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Line engraving by Robert van Voerst, originally published 1634, this impression slightly later Image 34.7 x 52.7cm (sight) Provenance: Collection ...
SAMUEL IRELAND (1744-1800). `IRELAND'S RIVER THAMES`: BLACKFRIARS BRIDGE; WESTMINSTER BRIDGE; TOWER
Six, etchings, from the set of 52, published c.1792, in gilt-lettered verre eglomise mounts, later gilt frames Each 10 x 16cm approx. (6). *CR Not...
THOMAS MALTON (1748-1804). After. A PICTURESQUE TOUR THROUGH THE CITIES OF LONDON & WESTMINSTER.
To comprise Melbourne House, White-Hall; Old Palace Yard; John Street, Adelphi; Part of Somerset Place; Front of St Martin's Church, Strand; North...
JOHN HAMILTON MORTIMER ARA (1740-1779). FALSTAFF; LEAR; BARDOLPH; RICHARD II; EDGAR; POET; CALIBAN;
Eight etchings (from the suite of twelve), published by the artist, 1775 39 x 31.5cm approx. (8). *CR Fair; each with some foxing and/or light cre...
JOHANN JOSEPH HARTMANN (1752/3-1830) & JOHANN BAPTIST STUNTZ (1753-1836). VUE DE L'ISLE ST.PIERRE SU
Two etchings with fine hand colouring, published by the artist and engraver at Bienne Each 28 x 42cm or slightly smaller (2). *CR Plate I generall...
CAPTAIN THOMAS WILLIAMSON (1758-1817). After. A TIGER HUNTED BY WILD DOGS (Plate XXI from `ORIENTAL
Etching with aquatint, by H. Merke, from the drawing by Samuel Howitt, published by T. McLean, 1819 31 x 44cm. *CR Stained and discoloured; the co...
ITALIAN SCHOOL, CIRCA 1760-1820. A SUITE OF FOUR CLASSICAL WALL DECORATIONS: VENUS WITH PUTTI; VENUS
Two pairs, each engravings with etching, finished by hand in red and blue gouache, no titles showing, matching gilt frames Two 48 x 60cm approx; t...
GIOVANNI VOLPATO (1733-1803) & LOUIS DUCROS (1748-1810). VUE DU COLISEE A ROME; LE TEMPLE DE LA CONC
A pair, etchings with extensive hand colouring, published in Rome, 1780 50 x 74.5cm and 51 x 73cm. (2). *CR Each with paper mount inscribed as tit...
JAAZIELL JOHNSTON (FL.18TH CENTURY). After. A PROPECT OF EDDY-STONE LIGHT-HOUSE NEAR PLYMOUTH.
Engraving by John Sturt (1658-1730), with later hand-colouring, originally published c.1698, this impression apparently 18th Century, paginated in...
Two, mezzotints, by D. Lucas, published by F. G. Moon, 1834, period maple veneered frames Each 56.5 x 39cm. (2). *CR Each speckled with foxing; so...
Etching, signed in pencil 26.7 x 22cm. *CR Apparently good condition but not examined out of frame. ...[more]
Bodycolour on paper laid on panel Panel size 21.5 x 26.5cm. * After Albani's oil on copper on panel, 17.5 x 35.5cm, c.1615-1620 (Paris, Louvre). A...
Signed, dated indistinctly (1806?), bears title in lower margin, watercolour and pencil 40.5 x 56.5cm. *CR Evident and extensive fading. ...[more]
Two, each inscribed with title in ink, the latter further inscribed `Size rather less than a rat. inhabits gravelly places in the desert burrowing...
Watercolour 15.5 x 22.5cm. * Possibly attributable to Miles Edmund Cotman (1810-1858) Provenance: London, Christies, April (12th/13th?) 1934, Coll...
Watercolour and pencil heightened with bodycolour, a sketch 37.5 x 25.5cm. Provenance: W. Hale-White, May 1948; by whom given to `Cecily`, a desce...
Signed, watercolour and pencil 22.5 x 33cm. Literature: C. E. G. Blunt, `The Little Masters of English Landscape` (1949), p.45, colour plate 9 Rep...
Watercolour 45 x 79.5cm. Provenance: Hampton Hill, The Hampton Hill Gallery Ltd (1980s?) *CR Some repaired grazes, tears and scuffs (noticeable bu...
Watercolour 29 x 46cm. *CR Fading; unobtrusive blemishes and slight scuffs in the sky upper right. ...[more]
Signed, watercolour 18.5 x 26cm. * In 1829, Cox and his family stayed at Gravesend not far from Mrs Cox's sister in the same street. Cox exhibited...
JUSTINIAN GANTZ (1802-1862). His circle. BOMBAY RACE STAND; RESIDENTS BUNGALOW NEAR SERINGAPATAM, MY
Four, each with original pencil title inscribed on paper label attached to new backpaper, watercolour over traces of pencil Each 14.5 x 19.5cm. (4...
Signed and dated 1906, inscribed with title (last word indistinct) on label verso (photocopy now on backboard), watercolour laid down on card 44.5...
GEORGE GOODWIN KILBURNE (1839-1924). His circle. A LADY IN A LONG STRIPED GOWN, READING A BOOK.
Watercolour, a sketch 36 x 18.5cm. *CR Slight fading; a little foxing. ...[more]
Two, each signed, each also signed and inscribed and dated 1906 on a label attached to the backboard, watercolour Each 16.5 x 24.5cm. (2). *CR Eac...
A pair, both signed and dated 1914, watercolour Each 24.5 x 34.5cm. (2) Provenance: Henley on Thames, Christopher Cole Fine Paintings Ltd. *CR Eac...
Signed and dated 68, watercolour heightened with white 31 x 63.5cm. Provenance: Reigate, Bourne Gallery Ltd. *CR Some fading; needs a light clean....
Signed, watercolour heightened with scratching out 34 x 61.5cm. Provenance: Farnham Common, Noel Gregory Gallery, 1980s. *CR Fading; some discolou...
Signed and dated 1863, watercolour heightened with bodycolour, in a fine period frame with low relief Gothic decoration to the frieze 51 x 40cm. P...
Watercolour 14.5 x 24.5cm. *CR Slight fading; needs a light clean. ...[more]
Signed and dated 1859, watercolour heightened with white 29.5 x 44cm. Provenance: Painswick, Heather Newman. *CR Slight fading in the trees; needs...
A pair, both signed, watercolour Each 31.5 x 51.5cm. (2). *CR Some fading and discoloration; each needs a light clean. ...[more]
Two, one signed and inscribed 'Bernard Partridge fecit/ a:d .xiii Kal. Feb. M.dccc.xc.v' #1895, pencil and washes en grisaille 45.5 cx 30.5cm; and...
Pen and sepia ink over traces of pencil 15 x 23.5cm. The caption (printed on tab affixed to the backboard): Mrs MacSmythe (who has got into a new ...
Signed, watercolour with pen and ink 34 x 23cm. *CR Slight fading; needs a light clean. ...[more]
G** PINOTTI (FL. C.1870-1900). TAORMINA, SICILY: THE GREEK TEMPLE, MOUNT ETNA SMOKING BEYOND.
Signed, watercolour and pencil 34 x 22cm. *CR Foxing; slightly faded. ...[more]
Signed faintly lower left, bears later inscribed label on backboard, watercolour heightened with white, over traces of pencil 49.5 x 75cm. Provena...
Signed and dated 1914, inscribed with title, gouache 42.5cm x 65.5cm. *CR Generally good condition. ...[more]
Signed, gouache 44 x 61.5cm. *CR Some pigment transfer to the reverse of the glass. ...[more]
Signed and inscribed with title, gouache 38.5cm x 58cm. *CR Some slight surface scuffs. ...[more]
Unsigned, gouache 32x 41cm. *CR Some slight surface blemishes. ...[more]
Signed, watercolour and pencil heightened with white 41.5 x 75cm. *CR Faded and discoloured; some slight blemishes in the sky. ...[more]
Signed with initials and inscribed with title (`Cowes 16 Augt 14`), watercolour and pencil heightened with white 23 x 29cm. *CR Some foxing; some ...
Oil on canvas, within a modern `Tabernacle` frame 69 x 49cm. *CR Lined; some associated retouching. ...[more]
Oil on shaped and joined panels, with later additions, unframed 43 x 46cm. * The garlands are by a later hand, apparently Roman 17th Century. *CR ...
Inscribed indistinctly verso (probably the name of the copyist), oil on canvas, in a carved and gilded `Florentine` frame 71.5 x 56cm. * After Dol...
Oil on canvas 29 x 39cm. *CR Old lining; very worn; old losses to the canvas notably lower left and lower right (partially obscured by the mount);...
DENYS VAN ALSLOOT (C.1570-C.1628). In the manner of. A BUSY WINTER SCENE WITH VILLAGERS ON A FROZEN
Oil on canvas 15.5 x 21cm. *CR Lined; some craquelure; areas of slight abrasion; retouching. ...[more]
CORNELIS DUSART (1660-1704). In the manner of. TAVERN INTERIORS: VILLAGE MUSICIANS; COOKING PANCAKES
A pair, oil on panel Each 26.5cm. (2). *CR The latter with fine splits; each needs a clean. ...[more]
Oil on canvas, modern 81.5 x 63.5cm. * A recent copy of the 1670 original (St Petersburg, Hermitage). *CR Good condition. ...[more]
JAN VAN OS (1744-1808). In the manner of. STILL LIFE OF FLOWERS IN A GLASS BOWL, WITH A BUTTERFLY, O
Bears signature, oil on canvas 32 x 24cm. *CR Lined; retouching; slight craquelure; some slight abrasion in a few places. ...[more]
Oil on canvas, unframed 120 x 95cm. *CR Lined; damages and re-attached flaked losses; craquelure; retouching; needs a clean; fair only. ...[more]
Oil on canvas 71 x 96cm. *CR Lined; a little worn; damage in trees upper right; some bloom; scattered retouching apparent across the composition, ...
Oil on canvas 75 x 62.5cm. *CR Lined; some slight abrasion; retouching, notably upper left. ...[more]
RICHARD WILSON (C.1714-1782). After. LANDSCAPE WITH BATHERS, CATTLE AND RUIN; VIEW ON THE ARNO.
A near pair, oil on canvas Each 18 x 28.5cm approx. (2) * Derived from Wilson's original compositions, respectively Tate, c.1770-1775; Petworth Ho...
Bears initials JC, attribution on frame to `J. Constable RA`, oil on panel, under glass in a period gilt frame 19.5 x 27cm. *CR Needs a clean. .....
Oil on canvas 36 x 59cm. * After the original in The Army & Navy Club, London. *CR Lined; flaked losses, notably on left and in sails of vessel on...
Signed and indistinctly dated on floating spar lower left, oil on canvas 80 x 120.5cm. This subject depicts the unsuccessful attempt by combined F...
Quarter length, wearing a blue dress with lace collar and bow, black lace shawl, a string of pearls in her hair, oil on canvas, within a painted o...
Quarter length, her head turned to the left, wearing a pink dress and pale green mantle, oil on canvas, oval 36.5 x 26cm. *CR Lined; some craquelu...
RICHARD WESTALL, RA (1765-1836). Follower of. PORTRAIT OF A LADY, IDENTIFIED AS LADY FRANCES ARABELL
Seated half length, wearing a black plumed hat and a white dress with pink sash and pink-ribboned sleeves, oil on panel, mounted oval 27.5 x 22.5c...
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