European school; mid-19th century."Historicist scene".Oil on cardboard.Size: 31 x 51 cm; 45 x 64

European school; mid-19th century.
"Historicist scene".
Oil on cardboard.
Size: 31 x 51 cm; 45 x 64 cm (frame).
The composition of this scene indicates us that it was a work destined to an architectural area, as the part shows areas in the corners that recreate the shape of a lunette, so it was probably destined to a lintel. The fluidity of the sketchy brushstroke may also indicate that this is a preparatory sketch, as a compositional exercise for a larger work. With regard to the subject, in the centre of the scene we can see a woman holding a baby on a ladder with a kneeling, suffering man standing out. In the centre, in the midst of a large crowd, a king can be seen in a regal pose. The movement, the use of colour and the multitude of figures lend great drama to the scene, which is accentuated by the presence of the stake, to which the woman is condemned. It is likely that this is a depiction of Lancelot, Guinevere and King Arthur.
Such scenes were a very common thematic device during this period. Historicist incursions were initially inspired by scenes from Christian history, mythology or classical antiquity, but in this case the scene is captured from a realist point of view despite the brushstrokes; the artist conceived the work as if it were a documentary element, presenting himself as a witness to the events. History painting was traditionally considered the most important genre. This pre-eminence was explained by a certain concept that art had to offer noble and credible examples. Therefore, the superiority of those works of art in which what was narrated was considered lofty or noble was defended. However, in this case, as mentioned above, the author does not seek to narrate a story, but rather to show the gesture of action, chaos and movement typical of a war battle.