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"ANZO"; JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006)."Isolation Nº5", 1967.Acrylic on
1/5
Description
"ANZO"; JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006).
"Isolation Nº5", 1967.
Acrylic on táblex.
Signed, dated and titled on the back.
Size: 100 x 81 cm; 110 x 90 cm (frame).
Artistically known as "Anzo", he is one of the most visionary Valencian artists on the Spanish scene. Anzo's work is part of what his contemporary, the art critic Aguilera Cerní, calls Crónica de la Realidad (Chronicle of Reality). Anzo placed the theme of isolation at the conceptual centre of his work. The present work is a reference in the beginnings of this series, in which we can see a solitary character in a threatening space that dehumanises the individual.
Anzo entered the San Carlos School of Arts and Crafts in Valencia in 1945, and in 1949 he moved to Barcelona, where he studied architecture. He had solo and group exhibitions since 1961 and his work became famous in Spain as well as in the rest of Europe and the United States. Along with Joan Genovés, he was one of the main renovators of Valencian art, and his work was described as social art. He cultivated various derivations of pop art, and for a time he worked on the incorporation of images from advertising, television and cinema. Later he focused on the interpretation of simplified advertising images based on constructive elements, purist in character and with a certain disalienating intention. In 1997 his hometown, Utiel, dedicated a tribute exhibition to him, and in 2003 he received the Plastic Arts Award from the Generalitat Valenciana. In 2009 the University of Valencia paid tribute to him by exhibiting his works.
"Isolation Nº5", 1967.
Acrylic on táblex.
Signed, dated and titled on the back.
Size: 100 x 81 cm; 110 x 90 cm (frame).
Artistically known as "Anzo", he is one of the most visionary Valencian artists on the Spanish scene. Anzo's work is part of what his contemporary, the art critic Aguilera Cerní, calls Crónica de la Realidad (Chronicle of Reality). Anzo placed the theme of isolation at the conceptual centre of his work. The present work is a reference in the beginnings of this series, in which we can see a solitary character in a threatening space that dehumanises the individual.
Anzo entered the San Carlos School of Arts and Crafts in Valencia in 1945, and in 1949 he moved to Barcelona, where he studied architecture. He had solo and group exhibitions since 1961 and his work became famous in Spain as well as in the rest of Europe and the United States. Along with Joan Genovés, he was one of the main renovators of Valencian art, and his work was described as social art. He cultivated various derivations of pop art, and for a time he worked on the incorporation of images from advertising, television and cinema. Later he focused on the interpretation of simplified advertising images based on constructive elements, purist in character and with a certain disalienating intention. In 1997 his hometown, Utiel, dedicated a tribute exhibition to him, and in 2003 he received the Plastic Arts Award from the Generalitat Valenciana. In 2009 the University of Valencia paid tribute to him by exhibiting his works.
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"ANZO"; JOSÉ IRANZO ALMONACID (Utiel, Valencia, 1931 - 2006).
"Isolation Nº5", 1967.
Acrylic on táblex.
Signed, dated and titled on the back.
Size: 100 x 81 cm; 110 x 90 cm (frame).
Artistically known as "Anzo", he is one of the most visionary Valencian artists on the Spanish scene. Anzo's work is part of what his contemporary, the art critic Aguilera Cerní, calls Crónica de la Realidad (Chronicle of Reality). Anzo placed the theme of isolation at the conceptual centre of his work. The present work is a reference in the beginnings of this series, in which we can see a solitary character in a threatening space that dehumanises the individual.
Anzo entered the San Carlos School of Arts and Crafts in Valencia in 1945, and in 1949 he moved to Barcelona, where he studied architecture. He had solo and group exhibitions since 1961 and his work became famous in Spain as well as in the rest of Europe and the United States. Along with Joan Genovés, he was one of the main renovators of Valencian art, and his work was described as social art. He cultivated various derivations of pop art, and for a time he worked on the incorporation of images from advertising, television and cinema. Later he focused on the interpretation of simplified advertising images based on constructive elements, purist in character and with a certain disalienating intention. In 1997 his hometown, Utiel, dedicated a tribute exhibition to him, and in 2003 he received the Plastic Arts Award from the Generalitat Valenciana. In 2009 the University of Valencia paid tribute to him by exhibiting his works.
"Isolation Nº5", 1967.
Acrylic on táblex.
Signed, dated and titled on the back.
Size: 100 x 81 cm; 110 x 90 cm (frame).
Artistically known as "Anzo", he is one of the most visionary Valencian artists on the Spanish scene. Anzo's work is part of what his contemporary, the art critic Aguilera Cerní, calls Crónica de la Realidad (Chronicle of Reality). Anzo placed the theme of isolation at the conceptual centre of his work. The present work is a reference in the beginnings of this series, in which we can see a solitary character in a threatening space that dehumanises the individual.
Anzo entered the San Carlos School of Arts and Crafts in Valencia in 1945, and in 1949 he moved to Barcelona, where he studied architecture. He had solo and group exhibitions since 1961 and his work became famous in Spain as well as in the rest of Europe and the United States. Along with Joan Genovés, he was one of the main renovators of Valencian art, and his work was described as social art. He cultivated various derivations of pop art, and for a time he worked on the incorporation of images from advertising, television and cinema. Later he focused on the interpretation of simplified advertising images based on constructive elements, purist in character and with a certain disalienating intention. In 1997 his hometown, Utiel, dedicated a tribute exhibition to him, and in 2003 he received the Plastic Arts Award from the Generalitat Valenciana. In 2009 the University of Valencia paid tribute to him by exhibiting his works.
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