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Art Nouveau pendant. France, ca. 1900.In yellow gold. Typically Art Nouveau frontispiece decorated
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Description
Art Nouveau pendant. France, ca. 1900.
In yellow gold. Typically Art Nouveau frontispiece decorated with a relief image of a nymph and a swan holding a pearl in its beak, mounted on a background of pliqué-à-jour enamels in bluish tones. Movable ball.
Measurements: 3.7 x 2.9 cm.
This pendant represents one of the muses of Art Nouveau, whose aesthetics continued over time until the 20th century: the ethereal nymph who lives immersed in nature. In Art Nouveau, influenced by Symbolist literature, women are considered to be beings of transformation and metamorphosis, and for this reason they are often depicted with extreme fantasy, being associated with the supernatural and the unknown. The feminine is intimately associated with the hidden part of nature, with the mysterious and therefore attractive and seductive. The fragile woman, with narrow shoulders and a stylised figure, like a nymph or sylph, lures men inexorably towards perdition. She is thus conceived as a contradictory figure, exotic and weak in appearance but demonic in essence. Here, however, the woman does not look directly at the viewer, luring the man to his destruction with her irresistible gaze. On the contrary, she is lost in her own thoughts, unaware of our gaze and therefore unreachable, as if she belonged to another world, the world of the mysterious, the world of dreams, the dark side of nature. She is therefore the personification of an ideal, but she is at the same time a fully corporeal figure, magnificently modelled in her anatomy and her movements, endowed with great elegance and gracefulness, and also possessing a marked personality, as revealed by that "mal du siécle" which we can see in her melancholy face, in her bowed head.
In yellow gold. Typically Art Nouveau frontispiece decorated with a relief image of a nymph and a swan holding a pearl in its beak, mounted on a background of pliqué-à-jour enamels in bluish tones. Movable ball.
Measurements: 3.7 x 2.9 cm.
This pendant represents one of the muses of Art Nouveau, whose aesthetics continued over time until the 20th century: the ethereal nymph who lives immersed in nature. In Art Nouveau, influenced by Symbolist literature, women are considered to be beings of transformation and metamorphosis, and for this reason they are often depicted with extreme fantasy, being associated with the supernatural and the unknown. The feminine is intimately associated with the hidden part of nature, with the mysterious and therefore attractive and seductive. The fragile woman, with narrow shoulders and a stylised figure, like a nymph or sylph, lures men inexorably towards perdition. She is thus conceived as a contradictory figure, exotic and weak in appearance but demonic in essence. Here, however, the woman does not look directly at the viewer, luring the man to his destruction with her irresistible gaze. On the contrary, she is lost in her own thoughts, unaware of our gaze and therefore unreachable, as if she belonged to another world, the world of the mysterious, the world of dreams, the dark side of nature. She is therefore the personification of an ideal, but she is at the same time a fully corporeal figure, magnificently modelled in her anatomy and her movements, endowed with great elegance and gracefulness, and also possessing a marked personality, as revealed by that "mal du siécle" which we can see in her melancholy face, in her bowed head.
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Art Nouveau pendant. France, ca. 1900.
In yellow gold. Typically Art Nouveau frontispiece decorated with a relief image of a nymph and a swan holding a pearl in its beak, mounted on a background of pliqué-à-jour enamels in bluish tones. Movable ball.
Measurements: 3.7 x 2.9 cm.
This pendant represents one of the muses of Art Nouveau, whose aesthetics continued over time until the 20th century: the ethereal nymph who lives immersed in nature. In Art Nouveau, influenced by Symbolist literature, women are considered to be beings of transformation and metamorphosis, and for this reason they are often depicted with extreme fantasy, being associated with the supernatural and the unknown. The feminine is intimately associated with the hidden part of nature, with the mysterious and therefore attractive and seductive. The fragile woman, with narrow shoulders and a stylised figure, like a nymph or sylph, lures men inexorably towards perdition. She is thus conceived as a contradictory figure, exotic and weak in appearance but demonic in essence. Here, however, the woman does not look directly at the viewer, luring the man to his destruction with her irresistible gaze. On the contrary, she is lost in her own thoughts, unaware of our gaze and therefore unreachable, as if she belonged to another world, the world of the mysterious, the world of dreams, the dark side of nature. She is therefore the personification of an ideal, but she is at the same time a fully corporeal figure, magnificently modelled in her anatomy and her movements, endowed with great elegance and gracefulness, and also possessing a marked personality, as revealed by that "mal du siécle" which we can see in her melancholy face, in her bowed head.
In yellow gold. Typically Art Nouveau frontispiece decorated with a relief image of a nymph and a swan holding a pearl in its beak, mounted on a background of pliqué-à-jour enamels in bluish tones. Movable ball.
Measurements: 3.7 x 2.9 cm.
This pendant represents one of the muses of Art Nouveau, whose aesthetics continued over time until the 20th century: the ethereal nymph who lives immersed in nature. In Art Nouveau, influenced by Symbolist literature, women are considered to be beings of transformation and metamorphosis, and for this reason they are often depicted with extreme fantasy, being associated with the supernatural and the unknown. The feminine is intimately associated with the hidden part of nature, with the mysterious and therefore attractive and seductive. The fragile woman, with narrow shoulders and a stylised figure, like a nymph or sylph, lures men inexorably towards perdition. She is thus conceived as a contradictory figure, exotic and weak in appearance but demonic in essence. Here, however, the woman does not look directly at the viewer, luring the man to his destruction with her irresistible gaze. On the contrary, she is lost in her own thoughts, unaware of our gaze and therefore unreachable, as if she belonged to another world, the world of the mysterious, the world of dreams, the dark side of nature. She is therefore the personification of an ideal, but she is at the same time a fully corporeal figure, magnificently modelled in her anatomy and her movements, endowed with great elegance and gracefulness, and also possessing a marked personality, as revealed by that "mal du siécle" which we can see in her melancholy face, in her bowed head.
20th September- Jewelry & Watches
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Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
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PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
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