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WILLIAM HOGARTH (1697-1764). After. MOSES BROUGHT TO PHARAOH'S DAUGHTER. Line engraving by Hogarth and Luke Sullivan, published 1752-1759, within ...
LIEUTENANT JAMES HUNTER (1755-1792). After. OVERFLOWING THE TANK AT STRUPERMADOR; A VIEW ON THE ROAD
LIEUTENANT JAMES HUNTER (1755-1792). After. OVERFLOWING THE TANK AT STRUPERMADOR; A VIEW ON THE ROAD AT STRUPERMADOR (from `PICTORIAL SCENERY IN T...
HERBERT THOMAS DICKSEE (1862-1942). THE KILL. Etching with drypoint, signed in pencil 20.5 x 45cm. *CR The paper mottled with foxing and light tim...
JAMES GILLRAY (1756-1815). THE APOTHEOSIS OF HOCHE; TITIANUS REDIVIVUS or THE SEVEN WISE MEN CONSULT
JAMES GILLRAY (1756-1815). THE APOTHEOSIS OF HOCHE; TITIANUS REDIVIVUS or THE SEVEN WISE MEN CONSULTING THE NEW VENETIAN ORACLE, A SCENE IN YE ACA...
GEORGE WOOD (FL.C.1735). THE PROSPECT OF DUNSTER CASTLE FROM CUNAGREE [CONEYGAR] EXACTLY DELINEATED;
GEORGE WOOD (FL.C.1735). THE PROSPECT OF DUNSTER CASTLE FROM CUNAGREE [CONEYGAR] EXACTLY DELINEATED; THE PROSPECT OF MINEHEAD KEY [sic] FROM THE W...
RICHARD COSWAY. RA (1742-1821). His circle. VENUS INSTRUCTING CUPID. Watercolour and pencil, mounted circular 14.7cm diameter. *CR Surface graze b...
THOMAS BAKER OF LEAMINGTON (1809-1864). VIEW IN WALES. Signed, watercolour and pencil 26 x 37cm.; with three further watercolours comprising an an...
GEORGE PYNE (1800-1884). OXFORD: CHRISTCHURCH COLLEGE, WEST FRONT. Watercolour and pencil 20 x 29.5cm. *CR Laid down onto card; good colour but fo...
JAMES BURRELL SMITH (1822-1897). LOCH FYNE, ARGYLESHIRE. Signed and dated 1879, watercolour heightened with bodycolour 41 x 68.5cm. Exhibited: Dun...
SIR ALFRED EDWARD EAST, RA (1844-1913). LAKE LUGANO. Signed, watercolour over traces of pencil 23.5 x 35.5cm. *CR A little pale in the sky; genera...
ARTHUR CLAUDE STRACHAN (1865-C.1938). A WOODSIDE COTTAGE. Signed, watercolour heightened with white 27.5 x 44cm. *CR Some fading; period gilt moun...
HELEN ALLINGHAM, RWS (1848-1926). THOMAS CARLYLE READING. Signed faintly upper right, bears inscribed label verso, watercolour 13.75 x 15.5cm. * T...
ALBERT GOODWIN, RWS (1845-1932). THUN. Signed and inscribed with title, watercolour with pen and black ink, heightened with blue bodycolour (and/o...
ALBERT GOODWIN , RWS (1845-1932). ON THE WAY TO MOLDE, NORWAY. Signed, inscribed with title, also bears inscription `The lonely Norseland`, waterc...
ALBERT GOODWIN, RWS (1845-1932). THE RISING MOON ON GALLEY HILL, LOOKING TOWARDS ST LEONARDS.
ALBERT GOODWIN, RWS (1845-1932). THE RISING MOON ON GALLEY HILL, LOOKING TOWARDS ST LEONARDS. Signed and dated 1921, inscribed with title, mixed m...
ARTHUR ROMILLY FEDDEN (1875-1939). GREENGROCER'S SHOP, BAYEUX. Signed, inscribed `Bayeux` and dated 1917, watercolour 24.5 x 28.5cm. *CR Good colo...
FRANK HENRY MASON (1875-1965). VESSELS IN COASTAL WATERS. Signed, watercolour and gouache 23.5 x 34cm.; with another by the same hand, vessels in ...
HENRY ANDREW HARPER (1835-1900). DEER IN WINDSOR GREAT PARK. Signed and dated 1869, watercolour with stopping out 37 x 54cm.; with a watercolour o...
WILLIAM HENRY HUNT (1790-1864). THE LOOK OUT. Signed, watercolour and pencil 35.5 x 24cm. Provenance: probably London, Christie's, The Artist's St...
GEORGE FREDERICK WATTS, OM, RA (1817-1904). STUDY OF A GIRL WITH HER HEAD IN HER HANDS. Pencil 17 x 13cm. Provenance: Collection of Irene and Stan...
EDWARD TAYLER (1828-1906). PORTRAIT OF A CHILD. Bust length, wearing a smock and cravat and a straw hat, signed and dated 1888, watercolour and pe...
FRANCIS WILLIAM TOPHAM (1808-1877). THE CHICKS' LUNCH. Signed, watercolour and pencil heightened with scratching out 52 x 38.5cm. *CR Generally go...
TRISTRAM ELLIS (1844-1922). THE FORTH BRIDGE, EDINBURGH. Signed and dated 1881, watercolour and pencil heightenmed with white 59 x 120.5cm. Proven...
SIR PETER PAUL RUBENS (1577-1640). After. THE FLIGHT INTO EGYPT. Bears later inscribed label verso, oil on panel 35 x 45.5cm. * Derived from Ruben...
SALOMON VAN RUYSDAEL (C.1602-1670). Follower of. FIGURES NEAR A RUINED TOWER BY A WOODED POND, COTTA
SALOMON VAN RUYSDAEL (C.1602-1670). Follower of. FIGURES NEAR A RUINED TOWER BY A WOODED POND, COTTAGES BEYOND. Oil on canvas 33 x 48cm. *CR Old l...
ABRAHAM BRUEGHEL (1631-C.1690). His circle. STILL LIFE OF SUMMER FRUITS. Bears stylised initial `A` lower left, oil on canvas, unframed 73 x 60cm....
AERT VAN DER NEER (1603-1677). Follower of. MOONLIT TOWN SCENE BY A RIVER, A FIRE IN THE DISTANCE.
AERT VAN DER NEER (1603-1677). Follower of. MOONLIT TOWN SCENE BY A RIVER, A FIRE IN THE DISTANCE. Oil on panel 38.5 x 51cm. *CR Scattered retouch...
PHILIPS ANGEL (C.1618-C.1664). Attributed to. A KITCHEN STILL-LIFE. Oil on panel, apparently a fragment from a larger composition 26.5 x 31cm. Pro...
DAVID TENIERS THE YOUNGER (1610-1690). Follower of. PEASANTS PLAYING A BALL GAME; PEASANTS BY COTTAG
DAVID TENIERS THE YOUNGER (1610-1690). Follower of. PEASANTS PLAYING A BALL GAME; PEASANTS BY COTTAGES. A pair, oil on panel Each 19 x 23cm, appro...
PHILIPS WOUWERMAN (1619-1668). Follower of. A RUSTIC FAMILY WITH HORSES BY A HAYCART. Oil on canvas 38.5 x 33.5cm. *CR Lined; retouching, noticeab...
PIETER VAN BLOEMEN (1657-1720). Follower of. MERCHANTS AND OTHER FIGURES WITH HORSES, BY RUINS IN AN
PIETER VAN BLOEMEN (1657-1720). Follower of. MERCHANTS AND OTHER FIGURES WITH HORSES, BY RUINS IN AN ITALIANATE COASTAL LANDSCAPE. Oil on canvas 5...
E** K** LAUTTER (AUSTRIAN, 18TH CENTURY). His circle. STILL LIFE OF VEGETABLES AND A COPPER PAN BY A
E** K** LAUTTER (AUSTRIAN, 18TH CENTURY). His circle. STILL LIFE OF VEGETABLES AND A COPPER PAN BY A DRAPED TUN. Oil on panel, unframed 19 x 25cm....
GIUSEPPE ZAIS (1709-1784). His circle. FIGURES IN AN EXTENSIVE ITALIANATE LANDSCAPE, A CASCADE TO TH
GIUSEPPE ZAIS (1709-1784). His circle. FIGURES IN AN EXTENSIVE ITALIANATE LANDSCAPE, A CASCADE TO THE RIGHT. Oil on canvas 84 x 154.5cm. *CR Lined...
GUIDO RENI (1575-1642). In the manner of. THE PENITENT MAGDALENE. Oil on canvas 41.5 x 35cm. *CR Lined; craquelure; some scattered retouching; sma...
GIOVANNI BATTISTA SALVI, IL SASSOFERRATO (1609-1685). His studio. THE MADONNA IN PRAYER. Oil on canvas 49.5 x 38cm. * This subject was Salvi's mos...
ANDREA LOCATELLI (1695-1741). Follower of. DIANA AND HER NYMPHS SURPRISED BY ACTAEON. Oil on canvas 71 x 96cm. *CR Lined; a little worn; damage in...
JAN VAN KESSEL THE ELDER (1626-1679). STILL LIFE OF A BOWL OF FLOWERS WITH BUTTERFLIES AND A DRAGON
JAN VAN KESSEL THE ELDER (1626-1679). STILL LIFE OF A BOWL OF FLOWERS WITH BUTTERFLIES AND A DRAGON FLY. Oil on canvas, a fragment 63 x 45cm. This...
GEORGE KNAPTON (1698-1778). PORTRAITS OF THE REV. THOMAS CURTEIS (1706-1775), KENT CLERGYMAN; AND OF
GEORGE KNAPTON (1698-1778). PORTRAITS OF THE REV. THOMAS CURTEIS (1706-1775), KENT CLERGYMAN; AND OF HIS WIFE, ELIZABETH (nee PAPILLON) (1720-1786...
SIR JOSHUA REYNOLDS, PRA (1723-1792). His studio. THE CAREFUL SHEPHERDESS. Oil on canvas, in a modern `Carlo Maratta` style frame 74 x 62cm. Prove...
BENJAMIN ROBERT HAYDON (1786-1846). PORTRAIT OF A GENTLEMAN, IDENTIFIED AS NATHANIEL HOWARD, SCHOOLM
BENJAMIN ROBERT HAYDON (1786-1846). PORTRAIT OF A GENTLEMAN, IDENTIFIED AS NATHANIEL HOWARD, SCHOOLMASTER IN TAMERTON FOLIOT, DEVON. Bust length, ...
CHARLES MARTIN POWELL (1775-1824). His circle. A DUTCH FISHING BOAT WITH OTHER VESSELS OFF A ROCKY S
CHARLES MARTIN POWELL (1775-1824). His circle. A DUTCH FISHING BOAT WITH OTHER VESSELS OFF A ROCKY SHORE. Oil on canvas 62 x 75cm. *CR Old lining;...
JOHN NOST SARTORIUS (1759-1828). HUNTSMAN AND HOUND AT A GATE; HUNTSMAN AND HOUNDS PURSUING A FOX.
JOHN NOST SARTORIUS (1759-1828). HUNTSMAN AND HOUND AT A GATE; HUNTSMAN AND HOUNDS PURSUING A FOX. A pair, both signed indistinctly, the latter da...
SIR AUGUSTUS WALL CALLCOTT, RA (1779-1844). His circle. FISHERFOLK WITH BOATS BY A LOCH. Oil on canvas 47 x 59.5cm. *CR Unlined; some craquelure; ...
RICHARD HILDER (1813-1852). FIGURES BY A COTTAGE. Oil on panel, unframed 25 x 35.5cm. *CR Paint separation; the surface thinned and worn (possibly...
GEORGE PERFECT HARDING (C.1780-1853). His circle. A SUITE OF SIX HISTORICIZING PORTRAITS OF TUDOR AN
GEORGE PERFECT HARDING (C.1780-1853). His circle. A SUITE OF SIX HISTORICIZING PORTRAITS OF TUDOR AND STUART SITTERS: KING HENRY VIII; MARY, QUEEN...
G** POWELL (CIRCA 1880-1900). CHAGFORD MILL. Signed, oil on canvas 67.5 x 49.5cm. *CR Unlined; slight split at top edge; needs a light clean. ......
EMILY STANNARD (1802-1885). Follower of. STILL LIFE OF A CIBORIUM, A BOOK OF HOURS, A CHARGER AND FL
EMILY STANNARD (1802-1885). Follower of. STILL LIFE OF A CIBORIUM, A BOOK OF HOURS, A CHARGER AND FLOWERS UPON A TABLE, A FRINGED CLOTH TO THE LEF...
EDWARD ROBERT SMYTHE (1810-1899). His circle. HORSES IN A FARMYARD. Oil on canvas, mounted circular 40.5cm diameter approx. *CR Lined and restored...
GEORGE AUGUSTUS FREEZOR (1838-1905). COUNTRY GIRL WITH A WICKER BACKPACK; COUNTRY GIRL WITH A EWER.
GEORGE AUGUSTUS FREEZOR (1838-1905). COUNTRY GIRL WITH A WICKER BACKPACK; COUNTRY GIRL WITH A EWER. A pair, one signed, oil on canvas Each 24 x 19...
ALFRED POLLENTINE (1836-1890). His circle. HORSEFERRY WHARF, LONDON. Oil and pencil on canvas 29 x 49.5cm. *CR The paint a little thin; needs a li...
WILLIAM EDWARD WEBB (1862-1903). DUTCH FISHING BOATS OFF A HARBOUR. Signed, oil on canvas 52.5 x 93.5cm. * The port letters on the mainsail are EH...
GEORGE DODGSON CALLOW (1929-1875). FISHERFOLK AT LOW TIDE, POSSIBLY ON THE ISLE OF WIGHT. A pair, both signed and dated 72, each with indistinctly...
WILLIAM ANSLOW THORNBERY (FL.1858-1898). FRESH WEATHER ON THE COAST. Signed `W A Thornberry` [sic], oil on canvas 38.5 x 59cm. *CR Lined; some cra...
WILLIAM ANSLOW THORNBERY (FL.1858-1898). A HAYBARGE AND OTHER VESSELS IN COASTAL WATERS. Signed indistinctly, oil on canvas 39.5 x 60cm. *CR Lined...
WILLIAM ANSLOW THORNLEY (FL.1858-1898). FISHING BOATS IN CHOPPY WATERS OFF A TOWN. Signed indistinctly, oil on canvas 24.5 x 19.5cm. *CR Lined; im...
WILLIAM ANSLOW THORNLEY (FL.1858-1898). FISHING BOATS OFFSHORE. Signed `W A Thornbery`, oil on canvas 23.5 x 31.5cm. *CR Some craquelure. ...[mor...
JAMES WEBB (1825-1895). FISHING BOATS IN A FRESH BREEZE. Signed, oil on panel 12 x 22cm. *CR A little scattered retouching. ...[more]
EDMUND MARRINER GILL (1820-1894). PONTERWYD, CEREDIGION, WALES. Signed and indistinctly dated (1852?), oil on canvas 29.5 x 44.5cm. *CR Unlined; n...
EDMUND MARRINER GILL (1820-1894). ON THE CONWAY, NORTH WALES. Signed and dated 1863, oil on panel 39.5 x 29.5cm. *CR Some light, scattered retouch...
WILLIAM EDWARD FROST, RA (1810-1877). Follower of. PORTRAIT OF A GIRL WITH HER PET SPANIEL. The girl seated full length, wearing a white dress wit...