Lot

39

SIR JOSHUA REYNOLDS (BRITISH 1723–1792)

In The Bernard Kelly Collection

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SIR JOSHUA REYNOLDS (BRITISH 1723–1792)
MRS HARTLEY AS A NYMPH WITH THE YOUNG BACCHUS
oil on canvas
69.85cm x 35.5cm (27.5in x 14in)
Sir Joshua Reynolds and by descent to his niece Mary, Marchioness of Thomond (1751 – 1820); her sale, Christie’s London 18 May 1821, lot 67, where purchased by Colonel Fulke G. Howard; by descent to his widow, the Hon. Mrs. Greville Howard at Ashfield Park, Surrey, until sold, Christie’s London, 4 July 1874, lot 80 as “Sir J. Reynolds, Mrs. Hartley and Child – the celebrated work. Engraved by S. W. Reynolds”, where purchased by Agnews for £2,520; with Agnews, by whom sold on 4 August 1874 to Richard Johnson; (possibly) collection of Capt. Walsh (according to Christie’s 1928 catalogue). Mrs. R.J. Walker, Bramshott Court, Liphook, Hants; her sale, Christie’s, 8 June 1928, lot 125 as “Sir Joshua Reynolds, P.R.A. Portrait of Mrs. Hartley and Child, in slate coloured dress, with white chemisette, red sash and brown scarf; carrying her child on her right shoulder”; unsold, and by descent to the present owner. 
Exhibited: (possibly) Royal Academy, 1773, no. 241;The British Institution, 1813, no. 53; The British Institution, 1844, no. 159; South Kensington Museum, The National Portrait Exhibition, 1868, no. 810.Literature: A. Graves & W. V. Cronin, A history of the works of Sir Joshua Reynolds, 4 vols, London 1899-1901, vol. 2, no. 446; Agnews Picture Stockbook no. 4 D;Mannings, Sir Joshua Reynolds, A complete catalogue of his paintings, pp.245-246, no. 854a & d.Engraved by W. Nutter, published 14 April 1801 (“from the original picture in the possession of the Marquis of Thomond”). Elizabeth Hartley (née White) (1750?–1824) was one of the most celebrated actors on the London stage in the 1700s. She was also notorious for the role she played in society scandals including ‘The Vauxhall Affray’. Hartley was the daughter of James and Eleanor White of Berrow, Somerset, England. She later took the name Hartley, but it is not known from whom. Various suggestions have been made including the master to whom she was a chambermaid, and other actors of a similar name. There are also no reliable sources for her early roles until she appeared in Edinburgh, on 4 December 1771, as Monimia in Thomas Otway’s The Orphan. After a season in Edinburgh she moved to Bristol where David Garrick, who had heard of her remarkable beauty, commissioned the actor John Moody to attend a performance and report back to him. ‘She has a husband,’ wrote Moody in a letter to George Garrick dated 26 July 1772, ‘a precious fool, that she heartily despises’ (Garrick I, 1835, p. 476) but in fact they never actually married. In the same letter, Moody described her as having ‘a good figure, with a handsome small face, and very much freckled; her hair red, and her neck and shoulders well-turned.’ She is, he wrote, ‘ignorant and stubborn ... and has a slovenly good nature about her that renders her prodigiously vulgar.’ Nevertheless, David Garrick was impressed: ‘A finer creature than Mrs Hartley,’ he exclaimed, ‘I never saw. Her make is perfect’ (W. T. Whitley, Artists and their friends in England 1700-1799, 2 vols, London 1928, vol, 2, pp. 149-50). Northcote described her, in a letter to his brother Samuel, 24 Mar. 1773, as ‘one of the most beautiful women I ever saw, and the finest figure, but [she| has not a good voice’ (Whitley, vol. 2, p. 295). She worked at the Covent Garden theatre in a numerous roles until 1780 (see below), and also appeared at Drury Lane, Liverpool and Stroud. She left the stage at the close of the season of 1779–80 when aged only 30, possibly due to ill health. She died at her home in King Street, Woolwich, and was buried in the Union Chapel. Her portrait by Angelica Kauffmann hangs in the Garrick Club; a long list of other portraits of her, mostly in character parts, is given in P. H. Highfill et alii, Biographical dictionary of actors, managers and other stage personnel in London 1660-1800, Carbondale, Illinois, 1973.The present painting is certainly listed twice as nos. 854a and 852d in Mannings’s catalogue raisonné on the artist, with slightly different dimensions in each entry. These entries represent the same painting, as Mannings himself suggested might be the case. The stretcher on the reverse of the present painting has the stencil numbers 993B and 190ER as well as the chalk mark “June 8/28”. These relate without question to the Christie’s sales on 18 May 1821 and 8th June 1928 thereby confirming the provenance for this painting. Mannings wasn’t aware of any of this at the time of his catalogue raisonné as he did not have direct access to the front and back of the painting.
SIR JOSHUA REYNOLDS (BRITISH 1723–1792)
MRS HARTLEY AS A NYMPH WITH THE YOUNG BACCHUS
oil on canvas
69.85cm x 35.5cm (27.5in x 14in)
Sir Joshua Reynolds and by descent to his niece Mary, Marchioness of Thomond (1751 – 1820); her sale, Christie’s London 18 May 1821, lot 67, where purchased by Colonel Fulke G. Howard; by descent to his widow, the Hon. Mrs. Greville Howard at Ashfield Park, Surrey, until sold, Christie’s London, 4 July 1874, lot 80 as “Sir J. Reynolds, Mrs. Hartley and Child – the celebrated work. Engraved by S. W. Reynolds”, where purchased by Agnews for £2,520; with Agnews, by whom sold on 4 August 1874 to Richard Johnson; (possibly) collection of Capt. Walsh (according to Christie’s 1928 catalogue). Mrs. R.J. Walker, Bramshott Court, Liphook, Hants; her sale, Christie’s, 8 June 1928, lot 125 as “Sir Joshua Reynolds, P.R.A. Portrait of Mrs. Hartley and Child, in slate coloured dress, with white chemisette, red sash and brown scarf; carrying her child on her right shoulder”; unsold, and by descent to the present owner. 
Exhibited: (possibly) Royal Academy, 1773, no. 241;The British Institution, 1813, no. 53; The British Institution, 1844, no. 159; South Kensington Museum, The National Portrait Exhibition, 1868, no. 810.Literature: A. Graves & W. V. Cronin, A history of the works of Sir Joshua Reynolds, 4 vols, London 1899-1901, vol. 2, no. 446; Agnews Picture Stockbook no. 4 D;Mannings, Sir Joshua Reynolds, A complete catalogue of his paintings, pp.245-246, no. 854a & d.Engraved by W. Nutter, published 14 April 1801 (“from the original picture in the possession of the Marquis of Thomond”). Elizabeth Hartley (née White) (1750?–1824) was one of the most celebrated actors on the London stage in the 1700s. She was also notorious for the role she played in society scandals including ‘The Vauxhall Affray’. Hartley was the daughter of James and Eleanor White of Berrow, Somerset, England. She later took the name Hartley, but it is not known from whom. Various suggestions have been made including the master to whom she was a chambermaid, and other actors of a similar name. There are also no reliable sources for her early roles until she appeared in Edinburgh, on 4 December 1771, as Monimia in Thomas Otway’s The Orphan. After a season in Edinburgh she moved to Bristol where David Garrick, who had heard of her remarkable beauty, commissioned the actor John Moody to attend a performance and report back to him. ‘She has a husband,’ wrote Moody in a letter to George Garrick dated 26 July 1772, ‘a precious fool, that she heartily despises’ (Garrick I, 1835, p. 476) but in fact they never actually married. In the same letter, Moody described her as having ‘a good figure, with a handsome small face, and very much freckled; her hair red, and her neck and shoulders well-turned.’ She is, he wrote, ‘ignorant and stubborn ... and has a slovenly good nature about her that renders her prodigiously vulgar.’ Nevertheless, David Garrick was impressed: ‘A finer creature than Mrs Hartley,’ he exclaimed, ‘I never saw. Her make is perfect’ (W. T. Whitley, Artists and their friends in England 1700-1799, 2 vols, London 1928, vol, 2, pp. 149-50). Northcote described her, in a letter to his brother Samuel, 24 Mar. 1773, as ‘one of the most beautiful women I ever saw, and the finest figure, but [she| has not a good voice’ (Whitley, vol. 2, p. 295). She worked at the Covent Garden theatre in a numerous roles until 1780 (see below), and also appeared at Drury Lane, Liverpool and Stroud. She left the stage at the close of the season of 1779–80 when aged only 30, possibly due to ill health. She died at her home in King Street, Woolwich, and was buried in the Union Chapel. Her portrait by Angelica Kauffmann hangs in the Garrick Club; a long list of other portraits of her, mostly in character parts, is given in P. H. Highfill et alii, Biographical dictionary of actors, managers and other stage personnel in London 1660-1800, Carbondale, Illinois, 1973.The present painting is certainly listed twice as nos. 854a and 852d in Mannings’s catalogue raisonné on the artist, with slightly different dimensions in each entry. These entries represent the same painting, as Mannings himself suggested might be the case. The stretcher on the reverse of the present painting has the stencil numbers 993B and 190ER as well as the chalk mark “June 8/28”. These relate without question to the Christie’s sales on 18 May 1821 and 8th June 1928 thereby confirming the provenance for this painting. Mannings wasn’t aware of any of this at the time of his catalogue raisonné as he did not have direct access to the front and back of the painting.

The Bernard Kelly Collection

Sale Date(s)
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COLLECTION OF PURCHASED LOTS

Items will be available for collection from the Mall Galleries on Thursday 16th January from 10am - 3:30pm.

Following this, the works will be divided, with works belonging to Scottish buyers/vendors being stored at Lyon & Turnbull, 33 Broughton Place, Edinburgh EH1 3RR, and works belonging to international or rest-of-UK buyers/vendors moving to Stephen Morris Shipping, 15 Ockham Drive, Greenford, UB6 0FD.

Please ensure payment has been made prior to collection. This can be done online, by cheque, bank transfer or in person at our office - details will be shown on your invoice. Please note we are unable to take payments over the phone, and we are unable to accept payments in cash.

LONDON LOT COLLECTION

Items will be available for collection from the Mall Galleries on Thursday 16th January from 10am - 3:30pm.

Following this, items will be available to collect from Monday 20th January at 9am from Stephen Morris Shipping, 15 Ockham Drive, Greenford, UB6 0FD. They will be stored free of charge until Friday 31st January. From Monday 3rd February, clients will be charged by our storage partners.

Insurance 0.25% (all items)
Smalls (paintings and objects) - £2.50 admin fee then £1.00 per day.
Large or furniture pieces - £5.50 admin fee then £2.50 per day.

Stephen Morris Shipping, 15 Ockham Drive, Greenford, UB6 0FD. Tel 0208 832 2222.
Open 9am – 5pm by prior appointment only.

EDINBURGH LOT COLLECTION

Scottish buyers and vendors items will be available to collect from Thursday 6th February at 9am from Lyon & Turnbull, 33 Broughton Place Edinburgh EH1 3RR. All collections must be by appointment only (this applies to both carriers and personal collections).

Please book appointments by email at info@lyonandturnbull.com or telephone 0131 557 8844

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Important Information

BUYER'S PREMIUM

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

26% up to £20,000
25% from £20,001 to £500,000
20% there after

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ADDITIONAL VAT

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ARTIST’S RESALE ROYALTY (DROIT DE SUITE)

§ indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than £1,000. The charge for works of art sold at and above £1,000 and below £50,000 is 4%. For items selling above £50,000, charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT.  

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COLLECTION OF PURCHASED LOTS  

Items will be available for collection from the Mall Galleries on Thursday 16th January from 10am - 3:30pm.  

Following this, the works will be divided, with works belonging to Scottish buyers/vendors being stored at Lyon & Turnbull, 33 Broughton Place, Edinburgh EH1 3RR, and works belonging to international or rest-of-UK buyers/vendors moving to Stephen Morris Shipping, 15 Ockham Drive, Greenford, UB6 0FD.

Please ensure payment has been made prior to collection. This can be done online, by cheque, bank transfer or in person at our office - details will be shown on your invoice. Please note we are unable to take payments over the phone, and we are unable to accept payments in cash.

LONDON LOT COLLECTION

Items will be available for collection from the Mall Galleries on Thursday 16th January from 10am - 3:30pm.  

Following this, items will be available to collect from Monday 20th January at 9am from Stephen Morris Shipping, 15 Ockham Drive, Greenford, UB6 0FD. They will be stored free of charge until Friday 31st January. From Monday 3rd February, clients will be charged by our storage partners.  

Insurance 0.25% (all items)
Smalls (paintings and objects) - £2.50 admin fee then £1.00 per day.  
Large or furniture pieces - £5.50 admin fee then £2.50 per day.  

Stephen Morris Shipping, 15 Ockham Drive, Greenford, UB6 0FD. Tel 0208 832 2222.
Open 9am – 5pm by prior appointment only.

EDINBURGH LOT COLLECTION

Scottish buyers and vendors items will be available to collect from Thursday 6th February at 9am from Lyon & Turnbull, 33 Broughton Place Edinburgh EH1 3RR. All collections must be by appointment only (this applies to both carriers and personal collections).  

Please book appointments by email at info@lyonandturnbull.com or telephone 0131 557 8844.

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UK - Conditions Of Sale For Buyers

These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used

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Lyon & Turnbull Ltd. acts as agent for the Seller. On occasion where Lyon & Turnbull Ltd. own a lot in part or full the property will be identified in the catalogue with the symbol (

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