54
Andalusian school; late 17th century."The Birth of the Virgin".Oil on canvas. Relined.It has a
1/5
Description
Andalusian school; late 17th century.
"The Birth of the Virgin".
Oil on canvas. Relined.
It has a period frame, repainting and faults.
Measurements: 83 x 104 cm; 92 x 116 cm (frame).
In this work is represented the first bath of the Virgin Mary, newly born, by two servant girls placed in the centre of the scene. Despite the great prominence of the central figures, the work is enriched by a whole set of elements that seem unconnected, but which provide a narrative vision of the specific moment of the Virgin's birth. On the left, we can see the bed with Saint Anne, dejected, being watched over by two young women at the foot of the bed, who have their backs to the viewer. The treatment of this area is very characteristic, as the perspective of the bed has been completely forced in relation to the rest of the scene, so that it seems to be part of the scene, but rather an evocation. On the right, the figure of Saint Joachim can be seen seated, contemplating his baby, and situated in front of an opening that allows a view of an architectural landscape developed in depth.
The theme of the Nativity of Mary was frequently depicted in art as part of the cycles of the Virgin's life. These depictions, both medieval and later, are often valuable documents that provide information about the domestic interiors and customs of their time. The cycle of the Life of the Virgin spread during the Middle Ages, basing its iconography on the Gospels and, above all, on the apocrypha contained in the "Golden Legend" of Santiago de la Voragine. Anne and Joachim, Mary's parents, had been married for many years without conceiving children. In order for her conception to be immaculate, i.e. without the lust of original sin, it took place when the spouses embraced at the Golden Gate of Jerusalem. According to the text, this is how Saint Anne became pregnant and, nine months later, gave birth to the Virgin Mary. The birth of Mary is traditionally depicted as we see it here, as a genre scene set in a period interior. In the absence of details concerning the Virgin Birth in the Bible, art has turned to the Apocryphal Gospels for inspiration. The Protoevangelium of James gives the names of her parents (Joachim and Anna), and tells how she, barren, withdrew to fast in the desert for 40 days, and an angel appeared to her, who then told her husband the news. Similar accounts are found in other texts: the Gospel of the Nativity of Mary, the Armenian Gospel of the Infancy, etc.
"The Birth of the Virgin".
Oil on canvas. Relined.
It has a period frame, repainting and faults.
Measurements: 83 x 104 cm; 92 x 116 cm (frame).
In this work is represented the first bath of the Virgin Mary, newly born, by two servant girls placed in the centre of the scene. Despite the great prominence of the central figures, the work is enriched by a whole set of elements that seem unconnected, but which provide a narrative vision of the specific moment of the Virgin's birth. On the left, we can see the bed with Saint Anne, dejected, being watched over by two young women at the foot of the bed, who have their backs to the viewer. The treatment of this area is very characteristic, as the perspective of the bed has been completely forced in relation to the rest of the scene, so that it seems to be part of the scene, but rather an evocation. On the right, the figure of Saint Joachim can be seen seated, contemplating his baby, and situated in front of an opening that allows a view of an architectural landscape developed in depth.
The theme of the Nativity of Mary was frequently depicted in art as part of the cycles of the Virgin's life. These depictions, both medieval and later, are often valuable documents that provide information about the domestic interiors and customs of their time. The cycle of the Life of the Virgin spread during the Middle Ages, basing its iconography on the Gospels and, above all, on the apocrypha contained in the "Golden Legend" of Santiago de la Voragine. Anne and Joachim, Mary's parents, had been married for many years without conceiving children. In order for her conception to be immaculate, i.e. without the lust of original sin, it took place when the spouses embraced at the Golden Gate of Jerusalem. According to the text, this is how Saint Anne became pregnant and, nine months later, gave birth to the Virgin Mary. The birth of Mary is traditionally depicted as we see it here, as a genre scene set in a period interior. In the absence of details concerning the Virgin Birth in the Bible, art has turned to the Apocryphal Gospels for inspiration. The Protoevangelium of James gives the names of her parents (Joachim and Anna), and tells how she, barren, withdrew to fast in the desert for 40 days, and an angel appeared to her, who then told her husband the news. Similar accounts are found in other texts: the Gospel of the Nativity of Mary, the Armenian Gospel of the Infancy, etc.
Auction Details
Shipping
T&Cs & Important Info
Ask seller a question
Andalusian school; late 17th century.
"The Birth of the Virgin".
Oil on canvas. Relined.
It has a period frame, repainting and faults.
Measurements: 83 x 104 cm; 92 x 116 cm (frame).
In this work is represented the first bath of the Virgin Mary, newly born, by two servant girls placed in the centre of the scene. Despite the great prominence of the central figures, the work is enriched by a whole set of elements that seem unconnected, but which provide a narrative vision of the specific moment of the Virgin's birth. On the left, we can see the bed with Saint Anne, dejected, being watched over by two young women at the foot of the bed, who have their backs to the viewer. The treatment of this area is very characteristic, as the perspective of the bed has been completely forced in relation to the rest of the scene, so that it seems to be part of the scene, but rather an evocation. On the right, the figure of Saint Joachim can be seen seated, contemplating his baby, and situated in front of an opening that allows a view of an architectural landscape developed in depth.
The theme of the Nativity of Mary was frequently depicted in art as part of the cycles of the Virgin's life. These depictions, both medieval and later, are often valuable documents that provide information about the domestic interiors and customs of their time. The cycle of the Life of the Virgin spread during the Middle Ages, basing its iconography on the Gospels and, above all, on the apocrypha contained in the "Golden Legend" of Santiago de la Voragine. Anne and Joachim, Mary's parents, had been married for many years without conceiving children. In order for her conception to be immaculate, i.e. without the lust of original sin, it took place when the spouses embraced at the Golden Gate of Jerusalem. According to the text, this is how Saint Anne became pregnant and, nine months later, gave birth to the Virgin Mary. The birth of Mary is traditionally depicted as we see it here, as a genre scene set in a period interior. In the absence of details concerning the Virgin Birth in the Bible, art has turned to the Apocryphal Gospels for inspiration. The Protoevangelium of James gives the names of her parents (Joachim and Anna), and tells how she, barren, withdrew to fast in the desert for 40 days, and an angel appeared to her, who then told her husband the news. Similar accounts are found in other texts: the Gospel of the Nativity of Mary, the Armenian Gospel of the Infancy, etc.
"The Birth of the Virgin".
Oil on canvas. Relined.
It has a period frame, repainting and faults.
Measurements: 83 x 104 cm; 92 x 116 cm (frame).
In this work is represented the first bath of the Virgin Mary, newly born, by two servant girls placed in the centre of the scene. Despite the great prominence of the central figures, the work is enriched by a whole set of elements that seem unconnected, but which provide a narrative vision of the specific moment of the Virgin's birth. On the left, we can see the bed with Saint Anne, dejected, being watched over by two young women at the foot of the bed, who have their backs to the viewer. The treatment of this area is very characteristic, as the perspective of the bed has been completely forced in relation to the rest of the scene, so that it seems to be part of the scene, but rather an evocation. On the right, the figure of Saint Joachim can be seen seated, contemplating his baby, and situated in front of an opening that allows a view of an architectural landscape developed in depth.
The theme of the Nativity of Mary was frequently depicted in art as part of the cycles of the Virgin's life. These depictions, both medieval and later, are often valuable documents that provide information about the domestic interiors and customs of their time. The cycle of the Life of the Virgin spread during the Middle Ages, basing its iconography on the Gospels and, above all, on the apocrypha contained in the "Golden Legend" of Santiago de la Voragine. Anne and Joachim, Mary's parents, had been married for many years without conceiving children. In order for her conception to be immaculate, i.e. without the lust of original sin, it took place when the spouses embraced at the Golden Gate of Jerusalem. According to the text, this is how Saint Anne became pregnant and, nine months later, gave birth to the Virgin Mary. The birth of Mary is traditionally depicted as we see it here, as a genre scene set in a period interior. In the absence of details concerning the Virgin Birth in the Bible, art has turned to the Apocryphal Gospels for inspiration. The Protoevangelium of James gives the names of her parents (Joachim and Anna), and tells how she, barren, withdrew to fast in the desert for 40 days, and an angel appeared to her, who then told her husband the news. Similar accounts are found in other texts: the Gospel of the Nativity of Mary, the Armenian Gospel of the Infancy, etc.
7th September - Old Masters
Sale Date(s)
Venue Address
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
General delivery information available from the auctioneer
Setdart offers Worldwide shipping
PICK UP IN ROOM: You can come and pick up your lots in our offices (Barcelona, Madrid or Valencia). At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
Important Information
25% buyer´s premium
21% buyer´s premium at www.setdart.com
Terms & Conditions
The maximum period to pay the lots is 7 working days. You can pay either via bank transfer or with credit card through our platform www.setdart.com (we only accept VISA or Mastercard).
BUYER´S PREMIUM: 22% Hammer price + 21% VAT from the buyer´s premium
If your piece has more than 100 years, our Ministry of Culture requires an export certificate in order for the piece to leave the country. Note that if the piece goes inside the EU, there is no cost for the export certificate. If the piece goes outside the EU, there is a cost for the export certificate. You can find more information in our Ministry of Culture website: https://www.culturaydeporte.gob.es/en/cultura/patrimonio/exportacionimportacion/exportacion/tasas.html
INQUIRIES: admin@setdart.com
Setdart guides you through the entire process, from the time of award to the day you receive your lot. Our logistics team will be happy to manage your transport, and will advise you on the best shipping method with professionals from the sector used to handling works of art and jewelry.
WE OFFER WORLDWIDE DOOR TO DOOR SHIPPING
PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
SETDART IS NOT RESPONSIBLE FOR THE STATE OF THE PARTS ONCE THEY LEAVE OUR FACILITIES. MRW SHIPMENTS: Once the payment is made, your lot will be packed for shipment, the logistics department will send you an e-mail notifying you of the day it leaves our warehouse, changes of address cannot be made after receiving this e-mail.
INSURANCE INCIDENTS: Coverage for the value of the auction up to 3000 ? per shipment, if the value of the auction is higher, Setdart will send you a quote including the additional insurance. The insurance company WILL NOT BE RESPONSIBLE FOR THE SHIPMENT THAT EXCEEDS THAT AMOUNT AND IS NOT FULLY INSURED. MRW INCIDENTS: Maximum notification 48 hours after receipt, after which the insurance company WILL NOT BE RESPONSIBLE AND NO CLAIMS WILL BE ACCEPTED.
E-MAIL LOGISTICS: logistica@setdart.com
PICK UP YOUR MESSAGES: You can send your own messaging, prior notice via e-mail that your shipment is ready, please note 3 or 4 days in advance. This type of shipment is packaged so Setdart will provide you with a quote.
EXPENSES FOR STORAGE: We inform you that if the purchased lot is not picked up within a month, you will be charged 30€ per week per lot. Setdart Online S.L., owner of the web site "setdart.com", "setdart.net" and "setdart.org", acts as a company of Spanish nationality inscribed in the Volume 36955, sheet 182, page B-293056 of the Mercantile Registry, with registered office at Calle Aragó
