Pictures

Three, etchings, c.1748-1772, only the first with central crease where formerly folded 38.5 x 60cm.; 41 x 69.5cm.; and 45.5 x 70.5cm. (3). *Condit...

Ten, etchings, from the set of 82, originally published by Thomas Roycroft, 1665-68, mounted to the image Sight 21.5 x 15.7cm approx. (10). *Condi...

Etching and aquatint with hand colouring, formerly in a single strip, now cut into twelve sections (running from image 1, the King's Herb Woman; t...

Four, aquatints with hand colouring, engraved by J. Harris with C. Quentery or with W. Summers, published by Messrs Fores, 1857, maple-veneered fr...

Comprising a sepia wash drawing of the Temple of Fortuna at Tivoli, formerly ascribed to Giuseppe Grisoni, 16.5 x 23.5cm.; a sepia wash drawing of...

Comprising an ink and wash drawing of a group of figures, formerly ascribed to Adriaen Brouwer, 10 x 8.5cm.; a chalk study of trees, formerly ascr...

Comprising an ink drawing of hounds attacking a bullock, formerly ascribed to Jan Fyt, 26 x 39cm; a brown wash and black crayon drawing of three f...

Pen and black ink with red crayon, unframed 23.5 x 39cm. Provenance: Collection of Eric Hancock; London, Sothebys, July 20th 1967, lot 75 (£10). *...

Black crayon, unframed 21.5 x 27cm. Provenance: Collection of Professor John Isaacs; London, Sothebys, January 28th 1965, lot 135. *Condition: Not...

Signed with monogram and dated `MP. [conjoined] fecit./ 1679 Inv 24 april..`, pen and black ink applied in a stippled technique, unframed 31.5 x 2...

Dated `1719 Junius`, pen and sepia ink with grey wash, on old washline support sheet, unframed Image 20.5 x 31.5cm. Provenance: Collection of Eric...

Red chalk, unframed Sheet 29 x 32.5cm. *Condition: Hinged onto a mount at top edge; scattered spottiing, blemishes, rust marks near upper edge. ....

Bears signature (`J. F. Heinsius` [sic]) and date `fecit 1766`, graphite, unframed Sheet 29.5 x 23cm. Provenance: Collection of Professor John Isa...

Two, Inscribed and dated `Bracciano 1789` and `La Cava` (the latter verso) in ink, black chalk, unframed Sheet 24 x 39.5cm.; and 30 x 49cm. (2) Pr...

Bears attribution `Pordenone` in ink, pencil and sepia wash, squared for transfer, unframed 17 x 21.2cm. Provenance: London, Sothebys, May 23rd 19...

Bears inscription `Jacopo da Empoli`, black chalk, unframed 38 x 23.7cm. Provenance: possibly Collection of Sir Thomas Lawrence; Collection of Pro...

Red chalk, unframed Sheet 19 x 18.5cm. Provenance: Collection of Eric Hancock; London, Sothebys, July 20th 1967, lot 74. *Condition: Grubby. ...[...

Black and red chalk, squared for transfer, laid down onto card mount, unframed 29 x 18.2cm. Provenance: Collection of Jonathan Richardson (his sta...

Black crayon heightened with white, unframed Sheet 21.5 x 29cm. Provenance: Collection of Eric Hancock; London, Sothebys, July 20th 1967, lot 74 (...

Bears ink inscription verso, red chalk, unframed 31 x 17cm Provenance: London, Sothebys, July 20th 1967, lot 154 (£2). *Condition: Surface soiling...

Signed, watercolour 9 x 15cm Provenance: London, Parker Gallery. *Condition: Under glass, unexamined out of glazed frame, a small mark, slight los...

Signed, watercolour 25.5 x 36cm Provenance: London, Spinks. *Condition: Under glass, unexamined out of glazed frame. Some slight discolouration, f...

Watercolour and pencil, lightly heightened with white, a vignette, on pale grey paper, mounted oval 12 x 19.5cm. *Condition: Some surface blemishe...

Watercolour and pencil heightened with bodycolour33 x 48.5cm. Condition Some fading; some discolouration and blemishes (light grazing, some foxing...

Four, each signed (one with monogram only), each inscribed with the sitters' names, three head and shoulders, one half length, pencil vignettes Ea...

To comprise examples by or attributed to P.S.W. Robson, J. Bridges, William Glover, ** Rolland, Edward Webb, John Crome (circle), John Glover (cir...

To comprise examples by or attributed to Edward Duncan, Clarkson Stanfield, David Leech, Samuel Prout, Copley Fielding, D. Burger Junr, W. Davison...

To comprise examples by or attributed to Miss Turner of Great Yarmouth, Alexander Fraser, P** Williams, ** Kendall, Samuel John Hodson, Joseph Nas...

To comprise examples by or attributed to *** Dupendant, Richard Westall, William Muller (circle), John Absolon, Samuel Woodford and others; subjec...

Bears inscription `Bettws`, watercolor and black chalk, unframed 15.5 x 24cm.; with two small watercolours of rural figures (Devon?) by William Pa...

Bears name `Ward` in ink, black and red crayon, unframed 25.5 x 14.5cm. Provenance: The Collection of the etcher Percy James Westwood (1878-1958) ...

Signed and inscribed with title, watercolour, unframed 12 x 17cm. Provenance: The Collection of the etcher Percy James Westwood (1878-1958) and by...

Study in dark pencil and sepia wash 10.8 x 4.3cm approxThis is a depiction of St Matthew and it is by Frederic James Shields (1833-1911) and not a...

Signed, watercolour and pencil 40 x 55cm. *Condition: Some fading; some areas of discolouration/pale staining. ...[more]

Signed, watercolour over traces of pencil 40 x 66cm. *Condition: Some fading; time-toning of the paper. ...[more]

Signed, watercolour and pencil 46 x 69cm. *Condition: Pale water stain in sky near windmill blade; good colour. ...[more]

Signed faintly lower left, bears later inscribed label on backboard, watercolour heightened with white, over traces of pencil 49.5 x 75cm. Provena...

Signed and dated 95, watercolour heightened with white 24 x 40cm. *Condition: Good colour; may benefit from a light clean. ...[more]

Signed and dated 07, watercolour 22 x 44.5cm. *Condition: Some fading and a few spots of foxing. ...[more]

Signed and inscribed with title, watercolour with pen and black ink, heightened with blue bodycolour (and/or chalks) and scratching out 20.5 x 28....

Signed, inscribed with title, also bears inscription `The lonely Norseland`, watercolour and pencil heightened with touches of white, on pale blue...

Signed and inscribed with title, watercolour, pencil and pen and ink, heightened with bodycolour, a sketch 19.5 x 25cm. *Condition: The paper disc...

Signed faintly upper right, bears inscribed label verso, watercolour 13.75 x 15.5cm. * The alignment of the historian and essayist Thomas Carlyle ...

Watercolour and pencil 24.5 x 42.5cm. *Condition: Good colour; small tear at top edge. ...[more]

A pair, each depicted standing full length, he wearing a kilt, she wearing a white tulle dress, both signed, he also dated indistinctly, pastels o...

Oil on canvas 59.5 x 47.5cm. * A variant, circa 1900, derived from Titian's `Salome`, c.1550 (Madrid, Prado). *Condition: A little craquelure; gen...

Oil on canvas 38 x 50.5cm. * After Albani's original, bequeathed by Sir Denis Mahon's Charitable Trust to The Art Fund. *Condition: Old lining; cr...

Oil on canvas 31 x 40.5cm. Provenance: Private Collection, Enmore, Somerset; These rooms, November 10th 1983, lot 264 (as `Dutch School`, £170). *...

Oil on canvas 112.5 x 90cm. * After de Vos's composition, itself derived in part from Rubens' `Meeting between Abraham and Melchizedek`, c.1616-17...

Oil on canvas 71 x 96cm. *Condition: Lined; a little worn; damage in trees upper right; some bloom; scattered retouching apparent across the compo...

Oil on canvas 52 x 40cm. * After Murillo's original composition, c.1660, in The Pardo, Madrid. *Condition: Old lining; craquelure; some wear; evid...

Quarter length, wearing ermine robes and armour; signed, inscribed and dated 1903 by the copyist verso, oil on canvas 69.5 x 56.5cm. *Condition: A...

Half length, wearing a long wig, armour and a blue sash, oil on canvas 102.5 x 79cm. *Condition: Lined; retouching; some wear; associated oak leaf...

Standing, three quarter length, wearing a dark russet coat and holding a book and a cane, oil on canvas 124.5 x 99.5cm. *Condition: Old lining; re...

Oil on canvas 77.5 x 102.5cm. *Condition: Lined; renovated and with retouching. ...[more]

Oil on canvas 74.5 x 62cm. * Derived in part from the original, c.1723, in Dresden (Gemaldegalerie Alte Meister), 53 x 42cm. *Condition: Lined; sc...

Six, each depicted quarter length, within painted ovals, oil on metal, in 18th Century carved giltwood frames Each image 20 x 15.5cm approx. (6). ...

Long quarter length, wearing clerical robes and a fine lace collar, buildings and a sailing vessel beyond, dated 1656, oil on canvas 74 x 62cm. Pr...

Quarter length, wearing a brown cloak, white neckcloth and long wig, oil on canvas, within a painted oval 73.5 x 61cm. Provenance: By descent in t...

Half length, wearing a black or charcoal grey dress and mantle, within a painted oval, oil on canvas 83.5 x 68.5cm. Provenance: By descent in the ...