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Hendrick de Clerck (Bruxelles 1570 - 1630) attribuito
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Auctioneer has chosen not to publish the price of this lot
Milan, Italy
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Hendrick de Clerck (Bruxelles 1570 - 1630) attribuitoMadonna dell'AnnunciazioneOlio su tavola144,5 x 81 cmMolto interessante è il confronto con l'Annunciazione passata in asta presso la Bonhams di New York in data 27/01/2006, dove oltre alle caratteristiche fisionomiche della Madonna immutate nelle varie opere, troviamo la stessa ambientazione con la variazione del vaso di fiori spostato da sopra al tavolo ai piedi della Vergine. Fu allievo di Maerten de Vos, poi fece un lungo viaggio in Italia durato quattro anni, tra il 1586 ed il 1590, durante il quale ebbe modo di osservare e far propria l'arte Italiana del Quattro e Cinquecento, in particolare la lezione classicista partendo da Raffaello e arrivando ai Carracci. Nel 1606 fu eletto da Alberto d'Austria e Isabella d'Asburgo pittore di corte a Bruxelles. Frequentemente collaborò con altri artisti, soprattutto con Jan Brueghel il Vecchio, Denis van Alsloot e Abraham Govaerts, per i quali dipingeva soprattutto le figure di corredo. Dipinse pannelli decorativi per mobili o per studioli ai quali alternò la realizzazione di grandi pale d'altare per diverse chiese di Bruxelles.Hendrick de Clerck (Brussels 1570 - 1630) attributedMadonna of the AnnunciationOil on panel144,5 x 81 cmVery interesting is the comparison with the Annunciation auctioned at Bonhams in New York on 01/27/2006, where in addition to the physiognomic characteristics of the Madonna unchanged in the various artworks, we find the same setting with the variation of the moved vase of flowers from above the table at the feet of the Virgin.
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Hendrick de Clerck (Bruxelles 1570 - 1630) attribuitoMadonna dell'AnnunciazioneOlio su tavola144,5 x 81 cmMolto interessante è il confronto con l'Annunciazione passata in asta presso la Bonhams di New York in data 27/01/2006, dove oltre alle caratteristiche fisionomiche della Madonna immutate nelle varie opere, troviamo la stessa ambientazione con la variazione del vaso di fiori spostato da sopra al tavolo ai piedi della Vergine. Fu allievo di Maerten de Vos, poi fece un lungo viaggio in Italia durato quattro anni, tra il 1586 ed il 1590, durante il quale ebbe modo di osservare e far propria l'arte Italiana del Quattro e Cinquecento, in particolare la lezione classicista partendo da Raffaello e arrivando ai Carracci. Nel 1606 fu eletto da Alberto d'Austria e Isabella d'Asburgo pittore di corte a Bruxelles. Frequentemente collaborò con altri artisti, soprattutto con Jan Brueghel il Vecchio, Denis van Alsloot e Abraham Govaerts, per i quali dipingeva soprattutto le figure di corredo. Dipinse pannelli decorativi per mobili o per studioli ai quali alternò la realizzazione di grandi pale d'altare per diverse chiese di Bruxelles.Hendrick de Clerck (Brussels 1570 - 1630) attributedMadonna of the AnnunciationOil on panel144,5 x 81 cmVery interesting is the comparison with the Annunciation auctioned at Bonhams in New York on 01/27/2006, where in addition to the physiognomic characteristics of the Madonna unchanged in the various artworks, we find the same setting with the variation of the moved vase of flowers from above the table at the feet of the Virgin.
From a Roman apartment and other commission
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