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Spanish school ca. 1810."Portrait of a gentleman.Oil on canvas.Measurements: 70 x 57 cm; 79 x 65
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Description
Spanish school ca. 1810.
"Portrait of a gentleman.
Oil on canvas.
Measurements: 70 x 57 cm; 79 x 65 cm (frame).
Outstanding male portrait, in three quarters on a neutral background, representing a middle-aged man with aristocratic bearing. The painter delves into the character's psychology in a realistic language. His angular features emphasise the severity of his character. The starched collar emphasises the haughtiness of his features, modelled with a clear light that also brings out the right textures of the coat.
In the 18th century, the panorama of European portraiture was varied and wide-ranging, with numerous influences and largely determined by the tastes of both the clientele and the painter himself. However, this century saw the birth of a new concept of portraiture that would evolve throughout the century and unify all the national schools: the desire to capture the personality and character of the human being, beyond his external reality and social rank, in his effigy. During the previous century, portraiture had become established among the upper classes and was no longer reserved solely for the court. For this reason, as the 17th and even more so in the 18th century, the formulas of the genre became more relaxed and moved away from the ostentatious and symbolic official representations typical of the Baroque apparatus. On the other hand, the 18th century reacted against the rigid etiquette of the previous century with a more human and individual conception of life, and this was reflected in all areas, from furniture, which became smaller and more comfortable, replacing the large gilded and carved pieces of furniture, to the portrait itself, which came to dispense, as we see here, with all symbolic or scenographic elements in order to depict the individual rather than the personage.
"Portrait of a gentleman.
Oil on canvas.
Measurements: 70 x 57 cm; 79 x 65 cm (frame).
Outstanding male portrait, in three quarters on a neutral background, representing a middle-aged man with aristocratic bearing. The painter delves into the character's psychology in a realistic language. His angular features emphasise the severity of his character. The starched collar emphasises the haughtiness of his features, modelled with a clear light that also brings out the right textures of the coat.
In the 18th century, the panorama of European portraiture was varied and wide-ranging, with numerous influences and largely determined by the tastes of both the clientele and the painter himself. However, this century saw the birth of a new concept of portraiture that would evolve throughout the century and unify all the national schools: the desire to capture the personality and character of the human being, beyond his external reality and social rank, in his effigy. During the previous century, portraiture had become established among the upper classes and was no longer reserved solely for the court. For this reason, as the 17th and even more so in the 18th century, the formulas of the genre became more relaxed and moved away from the ostentatious and symbolic official representations typical of the Baroque apparatus. On the other hand, the 18th century reacted against the rigid etiquette of the previous century with a more human and individual conception of life, and this was reflected in all areas, from furniture, which became smaller and more comfortable, replacing the large gilded and carved pieces of furniture, to the portrait itself, which came to dispense, as we see here, with all symbolic or scenographic elements in order to depict the individual rather than the personage.
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Spanish school ca. 1810.
"Portrait of a gentleman.
Oil on canvas.
Measurements: 70 x 57 cm; 79 x 65 cm (frame).
Outstanding male portrait, in three quarters on a neutral background, representing a middle-aged man with aristocratic bearing. The painter delves into the character's psychology in a realistic language. His angular features emphasise the severity of his character. The starched collar emphasises the haughtiness of his features, modelled with a clear light that also brings out the right textures of the coat.
In the 18th century, the panorama of European portraiture was varied and wide-ranging, with numerous influences and largely determined by the tastes of both the clientele and the painter himself. However, this century saw the birth of a new concept of portraiture that would evolve throughout the century and unify all the national schools: the desire to capture the personality and character of the human being, beyond his external reality and social rank, in his effigy. During the previous century, portraiture had become established among the upper classes and was no longer reserved solely for the court. For this reason, as the 17th and even more so in the 18th century, the formulas of the genre became more relaxed and moved away from the ostentatious and symbolic official representations typical of the Baroque apparatus. On the other hand, the 18th century reacted against the rigid etiquette of the previous century with a more human and individual conception of life, and this was reflected in all areas, from furniture, which became smaller and more comfortable, replacing the large gilded and carved pieces of furniture, to the portrait itself, which came to dispense, as we see here, with all symbolic or scenographic elements in order to depict the individual rather than the personage.
"Portrait of a gentleman.
Oil on canvas.
Measurements: 70 x 57 cm; 79 x 65 cm (frame).
Outstanding male portrait, in three quarters on a neutral background, representing a middle-aged man with aristocratic bearing. The painter delves into the character's psychology in a realistic language. His angular features emphasise the severity of his character. The starched collar emphasises the haughtiness of his features, modelled with a clear light that also brings out the right textures of the coat.
In the 18th century, the panorama of European portraiture was varied and wide-ranging, with numerous influences and largely determined by the tastes of both the clientele and the painter himself. However, this century saw the birth of a new concept of portraiture that would evolve throughout the century and unify all the national schools: the desire to capture the personality and character of the human being, beyond his external reality and social rank, in his effigy. During the previous century, portraiture had become established among the upper classes and was no longer reserved solely for the court. For this reason, as the 17th and even more so in the 18th century, the formulas of the genre became more relaxed and moved away from the ostentatious and symbolic official representations typical of the Baroque apparatus. On the other hand, the 18th century reacted against the rigid etiquette of the previous century with a more human and individual conception of life, and this was reflected in all areas, from furniture, which became smaller and more comfortable, replacing the large gilded and carved pieces of furniture, to the portrait itself, which came to dispense, as we see here, with all symbolic or scenographic elements in order to depict the individual rather than the personage.
19th October - 19th & 20th Century Art
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Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
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