JOSÉ ARRÚE VALLE (Bilbao, 1885 - Llodio, Álava, 1977)."Romería".Gouache on paper.Signed in the lower

JOSÉ ARRÚE VALLE (Bilbao, 1885 - Llodio, Álava, 1977).
"Romería".
Gouache on paper.
Signed in the lower left corner.
Size: 23 x 63 cm; 48 x 88 cm (frame).
Arrué exalted the hedonistic spirit of the Basque people in numerous paintings. Pilgrimage scenes abound in his production. Here we can admire his simple but also touching way of showing large groups in festive attitudes, dancing and eating. The carefully studied contrast between the blue and white costumes worn by the peasants and the green of the countryside, the emphasis on the meticulousness of the drawing, and the wide panoramic view of the figures are characteristic of his style. Under an awning, long wooden tables have been improvised where families picnic, while the more energetic ones dance on the spring grass. The mountainous terrain outlines the horizon.
Arrúe trained in Bilbao, and later furthered his studies in Barcelona, Paris and Milan. In 1908 he returned to his native land and began to combine his artistic practice with teaching, teaching figure drawing at the Bilbao School of Arts and Crafts. That same year he collaborated in the founding of the magazine "El Coiteao". A year later, his love of bullfighting led him to wear the bullfighter's costume, and he even fought in eight bullfights. His presentation as a bullfighter took place in Bilbao on October 17th, and according to the reviews of the time he defended himself well. Around this time he began to make himself known, and held exhibitions of his work in Bilbao in 1911, 1915, 1920 and 1925. The following year, in 1926, Arrúe moved to Paris, where he continued to paint until he finally appeared in Buenos Aires in the company of his brother Ramiro, also a painter. This exhibition, which opened on 10 July 1928, was held at the Sociedad de Amigos del Arte in the Argentinean capital, and its success was such that it became itinerant, continuing its staging in Cordoba, in the hall of the newspaper "La Razón", with which Arrúe would collaborate artistically for several years. Subsequently, the exhibition was also shown at the Moretti, Catelli and Mazzuchelli gallery in Montevideo, and ended its journey at the Salón Wicomb in Rosario, again in Argentina. During this trip, Arrúe took part in the Exhibition of Basque Artists held at the Gran Casino in San Sebastián on the occasion of the Great Basque Week, and was also awarded a prize for his poster in the 2nd International Labour Competition. Also during these years, between 1926 and 1931, Arrúe collaborated in Madrid newspapers such as "El Sol", "Crisol" and "El Liberal", working in the comics section. He also worked in advertising for savings banks, produced posters for Bilbao's Semana Grande, illustrated cards with Basque types and landscapes and also books such as "Guipúzcoa. Lecturas", by Bonifacio Arrabal (1930), "Ansonekoa" by José E. de Arriaga (1931), "Viaje a Navarra durante la insurrección vasca (1835)" (1933) and "Los esclavos felices", also by Arriaga. He was also an active participant in the Basque cultural scene. From 1912, the year of the first exhibition of the Association of Basque Artists, Arrúe took part in numerous events and exhibitions held by the association, even exhibiting individually in its hall in 1931. In 1933 his works were included in the last exhibition held by the Association, held in the Emporium Galleries in Barcelona. In the 1930s he took part in the III Exhibition of Basque Artists, although three years later, in 1937, he was imprisoned. Now free, in 1940 he settled in Areta (Llodio). He continued to exhibit in the following years, taking part in group exhibitions of Basque artists, and in 1973 a retrospective exhibition of his work was held in the Sala de Cultura of the Caja de Ahorros Provincial de Álava. He is currently represented in the Bilbao Fine Arts Museum, among other public and private collections.