Lot

53

Danaë and the golden rain, Pierre Jouffroy, 1758.

In Stained Glass from Four Centuries

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Köln

Danaë and the golden rain, Pierre Jouffroy, 1758.
Glass panel painted on reverse in transparent pigments. Signed below "Jouffroy. fecit. 1758." Softwood frame gilded over chalk ground and red bole, H 32.7, W 28.1 cm.

Born in Strasbourg, Pierre Jouffroy (1718 - 1796) came from a family of artists and was taught to paint in oil on canvas by his father. Jeannine Geyssant suspects that reverse glass paintings imported from China inspired him to pursue a career in this technique. The earliest known reverse glass painting by Jouffroy, Venus Weeping for Adonis, is dated 1752. By 1755, now based in Paris, he was already working for the French aristocracy. Through a portrait of Maria Leszczyńska, which he produced in 1759, he was noticed by her father, Stanislas Leszczyński, King of Poland, Duke of Lorraine and Bar (1677 - 1766). He gave him further commissions and he was now allowed to call himself court painter, "peintre sur glace du roi de Pologne". Shortly afterwards he met Princess Maria Christina of Saxony and Poland (1735 - 1782) and Electress Elisabeth Auguste of the Palatinate (1721 - 1794). After the death of Stanislas Leszczyński, he began to travel: he visited the German courts, London, The Hague, Lisbon. Respected even after the Revolution, he died in Paris in 1796.

There are still about 50 reverse glass paintings signed and dated by him, mostly portraits, but also mythological representations such as this Danaë. The design for the reverse glass painting was almost certainly also developed by Jouffroy. He knew the interpretations of the theme by Titian and Louis de Boullogne and probably also the works of François Boucher.
The lot includes a possible model, the engraving by Philippe Trière (1756 - c. 1815) after the painting by Antonio da Correggio (1489 - 1534).

Provenance
Art market, Strasbourg.

Literature
Cf. Geyssant, Pierre Jouffroy "peintre sur glace" à la court du roi Stanislas Leszczynski, in: L'objet d'art, 10/2013, p. 62 ff.

Danaë und der Goldregen, Pierre Jouffroy, 1758.
Hinterglasmalerei mit transparenten Farben. Unten signiert "Jouffroy. fecit. 1758." Über Kreidegrund und rotem Bolus vergoldeter Weichholzrahmen H 32,7, B 28,1 cm.

Der in Strasbourg geborene Pierre Jouffroy (1718 - 1796) stammte aus einer Künstlerfamilie und lernte bei seinem Vater das Malen in Öl auf Leinwand. Jeannine Geyssant vermutet, dass die aus China importierten Hinterglasbilder ihn zu einer Karriere als Hinterglasmaler inspiriert haben. Das früheste bekannte Hinterglasgemälde von Jouffroy, Venus beweint Adonis, ist 1752 datiert. Schon 1755 arbeitete er, inzwischen in Paris ansässig, für den französischen Hochadel. Durch ein Porträt von Maria Leszczyńska, das er 1759 anfertigte, wurde er von ihrem Vater wahrgenommen, Stanislas Leszczyński, König von Polen, Herzog von Lothringen und Bar (1677 - 1766). Dieser gab ihm weitere Aufträge, und nun durfte er sich Hofmaler nennen, "peintre sur glace du roi de Pologne". Kurz darauf lernte er Prinzessin Maria Christina von Sachsen und Polen (1735 - 1782) und Kurfürstin Elisabeth Auguste von der Pfalz (1721 - 1794) kennen. Nach dem Tod von Stanislas Leszczyński begann er zu reisen: Er besuchte die deutschen Fürstenhöfe, London, Den Haag, Lissabon. Auch nach der Revolution geachtet, verstarb er 1796 in Paris.
Man kennt noch ungefähr 50 von ihm signierte und datierte Hinterglasgemälde, weitgehend Porträts, aber auch mythologische Darstellungen wie diese Danaë. Der Riss zum Hinterglasgemälde ist mit großer Sicherheit auch von Jouffroy entwickelt worden. Er kannte die Interpretationen des Themas von Tizian und Louis de Boullogne und wohl auch die Werke von François Boucher.
Das Lot beinhaltet eine mögliche Vorlage, den Kupferstich von Philippe Trière (1756 - um 1815) nach dem Gemälde von Antonio da Correggio (1489 - 1534).

Provenienz
Kunsthandel Strasbourg.

Literatur
Vgl. Geyssant, Pierre Jouffroy "peintre sur glace" à la court du roi Stanislas Leszczynski, in: L'objet d'art, 10/2013, S. 62 ff.

Danaë and the golden rain, Pierre Jouffroy, 1758.
Glass panel painted on reverse in transparent pigments. Signed below "Jouffroy. fecit. 1758." Softwood frame gilded over chalk ground and red bole, H 32.7, W 28.1 cm.

Born in Strasbourg, Pierre Jouffroy (1718 - 1796) came from a family of artists and was taught to paint in oil on canvas by his father. Jeannine Geyssant suspects that reverse glass paintings imported from China inspired him to pursue a career in this technique. The earliest known reverse glass painting by Jouffroy, Venus Weeping for Adonis, is dated 1752. By 1755, now based in Paris, he was already working for the French aristocracy. Through a portrait of Maria Leszczyńska, which he produced in 1759, he was noticed by her father, Stanislas Leszczyński, King of Poland, Duke of Lorraine and Bar (1677 - 1766). He gave him further commissions and he was now allowed to call himself court painter, "peintre sur glace du roi de Pologne". Shortly afterwards he met Princess Maria Christina of Saxony and Poland (1735 - 1782) and Electress Elisabeth Auguste of the Palatinate (1721 - 1794). After the death of Stanislas Leszczyński, he began to travel: he visited the German courts, London, The Hague, Lisbon. Respected even after the Revolution, he died in Paris in 1796.

There are still about 50 reverse glass paintings signed and dated by him, mostly portraits, but also mythological representations such as this Danaë. The design for the reverse glass painting was almost certainly also developed by Jouffroy. He knew the interpretations of the theme by Titian and Louis de Boullogne and probably also the works of François Boucher.
The lot includes a possible model, the engraving by Philippe Trière (1756 - c. 1815) after the painting by Antonio da Correggio (1489 - 1534).

Provenance
Art market, Strasbourg.

Literature
Cf. Geyssant, Pierre Jouffroy "peintre sur glace" à la court du roi Stanislas Leszczynski, in: L'objet d'art, 10/2013, p. 62 ff.

Danaë und der Goldregen, Pierre Jouffroy, 1758.
Hinterglasmalerei mit transparenten Farben. Unten signiert "Jouffroy. fecit. 1758." Über Kreidegrund und rotem Bolus vergoldeter Weichholzrahmen H 32,7, B 28,1 cm.

Der in Strasbourg geborene Pierre Jouffroy (1718 - 1796) stammte aus einer Künstlerfamilie und lernte bei seinem Vater das Malen in Öl auf Leinwand. Jeannine Geyssant vermutet, dass die aus China importierten Hinterglasbilder ihn zu einer Karriere als Hinterglasmaler inspiriert haben. Das früheste bekannte Hinterglasgemälde von Jouffroy, Venus beweint Adonis, ist 1752 datiert. Schon 1755 arbeitete er, inzwischen in Paris ansässig, für den französischen Hochadel. Durch ein Porträt von Maria Leszczyńska, das er 1759 anfertigte, wurde er von ihrem Vater wahrgenommen, Stanislas Leszczyński, König von Polen, Herzog von Lothringen und Bar (1677 - 1766). Dieser gab ihm weitere Aufträge, und nun durfte er sich Hofmaler nennen, "peintre sur glace du roi de Pologne". Kurz darauf lernte er Prinzessin Maria Christina von Sachsen und Polen (1735 - 1782) und Kurfürstin Elisabeth Auguste von der Pfalz (1721 - 1794) kennen. Nach dem Tod von Stanislas Leszczyński begann er zu reisen: Er besuchte die deutschen Fürstenhöfe, London, Den Haag, Lissabon. Auch nach der Revolution geachtet, verstarb er 1796 in Paris.
Man kennt noch ungefähr 50 von ihm signierte und datierte Hinterglasgemälde, weitgehend Porträts, aber auch mythologische Darstellungen wie diese Danaë. Der Riss zum Hinterglasgemälde ist mit großer Sicherheit auch von Jouffroy entwickelt worden. Er kannte die Interpretationen des Themas von Tizian und Louis de Boullogne und wohl auch die Werke von François Boucher.
Das Lot beinhaltet eine mögliche Vorlage, den Kupferstich von Philippe Trière (1756 - um 1815) nach dem Gemälde von Antonio da Correggio (1489 - 1534).

Provenienz
Kunsthandel Strasbourg.

Literatur
Vgl. Geyssant, Pierre Jouffroy "peintre sur glace" à la court du roi Stanislas Leszczynski, in: L'objet d'art, 10/2013, S. 62 ff.

Stained Glass from Four Centuries

Sale Date(s)
Lots: 95
Venue Address
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Köln
50667
Germany

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