29
Flemish school, Follower of PETER PAUL RUBENS (Siegen, Germany, 1577 - Antwerp, Belgium, 1640); 17th
1/5
Description
Flemish school, Follower of PETER PAUL RUBENS (Siegen, Germany, 1577 - Antwerp, Belgium, 1640); 17th century.
"Adoration of the Shepherds".
Oil on copper.
It has faults and repainting.
It has a Spanish or Italian frame with xylophagous remains.
Measurements: 35 x 26 cm; 44 x 35 cm (frame).
The present work is a follower of the painting that Rubens made for the church of San Filippo in Fermo, in 1608, which is currently in the Fermo Civic Art Gallery. There are certain differences in both the figures and the poses. However, the gesture so characteristic of Rubens' works, in which the Child is shown to his adorers, has been preserved. In this case, the monumentality typical of Rubens' figures is preserved, especially in the female figure kneeling before the Child. In addition, the finesse of the faces and the delicacy of the forms are outstanding.
Both the dynamic composition of the scene and the anatomical conception of the figures are very reminiscent of works by the artist Peter Paul Rubens. Peter Paul Rubens was a painter of the Flemish school who, nevertheless, competed on equal terms with contemporary Italian artists, and enjoyed a very important international importance, given that his influence was also key in other schools, as in the case of the transition to the full Baroque in Spain. Although born in Westphalia, Rubens grew up in Antwerp, where his family originated. His mother, Maria Pypelincks, was a very important figure in his life. She gave him a courtly and cultural education, which included the study of Latin and Greek, as well as the Bible. It was in fact his mother who brought him into contact, while still very young, with the best painters of the day. Rubens had three teachers, the first of whom was Tobias Verhaecht, a painter with a precise and meticulous technique who had travelled to Italy and who taught the young artist the first artistic rudiments. It is also possible that Rubens travelled to Italy influenced by this first master. The second was Adam van Noort, a Romanist painter who was also influenced by the Italianate style but whose language was still Mannerist and who must also have influenced the young artist to visit Italy. Finally, his third teacher was Otto van Veen, the most notable and last of them. After completing his training Rubens joined the Antwerp painters' guild in 1598. Only two years later he travelled to Italy, where he remained between 1600 and 1608.
"Adoration of the Shepherds".
Oil on copper.
It has faults and repainting.
It has a Spanish or Italian frame with xylophagous remains.
Measurements: 35 x 26 cm; 44 x 35 cm (frame).
The present work is a follower of the painting that Rubens made for the church of San Filippo in Fermo, in 1608, which is currently in the Fermo Civic Art Gallery. There are certain differences in both the figures and the poses. However, the gesture so characteristic of Rubens' works, in which the Child is shown to his adorers, has been preserved. In this case, the monumentality typical of Rubens' figures is preserved, especially in the female figure kneeling before the Child. In addition, the finesse of the faces and the delicacy of the forms are outstanding.
Both the dynamic composition of the scene and the anatomical conception of the figures are very reminiscent of works by the artist Peter Paul Rubens. Peter Paul Rubens was a painter of the Flemish school who, nevertheless, competed on equal terms with contemporary Italian artists, and enjoyed a very important international importance, given that his influence was also key in other schools, as in the case of the transition to the full Baroque in Spain. Although born in Westphalia, Rubens grew up in Antwerp, where his family originated. His mother, Maria Pypelincks, was a very important figure in his life. She gave him a courtly and cultural education, which included the study of Latin and Greek, as well as the Bible. It was in fact his mother who brought him into contact, while still very young, with the best painters of the day. Rubens had three teachers, the first of whom was Tobias Verhaecht, a painter with a precise and meticulous technique who had travelled to Italy and who taught the young artist the first artistic rudiments. It is also possible that Rubens travelled to Italy influenced by this first master. The second was Adam van Noort, a Romanist painter who was also influenced by the Italianate style but whose language was still Mannerist and who must also have influenced the young artist to visit Italy. Finally, his third teacher was Otto van Veen, the most notable and last of them. After completing his training Rubens joined the Antwerp painters' guild in 1598. Only two years later he travelled to Italy, where he remained between 1600 and 1608.
Auction Details
Shipping
T&Cs & Important Info
Ask seller a question
Flemish school, Follower of PETER PAUL RUBENS (Siegen, Germany, 1577 - Antwerp, Belgium, 1640); 17th century.
"Adoration of the Shepherds".
Oil on copper.
It has faults and repainting.
It has a Spanish or Italian frame with xylophagous remains.
Measurements: 35 x 26 cm; 44 x 35 cm (frame).
The present work is a follower of the painting that Rubens made for the church of San Filippo in Fermo, in 1608, which is currently in the Fermo Civic Art Gallery. There are certain differences in both the figures and the poses. However, the gesture so characteristic of Rubens' works, in which the Child is shown to his adorers, has been preserved. In this case, the monumentality typical of Rubens' figures is preserved, especially in the female figure kneeling before the Child. In addition, the finesse of the faces and the delicacy of the forms are outstanding.
Both the dynamic composition of the scene and the anatomical conception of the figures are very reminiscent of works by the artist Peter Paul Rubens. Peter Paul Rubens was a painter of the Flemish school who, nevertheless, competed on equal terms with contemporary Italian artists, and enjoyed a very important international importance, given that his influence was also key in other schools, as in the case of the transition to the full Baroque in Spain. Although born in Westphalia, Rubens grew up in Antwerp, where his family originated. His mother, Maria Pypelincks, was a very important figure in his life. She gave him a courtly and cultural education, which included the study of Latin and Greek, as well as the Bible. It was in fact his mother who brought him into contact, while still very young, with the best painters of the day. Rubens had three teachers, the first of whom was Tobias Verhaecht, a painter with a precise and meticulous technique who had travelled to Italy and who taught the young artist the first artistic rudiments. It is also possible that Rubens travelled to Italy influenced by this first master. The second was Adam van Noort, a Romanist painter who was also influenced by the Italianate style but whose language was still Mannerist and who must also have influenced the young artist to visit Italy. Finally, his third teacher was Otto van Veen, the most notable and last of them. After completing his training Rubens joined the Antwerp painters' guild in 1598. Only two years later he travelled to Italy, where he remained between 1600 and 1608.
"Adoration of the Shepherds".
Oil on copper.
It has faults and repainting.
It has a Spanish or Italian frame with xylophagous remains.
Measurements: 35 x 26 cm; 44 x 35 cm (frame).
The present work is a follower of the painting that Rubens made for the church of San Filippo in Fermo, in 1608, which is currently in the Fermo Civic Art Gallery. There are certain differences in both the figures and the poses. However, the gesture so characteristic of Rubens' works, in which the Child is shown to his adorers, has been preserved. In this case, the monumentality typical of Rubens' figures is preserved, especially in the female figure kneeling before the Child. In addition, the finesse of the faces and the delicacy of the forms are outstanding.
Both the dynamic composition of the scene and the anatomical conception of the figures are very reminiscent of works by the artist Peter Paul Rubens. Peter Paul Rubens was a painter of the Flemish school who, nevertheless, competed on equal terms with contemporary Italian artists, and enjoyed a very important international importance, given that his influence was also key in other schools, as in the case of the transition to the full Baroque in Spain. Although born in Westphalia, Rubens grew up in Antwerp, where his family originated. His mother, Maria Pypelincks, was a very important figure in his life. She gave him a courtly and cultural education, which included the study of Latin and Greek, as well as the Bible. It was in fact his mother who brought him into contact, while still very young, with the best painters of the day. Rubens had three teachers, the first of whom was Tobias Verhaecht, a painter with a precise and meticulous technique who had travelled to Italy and who taught the young artist the first artistic rudiments. It is also possible that Rubens travelled to Italy influenced by this first master. The second was Adam van Noort, a Romanist painter who was also influenced by the Italianate style but whose language was still Mannerist and who must also have influenced the young artist to visit Italy. Finally, his third teacher was Otto van Veen, the most notable and last of them. After completing his training Rubens joined the Antwerp painters' guild in 1598. Only two years later he travelled to Italy, where he remained between 1600 and 1608.
7th September - Old Masters
Sale Date(s)
Venue Address
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
General delivery information available from the auctioneer
Setdart offers Worldwide shipping
PICK UP IN ROOM: You can come and pick up your lots in our offices (Barcelona, Madrid or Valencia). At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
Important Information
25% buyer´s premium
21% buyer´s premium at www.setdart.com
Terms & Conditions
The maximum period to pay the lots is 7 working days. You can pay either via bank transfer or with credit card through our platform www.setdart.com (we only accept VISA or Mastercard).
BUYER´S PREMIUM: 22% Hammer price + 21% VAT from the buyer´s premium
If your piece has more than 100 years, our Ministry of Culture requires an export certificate in order for the piece to leave the country. Note that if the piece goes inside the EU, there is no cost for the export certificate. If the piece goes outside the EU, there is a cost for the export certificate. You can find more information in our Ministry of Culture website: https://www.culturaydeporte.gob.es/en/cultura/patrimonio/exportacionimportacion/exportacion/tasas.html
INQUIRIES: admin@setdart.com
Setdart guides you through the entire process, from the time of award to the day you receive your lot. Our logistics team will be happy to manage your transport, and will advise you on the best shipping method with professionals from the sector used to handling works of art and jewelry.
WE OFFER WORLDWIDE DOOR TO DOOR SHIPPING
PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
SETDART IS NOT RESPONSIBLE FOR THE STATE OF THE PARTS ONCE THEY LEAVE OUR FACILITIES. MRW SHIPMENTS: Once the payment is made, your lot will be packed for shipment, the logistics department will send you an e-mail notifying you of the day it leaves our warehouse, changes of address cannot be made after receiving this e-mail.
INSURANCE INCIDENTS: Coverage for the value of the auction up to 3000 ? per shipment, if the value of the auction is higher, Setdart will send you a quote including the additional insurance. The insurance company WILL NOT BE RESPONSIBLE FOR THE SHIPMENT THAT EXCEEDS THAT AMOUNT AND IS NOT FULLY INSURED. MRW INCIDENTS: Maximum notification 48 hours after receipt, after which the insurance company WILL NOT BE RESPONSIBLE AND NO CLAIMS WILL BE ACCEPTED.
E-MAIL LOGISTICS: logistica@setdart.com
PICK UP YOUR MESSAGES: You can send your own messaging, prior notice via e-mail that your shipment is ready, please note 3 or 4 days in advance. This type of shipment is packaged so Setdart will provide you with a quote.
EXPENSES FOR STORAGE: We inform you that if the purchased lot is not picked up within a month, you will be charged 30€ per week per lot. Setdart Online S.L., owner of the web site "setdart.com", "setdart.net" and "setdart.org", acts as a company of Spanish nationality inscribed in the Volume 36955, sheet 182, page B-293056 of the Mercantile Registry, with registered office at Calle Aragó
