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Novo-Hispanic school. Mexico. Late 17th century.
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Description
Novo-Hispanic school. Mexico. Late 17th century. Nicolás De Correa (1660-1720)
‘Adoration of the Ecce Homo, Man of Sorrows, Lord of the Green Reed, Holy Christ of Humility and Patience, or Most Holy Christ of the Cold Stone’.
Oil on canvas.
118 x 188 cm.
A perfect scene enclosed in a painting of large dimensions, which looks like the passage of a suffering and serene Christ in Easter week in any corner of Spanish geography.
The large scene, framed in period gilded cane, is completely filled by the central, mystical figure. Seated and serene, resigned and with all the acceptance of the divine will on his face, bearing our sins, he is silent and mute in the face of the executioners who mock, spit on him and insult him, as the Gospels narrate.
Seated on a pilaster, or ‘cold stone’, as the text of John 3. 16 reads on its front:
‘In hoc apparuit charitas Dei in nobis, qvoniam filivm svvm vnigenitvm misit Devs in mvndvm. Vt vivamvs per tvm.’
(For this is why the Love of God appeared in us, because God sent His only begotten Son into the world, so that we might live through Him.)
Above Christ, two angels, flying and weeping, carry a wide, almost mournful phylactery, like a banner, with some verses from the Song of Songs 3, 11:
‘EGREDIMINI ET VIDETE FILIAE SION REGEN SALOMONEM/ IN DUADEMATE...., [QUI CORONAVIT ILLUM MATER SUA]....
(Go forth, ye daughters of Zion, and behold King Solomon with the crown [with which his mother].... and so ends the verse, though he is not.... [his mother] crowned him on his wedding day, on the day of his heart's joy).
The procession is opened by two angels, standing like ceremonial candle holders to the right and left of the central cross, which is Christ himself. One carries the cross which he will be nailed to and die on; the other, the pillar of his scourging and sufferings, with the cock that crowed at Peter's betrayal.
On the right and left, all around the crowd that fills the back, are the angels of the Passion, sacredly carrying symbols and instruments of the Lord's Passion, ‘a great cloud of spectators surrounds us’ (Heb 12:1-4; Ps 21; Mk 14).
In the box, on the left, are Mary Magdalene, Mary his mother, and his mother's sister, Mary of Clopas, the mother of James and Joseph; all with the beloved disciple John. On the right is Mark the Evangelist with the lion, whose gospel described this scene so heartbreakingly, amidst an audience of praying and worshipping saints.
A picture for meditation and contemplation, ‘eyes fixed on Him who endured pain and the cross, who tasted death on behalf of all, tested by what He suffered, and who, suffering, learned obedience’. All perfectly described by the evangelist present in the picture.
For all of us who approach this scene, it is a great spectacle in which we take part ‘as if we were present’. As the psalm says, ‘all who seek you, O Lord, and behold you, all who behold you, who behold in us also that wondrous spectacle of your own salvation’.
Sadly, on the back of the canvas there is an illegible text, due to the use of bad ink, or the use of very watery watercolours, which the humidity and the passage of time have gradually erased.
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Novo-Hispanic school. Mexico. Late 17th century. Nicolás De Correa (1660-1720)
‘Adoration of the Ecce Homo, Man of Sorrows, Lord of the Green Reed, Holy Christ of Humility and Patience, or Most Holy Christ of the Cold Stone’.
Oil on canvas.
118 x 188 cm.
A perfect scene enclosed in a painting of large dimensions, which looks like the passage of a suffering and serene Christ in Easter week in any corner of Spanish geography.
The large scene, framed in period gilded cane, is completely filled by the central, mystical figure. Seated and serene, resigned and with all the acceptance of the divine will on his face, bearing our sins, he is silent and mute in the face of the executioners who mock, spit on him and insult him, as the Gospels narrate.
Seated on a pilaster, or ‘cold stone’, as the text of John 3. 16 reads on its front:
‘In hoc apparuit charitas Dei in nobis, qvoniam filivm svvm vnigenitvm misit Devs in mvndvm. Vt vivamvs per tvm.’
(For this is why the Love of God appeared in us, because God sent His only begotten Son into the world, so that we might live through Him.)
Above Christ, two angels, flying and weeping, carry a wide, almost mournful phylactery, like a banner, with some verses from the Song of Songs 3, 11:
‘EGREDIMINI ET VIDETE FILIAE SION REGEN SALOMONEM/ IN DUADEMATE...., [QUI CORONAVIT ILLUM MATER SUA]....
(Go forth, ye daughters of Zion, and behold King Solomon with the crown [with which his mother].... and so ends the verse, though he is not.... [his mother] crowned him on his wedding day, on the day of his heart's joy).
The procession is opened by two angels, standing like ceremonial candle holders to the right and left of the central cross, which is Christ himself. One carries the cross which he will be nailed to and die on; the other, the pillar of his scourging and sufferings, with the cock that crowed at Peter's betrayal.
On the right and left, all around the crowd that fills the back, are the angels of the Passion, sacredly carrying symbols and instruments of the Lord's Passion, ‘a great cloud of spectators surrounds us’ (Heb 12:1-4; Ps 21; Mk 14).
In the box, on the left, are Mary Magdalene, Mary his mother, and his mother's sister, Mary of Clopas, the mother of James and Joseph; all with the beloved disciple John. On the right is Mark the Evangelist with the lion, whose gospel described this scene so heartbreakingly, amidst an audience of praying and worshipping saints.
A picture for meditation and contemplation, ‘eyes fixed on Him who endured pain and the cross, who tasted death on behalf of all, tested by what He suffered, and who, suffering, learned obedience’. All perfectly described by the evangelist present in the picture.
For all of us who approach this scene, it is a great spectacle in which we take part ‘as if we were present’. As the psalm says, ‘all who seek you, O Lord, and behold you, all who behold you, who behold in us also that wondrous spectacle of your own salvation’.
Sadly, on the back of the canvas there is an illegible text, due to the use of bad ink, or the use of very watery watercolours, which the humidity and the passage of time have gradually erased.
Allegories, Legends and Holinesses
Sale Date(s)
Lots: 170
Venue Address
Conde de Salvatierra, 8
Barcelona
08006
Spain
General delivery information available from the auctioneer
The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
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For buyer’s premium and VAT please check particular lot.
Zu Aufgeld und Mehrwertsteuer prüfen Sie bitte das jeweilige Los.
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CONDITIONS OF THE AUCTION:
I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.
II. WRITTEN BIDS. "LST" will accept written bids, which will be formalized in the form provided by the room until the day before the auction. In such auctions, the room will bid in name of the client until the maximum stated in the offer and always at the lowest possible price. If there are two or more bids for the same amount, the one placed first will have the priority. Written bids received in advance, will have priority on the day of the auction.
III. TELEPHONE BIDS. "LST" will allow telephone bids, if interested people contact "LST" days before the auction providing personal data, ID card and the phone number which will be used by the staff of "LST" to call at the time of the auction. The buyer, within all the legal rights is making an offer for the asking price, when applies for telephone bid. "LST" will not take responsibility for any technical defects beyond its control, which may prevent to contact successfully the bidder during the auction.
IV. AUCTIONEER. The auction will be conducted by an auctioneer, director of the auction will be judge and arbitrator of it with full authority in its development, will award the lots to the highest bidder and is able to settle any controversy concerning lots sale, reject bids, divide lots or group them and remover objects from the room. Will be able to, if it is deemed suitable, not accept bids on the auction. His decision will be unappealable.
V. SALE OF LOTS. The lots are awarded to the highest bidder. Once the auctioneer blows the hammer, the buyer becomes responsible of the lot purchased, exempting "LST" of liability to for any damage and / or accidents that may occur. No refunds of lots.
VI. STARTING PRICE. The amount shown in the catalogue as the starting price for each lot will be, as a rule, the minimum selling price, except for exceptional cases where a reservation may be agreed upon with the seller or it set discretionary by the room.
VII. SCALE OF BIDS. The bids are set according to the following scale:
From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€
From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€
From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€
From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€
From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€
From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€
From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.
IX. SALE PRICES. The successful bidder of one or more lots must pay "LST" the final sale price achieves at auction, plus the 24,5 % plus 21% VAT on the commission, at total 29,64% on Hammer Price.
X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.
XI. PAYMENT AND REMOVAL OF LOTS. Payment and removal of the lots will be held no later than five days following the auction. After this period expire without having the buyer removed the lot or lots purchases, it will accrue an expense of custody of 6 euros per day on each lot.
15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.
XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.
XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.
XV. DATA PROTECTION. In order to the "Ley 15/1999 de 13 de Diciembre, de Protección de Datos de Carácter Personal", the client authorize "LST", the inclusion of their data in a customer file, and for the promotion by "LST" of the objects at all times the rights of access, rectification or deletion of personal data by sending the appropriate request to the following address: LA SUITE SUBASTAS, C/ Conde Salvatierra, 8, 08006. Barcelona.
XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.
Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".
