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SILVIE FLEURY (Geneva, 1961)."Curlers.Curlers and hairpins.Size: 21 x 21 x 11 cm; 50 x 46 cm (
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Description
SILVIE FLEURY (Geneva, 1961).
"Curlers.
Curlers and hairpins.
Size: 21 x 21 x 11 cm; 50 x 46 cm (methacrylate urn).
Silvie Fleury is best known for her installations. She broke through in the nineties with her series "Shopping Bags", a collection of bags from luxury boutiques through which she posed the relationship between art and fashion, taking a stand against the dominant and superfluous consumption that floods our society. Today, his art integrates the fashion industry, cosmetics and luxury American cars (a symbol and cliché of American life, but also a commonly imported vehicle in Switzerland), and uses the marketing system to create an attractive and visual work. With his work "Curlers", Fleury focuses on superficial beauty, substituting the subject (the absent face) for the object (curlers). Fleury once said: "I show things as they are. And in doing so, I also show the instruments and mechanisms that make them what they are", a statement that helps us to understand the artist's artistic thinking. Many of Fleury's works can be found in major international institutions, such as the Museum of Modern Art in New York, the Centre for Art and Media in Karlshure, the Museum der Moderne, the Museum Villa Stuck and the MACBA in Barcelona.
"Curlers.
Curlers and hairpins.
Size: 21 x 21 x 11 cm; 50 x 46 cm (methacrylate urn).
Silvie Fleury is best known for her installations. She broke through in the nineties with her series "Shopping Bags", a collection of bags from luxury boutiques through which she posed the relationship between art and fashion, taking a stand against the dominant and superfluous consumption that floods our society. Today, his art integrates the fashion industry, cosmetics and luxury American cars (a symbol and cliché of American life, but also a commonly imported vehicle in Switzerland), and uses the marketing system to create an attractive and visual work. With his work "Curlers", Fleury focuses on superficial beauty, substituting the subject (the absent face) for the object (curlers). Fleury once said: "I show things as they are. And in doing so, I also show the instruments and mechanisms that make them what they are", a statement that helps us to understand the artist's artistic thinking. Many of Fleury's works can be found in major international institutions, such as the Museum of Modern Art in New York, the Centre for Art and Media in Karlshure, the Museum der Moderne, the Museum Villa Stuck and the MACBA in Barcelona.
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SILVIE FLEURY (Geneva, 1961).
"Curlers.
Curlers and hairpins.
Size: 21 x 21 x 11 cm; 50 x 46 cm (methacrylate urn).
Silvie Fleury is best known for her installations. She broke through in the nineties with her series "Shopping Bags", a collection of bags from luxury boutiques through which she posed the relationship between art and fashion, taking a stand against the dominant and superfluous consumption that floods our society. Today, his art integrates the fashion industry, cosmetics and luxury American cars (a symbol and cliché of American life, but also a commonly imported vehicle in Switzerland), and uses the marketing system to create an attractive and visual work. With his work "Curlers", Fleury focuses on superficial beauty, substituting the subject (the absent face) for the object (curlers). Fleury once said: "I show things as they are. And in doing so, I also show the instruments and mechanisms that make them what they are", a statement that helps us to understand the artist's artistic thinking. Many of Fleury's works can be found in major international institutions, such as the Museum of Modern Art in New York, the Centre for Art and Media in Karlshure, the Museum der Moderne, the Museum Villa Stuck and the MACBA in Barcelona.
"Curlers.
Curlers and hairpins.
Size: 21 x 21 x 11 cm; 50 x 46 cm (methacrylate urn).
Silvie Fleury is best known for her installations. She broke through in the nineties with her series "Shopping Bags", a collection of bags from luxury boutiques through which she posed the relationship between art and fashion, taking a stand against the dominant and superfluous consumption that floods our society. Today, his art integrates the fashion industry, cosmetics and luxury American cars (a symbol and cliché of American life, but also a commonly imported vehicle in Switzerland), and uses the marketing system to create an attractive and visual work. With his work "Curlers", Fleury focuses on superficial beauty, substituting the subject (the absent face) for the object (curlers). Fleury once said: "I show things as they are. And in doing so, I also show the instruments and mechanisms that make them what they are", a statement that helps us to understand the artist's artistic thinking. Many of Fleury's works can be found in major international institutions, such as the Museum of Modern Art in New York, the Centre for Art and Media in Karlshure, the Museum der Moderne, the Museum Villa Stuck and the MACBA in Barcelona.
11th October - Contemporary Art
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