up within a month, you will be charged 30€ per week per lot. Setdart Online S.L., owner of the web site "setdart.com", "setdart.net" and "setdart.org", acts as a company of Spanish nationality inscribed in the Volume 36955, sheet 182, page B-293056 of the Mercantile Registry, with registered office at Calle Aragó
