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Pair of axemen, second half of the 17th century.Carved and polychromed wood.It presents faults in
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Description
Pair of axemen, second half of the 17th century.
Carved and polychromed wood.
It presents faults in the polychromy.
Measurements: 75 x 34 x 26 cm.
Pair of baroque angels made in carved, gilded and polychrome wood, holding two supports for liturgical candles on top. Both figures, dating from the second third of the 17th century, are placed on moulded architectural pedestals, and are designed to form a set, with very similar positions, stepping forward. However, the naturalism sought after in the Baroque determines a certain differentiation, individualisation of the models, and thus we see slightly different facial expressions. Nevertheless, the two angels wear the same clothes, with billowing tunics with dynamic folds that slide down their chests, revealing the (unmistakably male) anatomy of the angelic couple.
Spanish Baroque sculpture is one of the most authentic and personal examples of our art, because its conception and form of expression arose from the people and their deepest feelings. With the economy of the State in ruins, the nobility in decline and the high clergy burdened with heavy taxes, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, the works sometimes being financed by popular subscription. Sculpture was thus obliged to express the prevailing ideals in these environments, which were none other than religious ones, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented, and an expression endowed with an intense emotional content in order to increase the fervour and devotion of the people. Religious themes were therefore the preferred subject matter of Spanish sculpture of this period, which in the early decades of the century was based on a priority interest in capturing the natural world, gradually intensifying over the course of the century in the depiction of expressive values, which it achieved through movement and the variety of gestures, the use of light resources and the representation of moods and feelings.
Carved and polychromed wood.
It presents faults in the polychromy.
Measurements: 75 x 34 x 26 cm.
Pair of baroque angels made in carved, gilded and polychrome wood, holding two supports for liturgical candles on top. Both figures, dating from the second third of the 17th century, are placed on moulded architectural pedestals, and are designed to form a set, with very similar positions, stepping forward. However, the naturalism sought after in the Baroque determines a certain differentiation, individualisation of the models, and thus we see slightly different facial expressions. Nevertheless, the two angels wear the same clothes, with billowing tunics with dynamic folds that slide down their chests, revealing the (unmistakably male) anatomy of the angelic couple.
Spanish Baroque sculpture is one of the most authentic and personal examples of our art, because its conception and form of expression arose from the people and their deepest feelings. With the economy of the State in ruins, the nobility in decline and the high clergy burdened with heavy taxes, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, the works sometimes being financed by popular subscription. Sculpture was thus obliged to express the prevailing ideals in these environments, which were none other than religious ones, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented, and an expression endowed with an intense emotional content in order to increase the fervour and devotion of the people. Religious themes were therefore the preferred subject matter of Spanish sculpture of this period, which in the early decades of the century was based on a priority interest in capturing the natural world, gradually intensifying over the course of the century in the depiction of expressive values, which it achieved through movement and the variety of gestures, the use of light resources and the representation of moods and feelings.
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Pair of axemen, second half of the 17th century.
Carved and polychromed wood.
It presents faults in the polychromy.
Measurements: 75 x 34 x 26 cm.
Pair of baroque angels made in carved, gilded and polychrome wood, holding two supports for liturgical candles on top. Both figures, dating from the second third of the 17th century, are placed on moulded architectural pedestals, and are designed to form a set, with very similar positions, stepping forward. However, the naturalism sought after in the Baroque determines a certain differentiation, individualisation of the models, and thus we see slightly different facial expressions. Nevertheless, the two angels wear the same clothes, with billowing tunics with dynamic folds that slide down their chests, revealing the (unmistakably male) anatomy of the angelic couple.
Spanish Baroque sculpture is one of the most authentic and personal examples of our art, because its conception and form of expression arose from the people and their deepest feelings. With the economy of the State in ruins, the nobility in decline and the high clergy burdened with heavy taxes, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, the works sometimes being financed by popular subscription. Sculpture was thus obliged to express the prevailing ideals in these environments, which were none other than religious ones, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented, and an expression endowed with an intense emotional content in order to increase the fervour and devotion of the people. Religious themes were therefore the preferred subject matter of Spanish sculpture of this period, which in the early decades of the century was based on a priority interest in capturing the natural world, gradually intensifying over the course of the century in the depiction of expressive values, which it achieved through movement and the variety of gestures, the use of light resources and the representation of moods and feelings.
Carved and polychromed wood.
It presents faults in the polychromy.
Measurements: 75 x 34 x 26 cm.
Pair of baroque angels made in carved, gilded and polychrome wood, holding two supports for liturgical candles on top. Both figures, dating from the second third of the 17th century, are placed on moulded architectural pedestals, and are designed to form a set, with very similar positions, stepping forward. However, the naturalism sought after in the Baroque determines a certain differentiation, individualisation of the models, and thus we see slightly different facial expressions. Nevertheless, the two angels wear the same clothes, with billowing tunics with dynamic folds that slide down their chests, revealing the (unmistakably male) anatomy of the angelic couple.
Spanish Baroque sculpture is one of the most authentic and personal examples of our art, because its conception and form of expression arose from the people and their deepest feelings. With the economy of the State in ruins, the nobility in decline and the high clergy burdened with heavy taxes, it was the monasteries, parishes and confraternities of clerics and laymen who promoted its development, the works sometimes being financed by popular subscription. Sculpture was thus obliged to express the prevailing ideals in these environments, which were none other than religious ones, at a time when Counter-Reformation doctrine demanded a realistic language from art so that the faithful could understand and identify with what was represented, and an expression endowed with an intense emotional content in order to increase the fervour and devotion of the people. Religious themes were therefore the preferred subject matter of Spanish sculpture of this period, which in the early decades of the century was based on a priority interest in capturing the natural world, gradually intensifying over the course of the century in the depiction of expressive values, which it achieved through movement and the variety of gestures, the use of light resources and the representation of moods and feelings.
28th September - Old Masters
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Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
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