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FRANCISCO DOMINGO MARQUÉS (Valencia, 1842 - Madrid, 1920)."Musician".Oil on panel.Signed and dated
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Description
FRANCISCO DOMINGO MARQUÉS (Valencia, 1842 - Madrid, 1920).
"Musician".
Oil on panel.
Signed and dated in the lower right corner.
With wax seal on the back.
Measurements: 12,5 x 10 cm; 36,5 x 33,5 cm (frame).
Domingo Marqués began his training at the School of Fine Arts of San Carlos in Valencia and in the workshop of Rafael Montesinos, who instilled in him his deep admiration for Ribera. In 1864 he moved to Madrid with the aim of furthering his studies at the Royal Academy of San Fernando in Madrid, and in 1868 he obtained the coveted pension for Rome. In 1866 he had already been awarded a third medal at the National Exhibition in Madrid for his painting "Un lance en el siglo XVII", and the following year a gold medal for the same work at the Valencian Regional Exhibition, merits which helped him to obtain the pension for Italy. In Rome he attended the studio of Eduardo Rosales and became acquainted with Mariano Fortuny, whose posthumous portrait he painted in 1884. His first work as a scholarship holder, "El último día de Sagunto" ("The Last Day of Sagunto"), was sent to the Regional Exhibition in Valencia in 1869 and to the National Exhibition in 1871, together with the painting "Santa Clara", which won him the first medal. His second work, "Portrait of Manuel Ruiz Zorilla", was completed in Valencia, in his famous studio in La Gallera, which had become the centre of Valencian artistic life. For a year he taught at the San Carlos School of Fine Arts, with the Benlliure brothers as his pupils. In 1871, when he did not return from Rome, the Diputación decided to withdraw his pension. It was then that Domingo settled in Madrid, where he decorated the palaces of Portugalete and Fernán Núñez. In 1875 he moved to Paris, where he devoted himself almost exclusively to producing exquisitely executed anecdotal paintings, such as Un alto en la montería ("A Halt in the Hunt", 1901). These works are executed in a meticulous, colourful style and display a certain Impressionist influence. In 1914, on the outbreak of the First World War, he returned to Spain and settled again in Madrid, gaining official recognition. He entered the San Fernando Academy of Fine Arts in 1917 and was the subject of a public tribute in Valencia the following year. Domingo's mature style is heir to the naturalistic tradition of the Baroque, and his brushstroke breaks down pictorial matter to focus his interest on colour and light. He is represented in the Prado Museum, the Fine Arts Museums of Valencia, Malaga and Asturias, the Hispanic Society and the Metropolitan in New York and the Lázaro Galdiano in Madrid, among many others.
"Musician".
Oil on panel.
Signed and dated in the lower right corner.
With wax seal on the back.
Measurements: 12,5 x 10 cm; 36,5 x 33,5 cm (frame).
Domingo Marqués began his training at the School of Fine Arts of San Carlos in Valencia and in the workshop of Rafael Montesinos, who instilled in him his deep admiration for Ribera. In 1864 he moved to Madrid with the aim of furthering his studies at the Royal Academy of San Fernando in Madrid, and in 1868 he obtained the coveted pension for Rome. In 1866 he had already been awarded a third medal at the National Exhibition in Madrid for his painting "Un lance en el siglo XVII", and the following year a gold medal for the same work at the Valencian Regional Exhibition, merits which helped him to obtain the pension for Italy. In Rome he attended the studio of Eduardo Rosales and became acquainted with Mariano Fortuny, whose posthumous portrait he painted in 1884. His first work as a scholarship holder, "El último día de Sagunto" ("The Last Day of Sagunto"), was sent to the Regional Exhibition in Valencia in 1869 and to the National Exhibition in 1871, together with the painting "Santa Clara", which won him the first medal. His second work, "Portrait of Manuel Ruiz Zorilla", was completed in Valencia, in his famous studio in La Gallera, which had become the centre of Valencian artistic life. For a year he taught at the San Carlos School of Fine Arts, with the Benlliure brothers as his pupils. In 1871, when he did not return from Rome, the Diputación decided to withdraw his pension. It was then that Domingo settled in Madrid, where he decorated the palaces of Portugalete and Fernán Núñez. In 1875 he moved to Paris, where he devoted himself almost exclusively to producing exquisitely executed anecdotal paintings, such as Un alto en la montería ("A Halt in the Hunt", 1901). These works are executed in a meticulous, colourful style and display a certain Impressionist influence. In 1914, on the outbreak of the First World War, he returned to Spain and settled again in Madrid, gaining official recognition. He entered the San Fernando Academy of Fine Arts in 1917 and was the subject of a public tribute in Valencia the following year. Domingo's mature style is heir to the naturalistic tradition of the Baroque, and his brushstroke breaks down pictorial matter to focus his interest on colour and light. He is represented in the Prado Museum, the Fine Arts Museums of Valencia, Malaga and Asturias, the Hispanic Society and the Metropolitan in New York and the Lázaro Galdiano in Madrid, among many others.
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FRANCISCO DOMINGO MARQUÉS (Valencia, 1842 - Madrid, 1920).
"Musician".
Oil on panel.
Signed and dated in the lower right corner.
With wax seal on the back.
Measurements: 12,5 x 10 cm; 36,5 x 33,5 cm (frame).
Domingo Marqués began his training at the School of Fine Arts of San Carlos in Valencia and in the workshop of Rafael Montesinos, who instilled in him his deep admiration for Ribera. In 1864 he moved to Madrid with the aim of furthering his studies at the Royal Academy of San Fernando in Madrid, and in 1868 he obtained the coveted pension for Rome. In 1866 he had already been awarded a third medal at the National Exhibition in Madrid for his painting "Un lance en el siglo XVII", and the following year a gold medal for the same work at the Valencian Regional Exhibition, merits which helped him to obtain the pension for Italy. In Rome he attended the studio of Eduardo Rosales and became acquainted with Mariano Fortuny, whose posthumous portrait he painted in 1884. His first work as a scholarship holder, "El último día de Sagunto" ("The Last Day of Sagunto"), was sent to the Regional Exhibition in Valencia in 1869 and to the National Exhibition in 1871, together with the painting "Santa Clara", which won him the first medal. His second work, "Portrait of Manuel Ruiz Zorilla", was completed in Valencia, in his famous studio in La Gallera, which had become the centre of Valencian artistic life. For a year he taught at the San Carlos School of Fine Arts, with the Benlliure brothers as his pupils. In 1871, when he did not return from Rome, the Diputación decided to withdraw his pension. It was then that Domingo settled in Madrid, where he decorated the palaces of Portugalete and Fernán Núñez. In 1875 he moved to Paris, where he devoted himself almost exclusively to producing exquisitely executed anecdotal paintings, such as Un alto en la montería ("A Halt in the Hunt", 1901). These works are executed in a meticulous, colourful style and display a certain Impressionist influence. In 1914, on the outbreak of the First World War, he returned to Spain and settled again in Madrid, gaining official recognition. He entered the San Fernando Academy of Fine Arts in 1917 and was the subject of a public tribute in Valencia the following year. Domingo's mature style is heir to the naturalistic tradition of the Baroque, and his brushstroke breaks down pictorial matter to focus his interest on colour and light. He is represented in the Prado Museum, the Fine Arts Museums of Valencia, Malaga and Asturias, the Hispanic Society and the Metropolitan in New York and the Lázaro Galdiano in Madrid, among many others.
"Musician".
Oil on panel.
Signed and dated in the lower right corner.
With wax seal on the back.
Measurements: 12,5 x 10 cm; 36,5 x 33,5 cm (frame).
Domingo Marqués began his training at the School of Fine Arts of San Carlos in Valencia and in the workshop of Rafael Montesinos, who instilled in him his deep admiration for Ribera. In 1864 he moved to Madrid with the aim of furthering his studies at the Royal Academy of San Fernando in Madrid, and in 1868 he obtained the coveted pension for Rome. In 1866 he had already been awarded a third medal at the National Exhibition in Madrid for his painting "Un lance en el siglo XVII", and the following year a gold medal for the same work at the Valencian Regional Exhibition, merits which helped him to obtain the pension for Italy. In Rome he attended the studio of Eduardo Rosales and became acquainted with Mariano Fortuny, whose posthumous portrait he painted in 1884. His first work as a scholarship holder, "El último día de Sagunto" ("The Last Day of Sagunto"), was sent to the Regional Exhibition in Valencia in 1869 and to the National Exhibition in 1871, together with the painting "Santa Clara", which won him the first medal. His second work, "Portrait of Manuel Ruiz Zorilla", was completed in Valencia, in his famous studio in La Gallera, which had become the centre of Valencian artistic life. For a year he taught at the San Carlos School of Fine Arts, with the Benlliure brothers as his pupils. In 1871, when he did not return from Rome, the Diputación decided to withdraw his pension. It was then that Domingo settled in Madrid, where he decorated the palaces of Portugalete and Fernán Núñez. In 1875 he moved to Paris, where he devoted himself almost exclusively to producing exquisitely executed anecdotal paintings, such as Un alto en la montería ("A Halt in the Hunt", 1901). These works are executed in a meticulous, colourful style and display a certain Impressionist influence. In 1914, on the outbreak of the First World War, he returned to Spain and settled again in Madrid, gaining official recognition. He entered the San Fernando Academy of Fine Arts in 1917 and was the subject of a public tribute in Valencia the following year. Domingo's mature style is heir to the naturalistic tradition of the Baroque, and his brushstroke breaks down pictorial matter to focus his interest on colour and light. He is represented in the Prado Museum, the Fine Arts Museums of Valencia, Malaga and Asturias, the Hispanic Society and the Metropolitan in New York and the Lázaro Galdiano in Madrid, among many others.
8th November - 19th & 20th Century Arts
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Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
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