45
Hans Purrmann, Akt auf rotem Sofa
Oil on canvas. 48 x 63 cm. Framed. Unsigned (remains of a signature lower right). - Very good condition.
Lenz/Billeter 1942/21
Provenance
Collection H.M.; private property, Switzerland
Ever since he had been a student in Munich and then in Paris – where he was particularly influenced by Henri Matisse – Hans Purrmann had repeatedly painted female nudes. Related to his well-known “Liegender Akt” of 1940, this dark-haired woman with lowered eyes rests on a red sofa. A patterned curtain sets an accent in the background, which has primarily been painted in dark blue, so that the bared figure with its light flesh tones stands out luminously. The finely articulated brushwork made up of many colours traces every nuance of surface, but also the modulation of the light. Where the body touches the sofa, the flesh tone incorporates its colour and shimmers in delicate tones of red. The bare skin’s connection with the red velvet of the sofa serves to intensify the sensuality of the image. This effect is also enhanced by the transparent fabric which, according to the former owner, was added to the previously completed work in 1946/1947. A total of three drawings from the period 1936 to 1940 document Purrmann’s intensive occupation with this image (Billeter/Dornacher ZA-1935-43/046 - ZA-1935-43/048).
Purrmann had already been living in Florence for seven years when he painted “Akt auf rotem Sofa”. After the Nazis took power, he was relieved to be able to take over the volunteer directorship of the Villa Romana on behalf of the Deutscher Künstlerbund.
Öl auf Leinwand. 48 x 63 cm. Gerahmt. Unbezeichnet (unten rechts Reste einer Signatur). - In guter Erhaltung.
Lenz/Billeter 1942/21
Provenienz
Sammlung H.M.; Privatbesitz Schweiz
Seit seiner Studienzeit in München und später in Paris – dort vor allem unter dem Eindruck von Henri Matisse – malte Hans Purrmann immer wieder weibliche Akte. Seinem bekannten „Liegenden Akt“ von 1940 verwandt, ruht die dunkelhaarige Dame mit gesenktem Blick auf einem roten Sofa. Der Hintergrund, durch einen gemusterten Vorhang akzentuiert, ist in einem dunklen Blau gehalten, so dass sich der entblößte Körper mit seinem hellen Inkarnat leuchtend abhebt. Ein kleinteiliger, aus vielen Farben bestehender Pinselstrich spürt allen Feinheiten der Oberfläche, aber auch den Brechungen des Lichts nach. Dort wo der Körper das Sofa berührt, nimmt das Inkarnat die Farbe auf und schimmert in zarten Rottönen. Die Verbindung der nackten Haut mit dem roten Samt des Sofas dient der Steigerung der sinnlichen Darstellung. Dazu trägt auch das transparente Tuch bei, das nach Auskunft des ehemaligen Besitzers von Purrmann 1946/1947 nachträglich hinzugefügt wurde. Insgesamt drei Zeichnungen aus den Jahren 1936 bis 1940 dokumentieren die intensive Auseinandersetzung mit der Darstellung (Billeter/Dornacher ZA-1935-43/046 - ZA-1935-43/048).
Als Hans Purrmann den „Akt auf rotem Sofa“ malte, lebte er schon seit sieben Jahren in Florenz. Nach der Machtübernahme der Nationalsozialisten war er erleichtert, dass er im Auftrag des Deutschen Künstlerbundes die ehrenamtliche Leitung der Villa Romana übernehmen konnte.
Oil on canvas. 48 x 63 cm. Framed. Unsigned (remains of a signature lower right). - Very good condition.
Lenz/Billeter 1942/21
Provenance
Collection H.M.; private property, Switzerland
Ever since he had been a student in Munich and then in Paris – where he was particularly influenced by Henri Matisse – Hans Purrmann had repeatedly painted female nudes. Related to his well-known “Liegender Akt” of 1940, this dark-haired woman with lowered eyes rests on a red sofa. A patterned curtain sets an accent in the background, which has primarily been painted in dark blue, so that the bared figure with its light flesh tones stands out luminously. The finely articulated brushwork made up of many colours traces every nuance of surface, but also the modulation of the light. Where the body touches the sofa, the flesh tone incorporates its colour and shimmers in delicate tones of red. The bare skin’s connection with the red velvet of the sofa serves to intensify the sensuality of the image. This effect is also enhanced by the transparent fabric which, according to the former owner, was added to the previously completed work in 1946/1947. A total of three drawings from the period 1936 to 1940 document Purrmann’s intensive occupation with this image (Billeter/Dornacher ZA-1935-43/046 - ZA-1935-43/048).
Purrmann had already been living in Florence for seven years when he painted “Akt auf rotem Sofa”. After the Nazis took power, he was relieved to be able to take over the volunteer directorship of the Villa Romana on behalf of the Deutscher Künstlerbund.
Öl auf Leinwand. 48 x 63 cm. Gerahmt. Unbezeichnet (unten rechts Reste einer Signatur). - In guter Erhaltung.
Lenz/Billeter 1942/21
Provenienz
Sammlung H.M.; Privatbesitz Schweiz
Seit seiner Studienzeit in München und später in Paris – dort vor allem unter dem Eindruck von Henri Matisse – malte Hans Purrmann immer wieder weibliche Akte. Seinem bekannten „Liegenden Akt“ von 1940 verwandt, ruht die dunkelhaarige Dame mit gesenktem Blick auf einem roten Sofa. Der Hintergrund, durch einen gemusterten Vorhang akzentuiert, ist in einem dunklen Blau gehalten, so dass sich der entblößte Körper mit seinem hellen Inkarnat leuchtend abhebt. Ein kleinteiliger, aus vielen Farben bestehender Pinselstrich spürt allen Feinheiten der Oberfläche, aber auch den Brechungen des Lichts nach. Dort wo der Körper das Sofa berührt, nimmt das Inkarnat die Farbe auf und schimmert in zarten Rottönen. Die Verbindung der nackten Haut mit dem roten Samt des Sofas dient der Steigerung der sinnlichen Darstellung. Dazu trägt auch das transparente Tuch bei, das nach Auskunft des ehemaligen Besitzers von Purrmann 1946/1947 nachträglich hinzugefügt wurde. Insgesamt drei Zeichnungen aus den Jahren 1936 bis 1940 dokumentieren die intensive Auseinandersetzung mit der Darstellung (Billeter/Dornacher ZA-1935-43/046 - ZA-1935-43/048).
Als Hans Purrmann den „Akt auf rotem Sofa“ malte, lebte er schon seit sieben Jahren in Florenz. Nach der Machtübernahme der Nationalsozialisten war er erleichtert, dass er im Auftrag des Deutschen Künstlerbundes die ehrenamtliche Leitung der Villa Romana übernehmen konnte.
Evening Sale - Modern and Contemporary Art
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Evening Sale - Modern and Contemporary Art
Evening Sale - Moderne und Zeitgenössische Kunst
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1. The art auction house, Kunsthaus Lempertz KG (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Commercial Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
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