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Andalusian school of the first half of the 18th century."Nativity".Oil on canvas. With its
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Description
Andalusian school of the first half of the 18th century.
"Nativity".
Oil on canvas. With its original canvas.
Frame from the 18th century.
It presents restorations. The frame presents faults.
Measurements: 57 x 79 cm; 69 x 90,5 cm (frame).
The canvas offers us a dynamic and multitudinous Nativity. In the centre of the composition is placed the Virgin, with a youthful and delicate aspect, dressed with pink tunic and mantle. Next to her, in her humble cradle, is the Child, his head surrounded by a luminous nimbus. A large number of figures are clustered around him. A surprised Saint Joseph with a flowering wand stands to the left of the Virgin, while to her right a multitude of winged angels approach to adore the Child. The upper part of the composition is devoted to the angelic world. Putti and young angels appear amidst a wide break in the clouds, witnessing the scene below. Classical ruins complete the overwhelming, highly narrative setting. The type of composition and the dramatic lighting, with its marked chiaroscuro, are in keeping with the Andalusian school of the first half of the 18th century, influenced by Valencian artists such as Isidoro Tapia. The painter used a warm colour range with an abundance of ochre, earthy tones and reds, dotted and contrasted with a few whites and blues.
"Nativity".
Oil on canvas. With its original canvas.
Frame from the 18th century.
It presents restorations. The frame presents faults.
Measurements: 57 x 79 cm; 69 x 90,5 cm (frame).
The canvas offers us a dynamic and multitudinous Nativity. In the centre of the composition is placed the Virgin, with a youthful and delicate aspect, dressed with pink tunic and mantle. Next to her, in her humble cradle, is the Child, his head surrounded by a luminous nimbus. A large number of figures are clustered around him. A surprised Saint Joseph with a flowering wand stands to the left of the Virgin, while to her right a multitude of winged angels approach to adore the Child. The upper part of the composition is devoted to the angelic world. Putti and young angels appear amidst a wide break in the clouds, witnessing the scene below. Classical ruins complete the overwhelming, highly narrative setting. The type of composition and the dramatic lighting, with its marked chiaroscuro, are in keeping with the Andalusian school of the first half of the 18th century, influenced by Valencian artists such as Isidoro Tapia. The painter used a warm colour range with an abundance of ochre, earthy tones and reds, dotted and contrasted with a few whites and blues.
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Andalusian school of the first half of the 18th century.
"Nativity".
Oil on canvas. With its original canvas.
Frame from the 18th century.
It presents restorations. The frame presents faults.
Measurements: 57 x 79 cm; 69 x 90,5 cm (frame).
The canvas offers us a dynamic and multitudinous Nativity. In the centre of the composition is placed the Virgin, with a youthful and delicate aspect, dressed with pink tunic and mantle. Next to her, in her humble cradle, is the Child, his head surrounded by a luminous nimbus. A large number of figures are clustered around him. A surprised Saint Joseph with a flowering wand stands to the left of the Virgin, while to her right a multitude of winged angels approach to adore the Child. The upper part of the composition is devoted to the angelic world. Putti and young angels appear amidst a wide break in the clouds, witnessing the scene below. Classical ruins complete the overwhelming, highly narrative setting. The type of composition and the dramatic lighting, with its marked chiaroscuro, are in keeping with the Andalusian school of the first half of the 18th century, influenced by Valencian artists such as Isidoro Tapia. The painter used a warm colour range with an abundance of ochre, earthy tones and reds, dotted and contrasted with a few whites and blues.
"Nativity".
Oil on canvas. With its original canvas.
Frame from the 18th century.
It presents restorations. The frame presents faults.
Measurements: 57 x 79 cm; 69 x 90,5 cm (frame).
The canvas offers us a dynamic and multitudinous Nativity. In the centre of the composition is placed the Virgin, with a youthful and delicate aspect, dressed with pink tunic and mantle. Next to her, in her humble cradle, is the Child, his head surrounded by a luminous nimbus. A large number of figures are clustered around him. A surprised Saint Joseph with a flowering wand stands to the left of the Virgin, while to her right a multitude of winged angels approach to adore the Child. The upper part of the composition is devoted to the angelic world. Putti and young angels appear amidst a wide break in the clouds, witnessing the scene below. Classical ruins complete the overwhelming, highly narrative setting. The type of composition and the dramatic lighting, with its marked chiaroscuro, are in keeping with the Andalusian school of the first half of the 18th century, influenced by Valencian artists such as Isidoro Tapia. The painter used a warm colour range with an abundance of ochre, earthy tones and reds, dotted and contrasted with a few whites and blues.
28th September - Old Masters
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Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
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