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Claudio Parmiggiani, Untitled
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Description
Claudio Parmiggiani, Untitled
Smoke and soot on wood 150 x 115 cm. Framed under plexiglass. - Traces of studio and minor traces of age.
With accompanying signed photo-certificate by the artist dated 15.6.2021.
Provenance
Meessen De Clercq, Brussels; private collection, Belgium
In a career that spans almost 5 decades, the Italian artist Claudio Parmiggiani has always remained truthful to his signature themes. Famous for his large installations, often depicting fragmentation (glass shards) or poetic themes (harps with butterflies), he has transformed into art what could be regarded as concerns with the motifs of absence, trace, and the exploration of the individual’s role in the world. Especially the idea of absence of objects – such as items removed from their location – has spurned him on to create the ‘Delocazione’ series. One must imagine the physical and logistical effort that goes into the productions of said tableaux. The local fire brigade needs to be called, Parmiggiani then carefully places objects, such as bookshelves or shower curtains in front of a board. A controlled fire is started, and to create the dark soot, tires are burnt. The smoke is directed into the room with the artefacts and left to settle for 3 days. Upon entering the grey and dusty work area, the actual items are then removed, and the outline remains on the board and is later impregnated. The offered work depicts the outline of a female figure. The viewer is left with a sense of passage of time, absence and futility. It is almost the memory of an object, and not the object itself. Born in Luzzara in 1943 the artist does not shy away from the physicality of the process, as well as making sure the poetic nature of his themes is transported. A writer and lover of poetry himself, Claudio’s soot works provide a direct link from the works created by Yves Klein and Alberto Burri with the usage of fire in the fifties.
Smoke and soot on wood 150 x 115 cm. Framed under plexiglass. - Traces of studio and minor traces of age.
With accompanying signed photo-certificate by the artist dated 15.6.2021.
Provenance
Meessen De Clercq, Brussels; private collection, Belgium
In a career that spans almost 5 decades, the Italian artist Claudio Parmiggiani has always remained truthful to his signature themes. Famous for his large installations, often depicting fragmentation (glass shards) or poetic themes (harps with butterflies), he has transformed into art what could be regarded as concerns with the motifs of absence, trace, and the exploration of the individual’s role in the world. Especially the idea of absence of objects – such as items removed from their location – has spurned him on to create the ‘Delocazione’ series. One must imagine the physical and logistical effort that goes into the productions of said tableaux. The local fire brigade needs to be called, Parmiggiani then carefully places objects, such as bookshelves or shower curtains in front of a board. A controlled fire is started, and to create the dark soot, tires are burnt. The smoke is directed into the room with the artefacts and left to settle for 3 days. Upon entering the grey and dusty work area, the actual items are then removed, and the outline remains on the board and is later impregnated. The offered work depicts the outline of a female figure. The viewer is left with a sense of passage of time, absence and futility. It is almost the memory of an object, and not the object itself. Born in Luzzara in 1943 the artist does not shy away from the physicality of the process, as well as making sure the poetic nature of his themes is transported. A writer and lover of poetry himself, Claudio’s soot works provide a direct link from the works created by Yves Klein and Alberto Burri with the usage of fire in the fifties.
Claudio Parmiggiani, Ohne Titel
Rauch und Ruß auf Holz 150 x 115 cm. Unter Plexiglas gerahmt. - Mit Atelier- und leichten Altersspuren.
Mit beiliegendem signierten Photozertifikat des Künstlers vom 15.6.2021.
Provenienz
Meessen De Clercq, Brüssel; Privatsammlung, Belgien
In seiner fast 5 Jahrzehnte umspannenden Karriere ist der italienische Künstler Claudio Parmiggiani seinen charakteristischen Themen immer treu geblieben. Berühmt für seine großen Installationen, die oft Fragmentierung (Glasscherben) oder Poetik (Harfen mit Schmetterlingen) thematisieren, hat er das, was man als Beschäftigung mit den Motiven der Abwesenheit, der Spur und der Erkundung der Rolle des Einzelnen in der Welt betrachten könnte, in Kunst umgesetzt. Vor allem die Idee der Abwesenheit von Objekten - wie etwa von Gegenständen, die von ihrem Standort entfernt wurden - hat ihn zu der Serie "Delocazione" inspiriert. Man muss sich den physischen und logistischen Aufwand vorstellen, der mit der Produktion dieser Tableaus verbunden ist. Die örtliche Feuerwehr muss gerufen werden, Parmiggiani platziert dann vorsichtig Gegenstände wie Bücherregale oder Duschvorhänge vor einer Holztafel. Ein kontrolliertes Feuer wird entfacht und um den dunklen Ruß zu erzeugen, werden Reifen verbrannt. Der Rauch wird in den Raum mit den Artefakten geleitet und muss sich dort 3 Tage lang als Ruß absetzen. Beim Betreten des grauen und staubigen Arbeitsbereichs werden die eigentlichen Gegenstände dann entfernt, und der Umriss bleibt auf der Platte und wird später imprägniert. In dem vorliegenden Werk erkennen wir den Umriss einer weiblichen Figur. Gleichzeitig wird das Bewusstsein über das Vergehen der Zeit, der Abwesenheit und der Vergeblichkeit geweckt. Es ist fast so, als betrachte man die Erinnerung an ein Objekt und nicht das Objekt selbst. Der 1943 in Luzzara geborene Künstler scheut sich nicht vor der Körperlichkeit des Prozesses und achtet darauf, dass die Lyrik seiner Themen transportiert wird. Als Schriftsteller und Liebhaber der Poesie, stehen Claudio Parmiggiani‘s Rußarbeiten in einer direkten Linie zu Werken von Yves Klein, Alberto Burri u.a., die in den 1950er Jahren mit Hilfe des Mediums Feuer entstanden sind.
Rauch und Ruß auf Holz 150 x 115 cm. Unter Plexiglas gerahmt. - Mit Atelier- und leichten Altersspuren.
Mit beiliegendem signierten Photozertifikat des Künstlers vom 15.6.2021.
Provenienz
Meessen De Clercq, Brüssel; Privatsammlung, Belgien
In seiner fast 5 Jahrzehnte umspannenden Karriere ist der italienische Künstler Claudio Parmiggiani seinen charakteristischen Themen immer treu geblieben. Berühmt für seine großen Installationen, die oft Fragmentierung (Glasscherben) oder Poetik (Harfen mit Schmetterlingen) thematisieren, hat er das, was man als Beschäftigung mit den Motiven der Abwesenheit, der Spur und der Erkundung der Rolle des Einzelnen in der Welt betrachten könnte, in Kunst umgesetzt. Vor allem die Idee der Abwesenheit von Objekten - wie etwa von Gegenständen, die von ihrem Standort entfernt wurden - hat ihn zu der Serie "Delocazione" inspiriert. Man muss sich den physischen und logistischen Aufwand vorstellen, der mit der Produktion dieser Tableaus verbunden ist. Die örtliche Feuerwehr muss gerufen werden, Parmiggiani platziert dann vorsichtig Gegenstände wie Bücherregale oder Duschvorhänge vor einer Holztafel. Ein kontrolliertes Feuer wird entfacht und um den dunklen Ruß zu erzeugen, werden Reifen verbrannt. Der Rauch wird in den Raum mit den Artefakten geleitet und muss sich dort 3 Tage lang als Ruß absetzen. Beim Betreten des grauen und staubigen Arbeitsbereichs werden die eigentlichen Gegenstände dann entfernt, und der Umriss bleibt auf der Platte und wird später imprägniert. In dem vorliegenden Werk erkennen wir den Umriss einer weiblichen Figur. Gleichzeitig wird das Bewusstsein über das Vergehen der Zeit, der Abwesenheit und der Vergeblichkeit geweckt. Es ist fast so, als betrachte man die Erinnerung an ein Objekt und nicht das Objekt selbst. Der 1943 in Luzzara geborene Künstler scheut sich nicht vor der Körperlichkeit des Prozesses und achtet darauf, dass die Lyrik seiner Themen transportiert wird. Als Schriftsteller und Liebhaber der Poesie, stehen Claudio Parmiggiani‘s Rußarbeiten in einer direkten Linie zu Werken von Yves Klein, Alberto Burri u.a., die in den 1950er Jahren mit Hilfe des Mediums Feuer entstanden sind.
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Claudio Parmiggiani, Untitled
Smoke and soot on wood 150 x 115 cm. Framed under plexiglass. - Traces of studio and minor traces of age.
With accompanying signed photo-certificate by the artist dated 15.6.2021.
Provenance
Meessen De Clercq, Brussels; private collection, Belgium
In a career that spans almost 5 decades, the Italian artist Claudio Parmiggiani has always remained truthful to his signature themes. Famous for his large installations, often depicting fragmentation (glass shards) or poetic themes (harps with butterflies), he has transformed into art what could be regarded as concerns with the motifs of absence, trace, and the exploration of the individual’s role in the world. Especially the idea of absence of objects – such as items removed from their location – has spurned him on to create the ‘Delocazione’ series. One must imagine the physical and logistical effort that goes into the productions of said tableaux. The local fire brigade needs to be called, Parmiggiani then carefully places objects, such as bookshelves or shower curtains in front of a board. A controlled fire is started, and to create the dark soot, tires are burnt. The smoke is directed into the room with the artefacts and left to settle for 3 days. Upon entering the grey and dusty work area, the actual items are then removed, and the outline remains on the board and is later impregnated. The offered work depicts the outline of a female figure. The viewer is left with a sense of passage of time, absence and futility. It is almost the memory of an object, and not the object itself. Born in Luzzara in 1943 the artist does not shy away from the physicality of the process, as well as making sure the poetic nature of his themes is transported. A writer and lover of poetry himself, Claudio’s soot works provide a direct link from the works created by Yves Klein and Alberto Burri with the usage of fire in the fifties.
Smoke and soot on wood 150 x 115 cm. Framed under plexiglass. - Traces of studio and minor traces of age.
With accompanying signed photo-certificate by the artist dated 15.6.2021.
Provenance
Meessen De Clercq, Brussels; private collection, Belgium
In a career that spans almost 5 decades, the Italian artist Claudio Parmiggiani has always remained truthful to his signature themes. Famous for his large installations, often depicting fragmentation (glass shards) or poetic themes (harps with butterflies), he has transformed into art what could be regarded as concerns with the motifs of absence, trace, and the exploration of the individual’s role in the world. Especially the idea of absence of objects – such as items removed from their location – has spurned him on to create the ‘Delocazione’ series. One must imagine the physical and logistical effort that goes into the productions of said tableaux. The local fire brigade needs to be called, Parmiggiani then carefully places objects, such as bookshelves or shower curtains in front of a board. A controlled fire is started, and to create the dark soot, tires are burnt. The smoke is directed into the room with the artefacts and left to settle for 3 days. Upon entering the grey and dusty work area, the actual items are then removed, and the outline remains on the board and is later impregnated. The offered work depicts the outline of a female figure. The viewer is left with a sense of passage of time, absence and futility. It is almost the memory of an object, and not the object itself. Born in Luzzara in 1943 the artist does not shy away from the physicality of the process, as well as making sure the poetic nature of his themes is transported. A writer and lover of poetry himself, Claudio’s soot works provide a direct link from the works created by Yves Klein and Alberto Burri with the usage of fire in the fifties.
Claudio Parmiggiani, Ohne Titel
Rauch und Ruß auf Holz 150 x 115 cm. Unter Plexiglas gerahmt. - Mit Atelier- und leichten Altersspuren.
Mit beiliegendem signierten Photozertifikat des Künstlers vom 15.6.2021.
Provenienz
Meessen De Clercq, Brüssel; Privatsammlung, Belgien
In seiner fast 5 Jahrzehnte umspannenden Karriere ist der italienische Künstler Claudio Parmiggiani seinen charakteristischen Themen immer treu geblieben. Berühmt für seine großen Installationen, die oft Fragmentierung (Glasscherben) oder Poetik (Harfen mit Schmetterlingen) thematisieren, hat er das, was man als Beschäftigung mit den Motiven der Abwesenheit, der Spur und der Erkundung der Rolle des Einzelnen in der Welt betrachten könnte, in Kunst umgesetzt. Vor allem die Idee der Abwesenheit von Objekten - wie etwa von Gegenständen, die von ihrem Standort entfernt wurden - hat ihn zu der Serie "Delocazione" inspiriert. Man muss sich den physischen und logistischen Aufwand vorstellen, der mit der Produktion dieser Tableaus verbunden ist. Die örtliche Feuerwehr muss gerufen werden, Parmiggiani platziert dann vorsichtig Gegenstände wie Bücherregale oder Duschvorhänge vor einer Holztafel. Ein kontrolliertes Feuer wird entfacht und um den dunklen Ruß zu erzeugen, werden Reifen verbrannt. Der Rauch wird in den Raum mit den Artefakten geleitet und muss sich dort 3 Tage lang als Ruß absetzen. Beim Betreten des grauen und staubigen Arbeitsbereichs werden die eigentlichen Gegenstände dann entfernt, und der Umriss bleibt auf der Platte und wird später imprägniert. In dem vorliegenden Werk erkennen wir den Umriss einer weiblichen Figur. Gleichzeitig wird das Bewusstsein über das Vergehen der Zeit, der Abwesenheit und der Vergeblichkeit geweckt. Es ist fast so, als betrachte man die Erinnerung an ein Objekt und nicht das Objekt selbst. Der 1943 in Luzzara geborene Künstler scheut sich nicht vor der Körperlichkeit des Prozesses und achtet darauf, dass die Lyrik seiner Themen transportiert wird. Als Schriftsteller und Liebhaber der Poesie, stehen Claudio Parmiggiani‘s Rußarbeiten in einer direkten Linie zu Werken von Yves Klein, Alberto Burri u.a., die in den 1950er Jahren mit Hilfe des Mediums Feuer entstanden sind.
Rauch und Ruß auf Holz 150 x 115 cm. Unter Plexiglas gerahmt. - Mit Atelier- und leichten Altersspuren.
Mit beiliegendem signierten Photozertifikat des Künstlers vom 15.6.2021.
Provenienz
Meessen De Clercq, Brüssel; Privatsammlung, Belgien
In seiner fast 5 Jahrzehnte umspannenden Karriere ist der italienische Künstler Claudio Parmiggiani seinen charakteristischen Themen immer treu geblieben. Berühmt für seine großen Installationen, die oft Fragmentierung (Glasscherben) oder Poetik (Harfen mit Schmetterlingen) thematisieren, hat er das, was man als Beschäftigung mit den Motiven der Abwesenheit, der Spur und der Erkundung der Rolle des Einzelnen in der Welt betrachten könnte, in Kunst umgesetzt. Vor allem die Idee der Abwesenheit von Objekten - wie etwa von Gegenständen, die von ihrem Standort entfernt wurden - hat ihn zu der Serie "Delocazione" inspiriert. Man muss sich den physischen und logistischen Aufwand vorstellen, der mit der Produktion dieser Tableaus verbunden ist. Die örtliche Feuerwehr muss gerufen werden, Parmiggiani platziert dann vorsichtig Gegenstände wie Bücherregale oder Duschvorhänge vor einer Holztafel. Ein kontrolliertes Feuer wird entfacht und um den dunklen Ruß zu erzeugen, werden Reifen verbrannt. Der Rauch wird in den Raum mit den Artefakten geleitet und muss sich dort 3 Tage lang als Ruß absetzen. Beim Betreten des grauen und staubigen Arbeitsbereichs werden die eigentlichen Gegenstände dann entfernt, und der Umriss bleibt auf der Platte und wird später imprägniert. In dem vorliegenden Werk erkennen wir den Umriss einer weiblichen Figur. Gleichzeitig wird das Bewusstsein über das Vergehen der Zeit, der Abwesenheit und der Vergeblichkeit geweckt. Es ist fast so, als betrachte man die Erinnerung an ein Objekt und nicht das Objekt selbst. Der 1943 in Luzzara geborene Künstler scheut sich nicht vor der Körperlichkeit des Prozesses und achtet darauf, dass die Lyrik seiner Themen transportiert wird. Als Schriftsteller und Liebhaber der Poesie, stehen Claudio Parmiggiani‘s Rußarbeiten in einer direkten Linie zu Werken von Yves Klein, Alberto Burri u.a., die in den 1950er Jahren mit Hilfe des Mediums Feuer entstanden sind.
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Evening Sale - Moderne und Zeitgenössische Kunst
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