4
JOAN CARDONA I LLADÓS (Barcelona, 1877-1957)."Noia amb abrigall".Oil on canvas.Signed in the lower
1/7
Description
JOAN CARDONA I LLADÓS (Barcelona, 1877-1957).
"Noia amb abrigall".
Oil on canvas.
Signed in the lower left corner.
It has a Barrachina & Ramoneda label on the back.
Measurements: 80 x 65 cm.
Joan Cardona was an indispensable figure of the Belle Èpoque aesthetics, contributing to give body to the glamorous aesthetics of the elegant Paris of the decline of the 19th century. This female portrait sums up the best of his production: delicate female figures with delicate features and gestures, wrapped in bright dresses and scarves. Here, the young woman wears a modern hairstyle that contrasts with a certain classicism in her dress. The skilful handling of the glazes makes the flowers of the gauze shawl transparent against the soft flesh tones and pleats of the dress. The woman bows her head, concentrating as she does on adjusting the garment to the level of her torso. His style was unclassifiable, as can be seen in these synthetic touches which partly recall Cezanne but imbue it with a fin-de-siècle sensuality.
Trained at the Escola de Belles Arts de la Lonja and at the Baixeras Academy in Barcelona, he furthered his studies in Paris, where he settled for several years. In the French capital he formed a group with the best illustrators of the time, such as Cappiello, Sem, Steinlen and Roubille. A painter and draughtsman, he developed an important activity in the field of illustration, collaborating with Spanish magazines such as "El Gato Negro" and "Hispania", and in the French magazines "Le Rire" and "Simplicissimus". His collaboration with "Jugend", the flagship magazine of Viennese modernism, the Jugendstil, stands out. During his Parisian period Cardona achieved international fame thanks to his pen drawings, characterised by the sharpness of the line and strong expressive values. On the contrary, in his painting he subordinates line to colour, with warm tones in his early years and cold ranges in his maturity. His paintings, of great expressive force and dense impasto, define the leading role of the woman, who is outlined against vibrant, almost abstract backgrounds, in a style that brings him close to Anglada Camarasa. In 1897 he was awarded a prize in the competition organised by the Mariana Academy of Lleida. He exhibited in Paris at the Salons d'Automne and the Salons de la Societé Nationale, obtaining the title of "societaire" at both. He took part in the International Fine Arts Exhibitions in Barcelona in 1907 and 1929. He is represented in the Musée du Luxembourg in Paris.
"Noia amb abrigall".
Oil on canvas.
Signed in the lower left corner.
It has a Barrachina & Ramoneda label on the back.
Measurements: 80 x 65 cm.
Joan Cardona was an indispensable figure of the Belle Èpoque aesthetics, contributing to give body to the glamorous aesthetics of the elegant Paris of the decline of the 19th century. This female portrait sums up the best of his production: delicate female figures with delicate features and gestures, wrapped in bright dresses and scarves. Here, the young woman wears a modern hairstyle that contrasts with a certain classicism in her dress. The skilful handling of the glazes makes the flowers of the gauze shawl transparent against the soft flesh tones and pleats of the dress. The woman bows her head, concentrating as she does on adjusting the garment to the level of her torso. His style was unclassifiable, as can be seen in these synthetic touches which partly recall Cezanne but imbue it with a fin-de-siècle sensuality.
Trained at the Escola de Belles Arts de la Lonja and at the Baixeras Academy in Barcelona, he furthered his studies in Paris, where he settled for several years. In the French capital he formed a group with the best illustrators of the time, such as Cappiello, Sem, Steinlen and Roubille. A painter and draughtsman, he developed an important activity in the field of illustration, collaborating with Spanish magazines such as "El Gato Negro" and "Hispania", and in the French magazines "Le Rire" and "Simplicissimus". His collaboration with "Jugend", the flagship magazine of Viennese modernism, the Jugendstil, stands out. During his Parisian period Cardona achieved international fame thanks to his pen drawings, characterised by the sharpness of the line and strong expressive values. On the contrary, in his painting he subordinates line to colour, with warm tones in his early years and cold ranges in his maturity. His paintings, of great expressive force and dense impasto, define the leading role of the woman, who is outlined against vibrant, almost abstract backgrounds, in a style that brings him close to Anglada Camarasa. In 1897 he was awarded a prize in the competition organised by the Mariana Academy of Lleida. He exhibited in Paris at the Salons d'Automne and the Salons de la Societé Nationale, obtaining the title of "societaire" at both. He took part in the International Fine Arts Exhibitions in Barcelona in 1907 and 1929. He is represented in the Musée du Luxembourg in Paris.
Auction Details
Shipping
T&Cs & Important Info
Ask seller a question
JOAN CARDONA I LLADÓS (Barcelona, 1877-1957).
"Noia amb abrigall".
Oil on canvas.
Signed in the lower left corner.
It has a Barrachina & Ramoneda label on the back.
Measurements: 80 x 65 cm.
Joan Cardona was an indispensable figure of the Belle Èpoque aesthetics, contributing to give body to the glamorous aesthetics of the elegant Paris of the decline of the 19th century. This female portrait sums up the best of his production: delicate female figures with delicate features and gestures, wrapped in bright dresses and scarves. Here, the young woman wears a modern hairstyle that contrasts with a certain classicism in her dress. The skilful handling of the glazes makes the flowers of the gauze shawl transparent against the soft flesh tones and pleats of the dress. The woman bows her head, concentrating as she does on adjusting the garment to the level of her torso. His style was unclassifiable, as can be seen in these synthetic touches which partly recall Cezanne but imbue it with a fin-de-siècle sensuality.
Trained at the Escola de Belles Arts de la Lonja and at the Baixeras Academy in Barcelona, he furthered his studies in Paris, where he settled for several years. In the French capital he formed a group with the best illustrators of the time, such as Cappiello, Sem, Steinlen and Roubille. A painter and draughtsman, he developed an important activity in the field of illustration, collaborating with Spanish magazines such as "El Gato Negro" and "Hispania", and in the French magazines "Le Rire" and "Simplicissimus". His collaboration with "Jugend", the flagship magazine of Viennese modernism, the Jugendstil, stands out. During his Parisian period Cardona achieved international fame thanks to his pen drawings, characterised by the sharpness of the line and strong expressive values. On the contrary, in his painting he subordinates line to colour, with warm tones in his early years and cold ranges in his maturity. His paintings, of great expressive force and dense impasto, define the leading role of the woman, who is outlined against vibrant, almost abstract backgrounds, in a style that brings him close to Anglada Camarasa. In 1897 he was awarded a prize in the competition organised by the Mariana Academy of Lleida. He exhibited in Paris at the Salons d'Automne and the Salons de la Societé Nationale, obtaining the title of "societaire" at both. He took part in the International Fine Arts Exhibitions in Barcelona in 1907 and 1929. He is represented in the Musée du Luxembourg in Paris.
"Noia amb abrigall".
Oil on canvas.
Signed in the lower left corner.
It has a Barrachina & Ramoneda label on the back.
Measurements: 80 x 65 cm.
Joan Cardona was an indispensable figure of the Belle Èpoque aesthetics, contributing to give body to the glamorous aesthetics of the elegant Paris of the decline of the 19th century. This female portrait sums up the best of his production: delicate female figures with delicate features and gestures, wrapped in bright dresses and scarves. Here, the young woman wears a modern hairstyle that contrasts with a certain classicism in her dress. The skilful handling of the glazes makes the flowers of the gauze shawl transparent against the soft flesh tones and pleats of the dress. The woman bows her head, concentrating as she does on adjusting the garment to the level of her torso. His style was unclassifiable, as can be seen in these synthetic touches which partly recall Cezanne but imbue it with a fin-de-siècle sensuality.
Trained at the Escola de Belles Arts de la Lonja and at the Baixeras Academy in Barcelona, he furthered his studies in Paris, where he settled for several years. In the French capital he formed a group with the best illustrators of the time, such as Cappiello, Sem, Steinlen and Roubille. A painter and draughtsman, he developed an important activity in the field of illustration, collaborating with Spanish magazines such as "El Gato Negro" and "Hispania", and in the French magazines "Le Rire" and "Simplicissimus". His collaboration with "Jugend", the flagship magazine of Viennese modernism, the Jugendstil, stands out. During his Parisian period Cardona achieved international fame thanks to his pen drawings, characterised by the sharpness of the line and strong expressive values. On the contrary, in his painting he subordinates line to colour, with warm tones in his early years and cold ranges in his maturity. His paintings, of great expressive force and dense impasto, define the leading role of the woman, who is outlined against vibrant, almost abstract backgrounds, in a style that brings him close to Anglada Camarasa. In 1897 he was awarded a prize in the competition organised by the Mariana Academy of Lleida. He exhibited in Paris at the Salons d'Automne and the Salons de la Societé Nationale, obtaining the title of "societaire" at both. He took part in the International Fine Arts Exhibitions in Barcelona in 1907 and 1929. He is represented in the Musée du Luxembourg in Paris.
8th November - 19th & 20th Century Arts
Sale Date(s)
Venue Address
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
General delivery information available from the auctioneer
Setdart offers Worldwide shipping
PICK UP IN ROOM: You can come and pick up your lots in our offices (Barcelona, Madrid or Valencia). At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
Important Information
25% buyer´s premium
OR
21% buyer´s premium at www.setdart.com
Terms & Conditions
The maximum period to pay the lots is 7 working days. You can pay either via bank transfer or with credit card through our platform www.setdart.com (we only accept VISA or Mastercard).
BUYER´S PREMIUM: 22% Hammer price + 21% VAT from the buyer´s premium
If your piece has more than 100 years, our Ministry of Culture requires an export certificate in order for the piece to leave the country. Note that if the piece goes inside the EU, there is no cost for the export certificate. If the piece goes outside the EU, there is a cost for the export certificate. You can find more information in our Ministry of Culture website: https://www.culturaydeporte.gob.es/en/cultura/patrimonio/exportacionimportacion/exportacion/tasas.html
INQUIRIES: admin@setdart.com
Setdart guides you through the entire process, from the time of award to the day you receive your lot. Our logistics team will be happy to manage your transport, and will advise you on the best shipping method with professionals from the sector used to handling works of art and jewelry.
WE OFFER WORLDWIDE DOOR TO DOOR SHIPPING
PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
SETDART IS NOT RESPONSIBLE FOR THE STATE OF THE PARTS ONCE THEY LEAVE OUR FACILITIES. MRW SHIPMENTS: Once the payment is made, your lot will be packed for shipment, the logistics department will send you an e-mail notifying you of the day it leaves our warehouse, changes of address cannot be made after receiving this e-mail.
INSURANCE INCIDENTS: Coverage for the value of the auction up to 3000 ? per shipment, if the value of the auction is higher, Setdart will send you a quote including the additional insurance. The insurance company WILL NOT BE RESPONSIBLE FOR THE SHIPMENT THAT EXCEEDS THAT AMOUNT AND IS NOT FULLY INSURED. MRW INCIDENTS: Maximum notification 48 hours after receipt, after which the insurance company WILL NOT BE RESPONSIBLE AND NO CLAIMS WILL BE ACCEPTED.
E-MAIL LOGISTICS: logistica@setdart.com
PICK UP YOUR MESSAGES: You can send your own messaging, prior notice via e-mail that your shipment is ready, please note 3 or 4 days in advance. This type of shipment is packaged so Setdart will provide you with a quote.
EXPENSES FOR STORAGE: We inform you that if the purchased lot is not picked up within a month, you will be charged 30€ per week per lot. Setdart Online S.L., owner of the web site "setdart.com", "setdart.net" and "setdart.org", acts as a company of Spanish nationality inscribed in the Volume 36955, sheet 182, page B-293056 of the Mercantile Registry, with registered office at Calle Aragó
