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Fragment of a Gothic door attributed to the VERGÓS workshop, Catalonia, 15th-16th century.Wood and
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Description
Fragment of a Gothic door attributed to the VERGÓS workshop, Catalonia, 15th-16th century.
Wood and pigments.
Provenance: property of the estate of Marlene Nasreddine, Miami.
Publications: Presented at the Hispanic Society of America, 1912.
Measurements: 200 x 60 cm.
The Vergós workshop stood out in 15th and 16th century Barcelona as one of the most representative of Catalan painting. They are considered the last representatives in Catalonia of the fourteenth-century painting, although with reduced projection, since the new pictorial tendencies did not find in Catalonia a place where they could develop. The brothers Francesc and Jaume Vergós (¿-Barcelona, 1460) and their respective sons: Francesc and Jaume Vergós (Barcelona, ? - 1503) and the sons of the latter: Pau and Rafael Vergós (Barcelona, 1463 (?) - 1495). The technique of this workshop clearly derives from that of Master Huguet, with whom they even collaborated. On this occasion we present a painting on a Gothic door. It depicts a bearded saint with a perfectly defined face, an aspect very much to the taste of the Vergós. The figure stands out against a gilded background with ribs. The predominance of gold leaf occupying a large part of the background as a symbol of transcendence was characteristic of early Gothic.
Wood and pigments.
Provenance: property of the estate of Marlene Nasreddine, Miami.
Publications: Presented at the Hispanic Society of America, 1912.
Measurements: 200 x 60 cm.
The Vergós workshop stood out in 15th and 16th century Barcelona as one of the most representative of Catalan painting. They are considered the last representatives in Catalonia of the fourteenth-century painting, although with reduced projection, since the new pictorial tendencies did not find in Catalonia a place where they could develop. The brothers Francesc and Jaume Vergós (¿-Barcelona, 1460) and their respective sons: Francesc and Jaume Vergós (Barcelona, ? - 1503) and the sons of the latter: Pau and Rafael Vergós (Barcelona, 1463 (?) - 1495). The technique of this workshop clearly derives from that of Master Huguet, with whom they even collaborated. On this occasion we present a painting on a Gothic door. It depicts a bearded saint with a perfectly defined face, an aspect very much to the taste of the Vergós. The figure stands out against a gilded background with ribs. The predominance of gold leaf occupying a large part of the background as a symbol of transcendence was characteristic of early Gothic.
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Fragment of a Gothic door attributed to the VERGÓS workshop, Catalonia, 15th-16th century.
Wood and pigments.
Provenance: property of the estate of Marlene Nasreddine, Miami.
Publications: Presented at the Hispanic Society of America, 1912.
Measurements: 200 x 60 cm.
The Vergós workshop stood out in 15th and 16th century Barcelona as one of the most representative of Catalan painting. They are considered the last representatives in Catalonia of the fourteenth-century painting, although with reduced projection, since the new pictorial tendencies did not find in Catalonia a place where they could develop. The brothers Francesc and Jaume Vergós (¿-Barcelona, 1460) and their respective sons: Francesc and Jaume Vergós (Barcelona, ? - 1503) and the sons of the latter: Pau and Rafael Vergós (Barcelona, 1463 (?) - 1495). The technique of this workshop clearly derives from that of Master Huguet, with whom they even collaborated. On this occasion we present a painting on a Gothic door. It depicts a bearded saint with a perfectly defined face, an aspect very much to the taste of the Vergós. The figure stands out against a gilded background with ribs. The predominance of gold leaf occupying a large part of the background as a symbol of transcendence was characteristic of early Gothic.
Wood and pigments.
Provenance: property of the estate of Marlene Nasreddine, Miami.
Publications: Presented at the Hispanic Society of America, 1912.
Measurements: 200 x 60 cm.
The Vergós workshop stood out in 15th and 16th century Barcelona as one of the most representative of Catalan painting. They are considered the last representatives in Catalonia of the fourteenth-century painting, although with reduced projection, since the new pictorial tendencies did not find in Catalonia a place where they could develop. The brothers Francesc and Jaume Vergós (¿-Barcelona, 1460) and their respective sons: Francesc and Jaume Vergós (Barcelona, ? - 1503) and the sons of the latter: Pau and Rafael Vergós (Barcelona, 1463 (?) - 1495). The technique of this workshop clearly derives from that of Master Huguet, with whom they even collaborated. On this occasion we present a painting on a Gothic door. It depicts a bearded saint with a perfectly defined face, an aspect very much to the taste of the Vergós. The figure stands out against a gilded background with ribs. The predominance of gold leaf occupying a large part of the background as a symbol of transcendence was characteristic of early Gothic.
13th October - Old Masters
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Calle Velázquez 7, Madrid
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Barcelona
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