26
Luis de Morales workshop (Badajoz, circa 1510 - 1586)
Luis de Morales workshop (Badajoz, circa 1510 - 1586)
"The Madonna and Child with the Infant Saint John".
Oil on panel. In an imposing carved and gilded period wooden frame.
63,5 x 46 cm.
Luis de Morales, otherwise known as "el Divino" (the Divine) as he was called by Antonio Palomino, his first biographer, due to his extensive religious-themed production, is described by the entry dedicated to the master in the Prado Museum as "a painter of great quality and marked personality, perhaps the best among the Spanish artists in the second half of the 16th century, with the exception of El Greco." His training was eclectic and unconventional, but this is combined with "the meticulousness and detail of his brushstroke and [...] the landscape [...] of Flemish origin" along with "human types [...] and sfumato related to the Lombard tradition of Bernardino Luini and Cristoforo Solario." However, "the most personal bias of his painting lies in the tormented and almost hysterical atmosphere in which his characters breathe, focused more on intense inner life than action," the Prado states.
As his work was highly sought after, reaching its peak between 1550 and 1570, having consolidated his personal style, he created a prolific workshop, from which the Virgin and Child with the Infant Saint John that we present probably originated. In this workshop, which further popularised the master's figure in other parts of Europe, "his two sons Jerónimo and Cristóbal worked, as documented by Rodríguez Moñino, as well as Alonso González, his favourite disciple, and Francisco Flores, and perhaps the Dutchman Cornelius Suerendonck," the Real Academia de la Historia (Royal Academy of History) affirms.
We cannot conclude without mentioning "El Divino Morales": the retrospective of 54 works by Morales undertaken by the Prado Museum in collaboration with the National Art Museum of Catalonia (MNAC) and the Bilboko Arte Ederren Museoa (Museum of Fine Arts of Bilbao).
Reference bibliography:
- Rodríguez G. de Ceballos, Alfonso. (s.f.). “Morales, Luis de. El Divino”. Museo del Prado. https://www.museodelprado.es/aprende/enciclopedia/voz/morales-luis-de-el-divino/665083ee-9cfc-4365-8546-998fd0353dfb
- Rodríguez G. de Ceballos, Alfonso. (s.f.). “Luis de Morales”. Real Academia de la Historia. https://dbe.rah.es/biografias/13221/luis-de-morales
Luis de Morales workshop (Badajoz, circa 1510 - 1586)
"The Madonna and Child with the Infant Saint John".
Oil on panel. In an imposing carved and gilded period wooden frame.
63,5 x 46 cm.
Luis de Morales, otherwise known as "el Divino" (the Divine) as he was called by Antonio Palomino, his first biographer, due to his extensive religious-themed production, is described by the entry dedicated to the master in the Prado Museum as "a painter of great quality and marked personality, perhaps the best among the Spanish artists in the second half of the 16th century, with the exception of El Greco." His training was eclectic and unconventional, but this is combined with "the meticulousness and detail of his brushstroke and [...] the landscape [...] of Flemish origin" along with "human types [...] and sfumato related to the Lombard tradition of Bernardino Luini and Cristoforo Solario." However, "the most personal bias of his painting lies in the tormented and almost hysterical atmosphere in which his characters breathe, focused more on intense inner life than action," the Prado states.
As his work was highly sought after, reaching its peak between 1550 and 1570, having consolidated his personal style, he created a prolific workshop, from which the Virgin and Child with the Infant Saint John that we present probably originated. In this workshop, which further popularised the master's figure in other parts of Europe, "his two sons Jerónimo and Cristóbal worked, as documented by Rodríguez Moñino, as well as Alonso González, his favourite disciple, and Francisco Flores, and perhaps the Dutchman Cornelius Suerendonck," the Real Academia de la Historia (Royal Academy of History) affirms.
We cannot conclude without mentioning "El Divino Morales": the retrospective of 54 works by Morales undertaken by the Prado Museum in collaboration with the National Art Museum of Catalonia (MNAC) and the Bilboko Arte Ederren Museoa (Museum of Fine Arts of Bilbao).
Reference bibliography:
- Rodríguez G. de Ceballos, Alfonso. (s.f.). “Morales, Luis de. El Divino”. Museo del Prado. https://www.museodelprado.es/aprende/enciclopedia/voz/morales-luis-de-el-divino/665083ee-9cfc-4365-8546-998fd0353dfb
- Rodríguez G. de Ceballos, Alfonso. (s.f.). “Luis de Morales”. Real Academia de la Historia. https://dbe.rah.es/biografias/13221/luis-de-morales
Y nos dieron las 100...
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The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
Important Information
This auction brings us to number 100!
On this special occasion, we present a careful selection of European and New Spanish works, including a previously unpublished painting by Luca Giordano, a magnificent private collection of medieval Spanish sculpture and wonderful examples of painting and sculpture from Spanish America art among other.
We hope you enjoy it as much as we did preparing it.
With our thanks to all those who have made it possible for us to get this far.
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