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JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984).Pair of lounge
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Description
JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984).
Pair of lounge chairs, model FK-86. Design 1965.
Injection-moulded polished aluminium star swivel base, chrome-plated steel armrests.
Fibreglass shell and armrests upholstered in black leather, original patina.
Production label. Produced by Alfred Kill International.
May show signs of use.
Measurements: 110/48 cm (height).
Pair of armchairs designed by Preben Fabricius & Jørgen Kastholm for Alfred Kill International. It responds to a classic minimalist yet comfortable design. With a star-shaped aluminium swivel base, it is upholstered in black leather.
Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue a career in furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met the cabinetmaker Preben Fabricius, who later became his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Federicia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly afterwards, they made the international breakthrough at the 1966 Cologne trade fair, where they showed a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two designers worked together between 1961 and 1968, a period of seven years in which they produced many designs that are now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 and the Scimitar. During this period, their furniture also formed part of important international exhibitions, held in such prominent centres as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.
Pair of lounge chairs, model FK-86. Design 1965.
Injection-moulded polished aluminium star swivel base, chrome-plated steel armrests.
Fibreglass shell and armrests upholstered in black leather, original patina.
Production label. Produced by Alfred Kill International.
May show signs of use.
Measurements: 110/48 cm (height).
Pair of armchairs designed by Preben Fabricius & Jørgen Kastholm for Alfred Kill International. It responds to a classic minimalist yet comfortable design. With a star-shaped aluminium swivel base, it is upholstered in black leather.
Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue a career in furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met the cabinetmaker Preben Fabricius, who later became his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Federicia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly afterwards, they made the international breakthrough at the 1966 Cologne trade fair, where they showed a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two designers worked together between 1961 and 1968, a period of seven years in which they produced many designs that are now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 and the Scimitar. During this period, their furniture also formed part of important international exhibitions, held in such prominent centres as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.
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JORGEN KASTHOLM (Denmark, 1931 - 2007) and PREBEN FABRICIUS (Denmark, 1931 - 1984).
Pair of lounge chairs, model FK-86. Design 1965.
Injection-moulded polished aluminium star swivel base, chrome-plated steel armrests.
Fibreglass shell and armrests upholstered in black leather, original patina.
Production label. Produced by Alfred Kill International.
May show signs of use.
Measurements: 110/48 cm (height).
Pair of armchairs designed by Preben Fabricius & Jørgen Kastholm for Alfred Kill International. It responds to a classic minimalist yet comfortable design. With a star-shaped aluminium swivel base, it is upholstered in black leather.
Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue a career in furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met the cabinetmaker Preben Fabricius, who later became his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Federicia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly afterwards, they made the international breakthrough at the 1966 Cologne trade fair, where they showed a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two designers worked together between 1961 and 1968, a period of seven years in which they produced many designs that are now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 and the Scimitar. During this period, their furniture also formed part of important international exhibitions, held in such prominent centres as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.
Pair of lounge chairs, model FK-86. Design 1965.
Injection-moulded polished aluminium star swivel base, chrome-plated steel armrests.
Fibreglass shell and armrests upholstered in black leather, original patina.
Production label. Produced by Alfred Kill International.
May show signs of use.
Measurements: 110/48 cm (height).
Pair of armchairs designed by Preben Fabricius & Jørgen Kastholm for Alfred Kill International. It responds to a classic minimalist yet comfortable design. With a star-shaped aluminium swivel base, it is upholstered in black leather.
Danish architect and designer Jørgen Kastholm began his training as a blacksmith, but soon left to pursue a career in furniture design. He attended the Copenhagen School of Interior Design, where he was taught by Finn Juhl. There he also met the cabinetmaker Preben Fabricius, who later became his partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. Their quest was to achieve an ideal that, by its simplicity, would be timeless. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Federicia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Shortly afterwards, they made the international breakthrough at the 1966 Cologne trade fair, where they showed a complete series of home and office furniture, developed from ten of their original designs. Their minimalist creations, at once attractive and comfortable, were generally steel and leather furniture. The two designers worked together between 1961 and 1968, a period of seven years in which they produced many designs that are now considered classics, such as the Tulip Chair FK 6725, the Grasshopper FK 87 and the Scimitar. During this period, their furniture also formed part of important international exhibitions, held in such prominent centres as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, designs by Kastholm and Fabricius can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum of Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.
18th October - Design
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