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DAVID BUDD (Florida, United States, 1927-1991).Untitled, 1961.Oil on canvas.Signed and dated in
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Description
DAVID BUDD (Florida, United States, 1927-1991).
Untitled, 1961.
Oil on canvas.
Signed and dated in the upper right corner.
From the collection of Antonio Saura.
Size: 65 x 65 cm; 89 x 87 cm (frame).
The present work shows vivid colours and a very marked brushstroke, elements which give it character. The absence of figurative components in it and the composition based on curved and straight lines created only with the strokes of the broad brush, without any presence of drawing, place it within Abstraction.
David Budd attended the School of Architecture at the University of Florida in Gainesville between 1946 and 1948. He then studied interior design in Sarasota, Florida, at the Ringling School of Art and Design. After seeing Hans Namuth's 1950 Jackson Pollock film at work, Budd became interested in painting. He moved to New York in 1952. Budd studied briefly at the Art Students League. In the late 1950s he formulated his thick monochromatic style surfaced. Between 1954 and 1960, he spent his time in Greenwich Village, where he joined other artists, including Jackson Pollock, Franz Kline, and Willem de Kooning, at the Cedar Street Tavern. His first solo exhibition was held at David Budd - Los Arroyos, 1958American University in Washington, DC, in 1956. He subsequently exhibited one-man shows at the Betty Parsons Gallery in 1958 and 1960. In the late 1950s, Budd also spent time in East Hampton, where he exhibited at the popular Signa Gallery, an artist-run enterprise started in 1957 by John Little, Alfonso Ossorio, and Elizabeth Parker. Budd often worked at Los Arroyos, Ossorio's home in East Hampton. His work is represented in major public collections: the Corcoran Gallery of Art, Washington, D.C.; the Greenville County Museum of Art, South Carolina; the High Museum of Art, Atlanta, Georgia; the Metropolitan Museum of Art, New York; the Miami University Art Museum, Oxford, Ohio; the Museum of St. Petersburg, Florida; the Parrish Art Museum, Southampton, New York; the Solomon R. Guggenheim Museum, New York; and the Whitney Museum of Art, New York.
Untitled, 1961.
Oil on canvas.
Signed and dated in the upper right corner.
From the collection of Antonio Saura.
Size: 65 x 65 cm; 89 x 87 cm (frame).
The present work shows vivid colours and a very marked brushstroke, elements which give it character. The absence of figurative components in it and the composition based on curved and straight lines created only with the strokes of the broad brush, without any presence of drawing, place it within Abstraction.
David Budd attended the School of Architecture at the University of Florida in Gainesville between 1946 and 1948. He then studied interior design in Sarasota, Florida, at the Ringling School of Art and Design. After seeing Hans Namuth's 1950 Jackson Pollock film at work, Budd became interested in painting. He moved to New York in 1952. Budd studied briefly at the Art Students League. In the late 1950s he formulated his thick monochromatic style surfaced. Between 1954 and 1960, he spent his time in Greenwich Village, where he joined other artists, including Jackson Pollock, Franz Kline, and Willem de Kooning, at the Cedar Street Tavern. His first solo exhibition was held at David Budd - Los Arroyos, 1958American University in Washington, DC, in 1956. He subsequently exhibited one-man shows at the Betty Parsons Gallery in 1958 and 1960. In the late 1950s, Budd also spent time in East Hampton, where he exhibited at the popular Signa Gallery, an artist-run enterprise started in 1957 by John Little, Alfonso Ossorio, and Elizabeth Parker. Budd often worked at Los Arroyos, Ossorio's home in East Hampton. His work is represented in major public collections: the Corcoran Gallery of Art, Washington, D.C.; the Greenville County Museum of Art, South Carolina; the High Museum of Art, Atlanta, Georgia; the Metropolitan Museum of Art, New York; the Miami University Art Museum, Oxford, Ohio; the Museum of St. Petersburg, Florida; the Parrish Art Museum, Southampton, New York; the Solomon R. Guggenheim Museum, New York; and the Whitney Museum of Art, New York.
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DAVID BUDD (Florida, United States, 1927-1991).
Untitled, 1961.
Oil on canvas.
Signed and dated in the upper right corner.
From the collection of Antonio Saura.
Size: 65 x 65 cm; 89 x 87 cm (frame).
The present work shows vivid colours and a very marked brushstroke, elements which give it character. The absence of figurative components in it and the composition based on curved and straight lines created only with the strokes of the broad brush, without any presence of drawing, place it within Abstraction.
David Budd attended the School of Architecture at the University of Florida in Gainesville between 1946 and 1948. He then studied interior design in Sarasota, Florida, at the Ringling School of Art and Design. After seeing Hans Namuth's 1950 Jackson Pollock film at work, Budd became interested in painting. He moved to New York in 1952. Budd studied briefly at the Art Students League. In the late 1950s he formulated his thick monochromatic style surfaced. Between 1954 and 1960, he spent his time in Greenwich Village, where he joined other artists, including Jackson Pollock, Franz Kline, and Willem de Kooning, at the Cedar Street Tavern. His first solo exhibition was held at David Budd - Los Arroyos, 1958American University in Washington, DC, in 1956. He subsequently exhibited one-man shows at the Betty Parsons Gallery in 1958 and 1960. In the late 1950s, Budd also spent time in East Hampton, where he exhibited at the popular Signa Gallery, an artist-run enterprise started in 1957 by John Little, Alfonso Ossorio, and Elizabeth Parker. Budd often worked at Los Arroyos, Ossorio's home in East Hampton. His work is represented in major public collections: the Corcoran Gallery of Art, Washington, D.C.; the Greenville County Museum of Art, South Carolina; the High Museum of Art, Atlanta, Georgia; the Metropolitan Museum of Art, New York; the Miami University Art Museum, Oxford, Ohio; the Museum of St. Petersburg, Florida; the Parrish Art Museum, Southampton, New York; the Solomon R. Guggenheim Museum, New York; and the Whitney Museum of Art, New York.
Untitled, 1961.
Oil on canvas.
Signed and dated in the upper right corner.
From the collection of Antonio Saura.
Size: 65 x 65 cm; 89 x 87 cm (frame).
The present work shows vivid colours and a very marked brushstroke, elements which give it character. The absence of figurative components in it and the composition based on curved and straight lines created only with the strokes of the broad brush, without any presence of drawing, place it within Abstraction.
David Budd attended the School of Architecture at the University of Florida in Gainesville between 1946 and 1948. He then studied interior design in Sarasota, Florida, at the Ringling School of Art and Design. After seeing Hans Namuth's 1950 Jackson Pollock film at work, Budd became interested in painting. He moved to New York in 1952. Budd studied briefly at the Art Students League. In the late 1950s he formulated his thick monochromatic style surfaced. Between 1954 and 1960, he spent his time in Greenwich Village, where he joined other artists, including Jackson Pollock, Franz Kline, and Willem de Kooning, at the Cedar Street Tavern. His first solo exhibition was held at David Budd - Los Arroyos, 1958American University in Washington, DC, in 1956. He subsequently exhibited one-man shows at the Betty Parsons Gallery in 1958 and 1960. In the late 1950s, Budd also spent time in East Hampton, where he exhibited at the popular Signa Gallery, an artist-run enterprise started in 1957 by John Little, Alfonso Ossorio, and Elizabeth Parker. Budd often worked at Los Arroyos, Ossorio's home in East Hampton. His work is represented in major public collections: the Corcoran Gallery of Art, Washington, D.C.; the Greenville County Museum of Art, South Carolina; the High Museum of Art, Atlanta, Georgia; the Metropolitan Museum of Art, New York; the Miami University Art Museum, Oxford, Ohio; the Museum of St. Petersburg, Florida; the Parrish Art Museum, Southampton, New York; the Solomon R. Guggenheim Museum, New York; and the Whitney Museum of Art, New York.
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