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José Robledo (Painter of the Antequera and Seville School, second half of the 17th century)
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Description
José Robledo (Painter of the Antequera and Seville School, second half of the 17th century)
"Project for an altarpiece"
Oil on canvas. Signed and dated 1690. 64,5 x 54,5 cm.
In a very interesting report: "El lienzo de la historia de Job de la Colegiata de san Sebastián de Antequera. Noticias sobre su autoría" (The canvas of the story of Job in the Collegiate church of Saint Sebastian in Antequera. News about its creator) by Professor José Fernández López, who analyses the painting of the life of Job, noting that it had previously been attributed to Juan Valdés Leal and his son Lucas Valdés, until, in a cleaning process, the signature and date of 1682 were discovered.
Professor Fernández López notes that:
"He was a painter of the Antequera School, artistically very active from the beginning of the 17th century, and linked to Seville. There is little information on his activity, although there is sufficient work that is known to be by him to be able to place him in a relevant place within his local sphere. There is also the painting, which José Robledo signed and dated in 1684, a canvas which depicts Tomyris and Cyrus, a copy of a print of the famous painting by Rubens, kept at the Poor Clares' Convent of Bethlehem in Antequera. An Education of the Virgin Mary at the same convent has also been attributed to him. Until now, Robledo had essentially been considered to be a painter who used Flemish prints as inspiration for his work.”
One hypothesis which this painting invites, observing its style, is that Robledo had travelled to New Spain. The presence of numerous flowers spread over the altarpiece, as well as the red bows that decorate the Madonna and Child suggest this to be the case.
This painting implies the addition of a new, previously unknown work to the artist’s pictorial set, and after the analysis of the History of Job, Professor Fernández notes: "This is, definitively, a painting of artistic interest, especially if we take into account that the discovery of the identity of its painter can contribute to a greater knowledge of the Antequera School of the second half of the 17th century and, in the future, allow us to attribute more paintings to the artist.”
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José Robledo (Painter of the Antequera and Seville School, second half of the 17th century)
"Project for an altarpiece"
Oil on canvas. Signed and dated 1690. 64,5 x 54,5 cm.
In a very interesting report: "El lienzo de la historia de Job de la Colegiata de san Sebastián de Antequera. Noticias sobre su autoría" (The canvas of the story of Job in the Collegiate church of Saint Sebastian in Antequera. News about its creator) by Professor José Fernández López, who analyses the painting of the life of Job, noting that it had previously been attributed to Juan Valdés Leal and his son Lucas Valdés, until, in a cleaning process, the signature and date of 1682 were discovered.
Professor Fernández López notes that:
"He was a painter of the Antequera School, artistically very active from the beginning of the 17th century, and linked to Seville. There is little information on his activity, although there is sufficient work that is known to be by him to be able to place him in a relevant place within his local sphere. There is also the painting, which José Robledo signed and dated in 1684, a canvas which depicts Tomyris and Cyrus, a copy of a print of the famous painting by Rubens, kept at the Poor Clares' Convent of Bethlehem in Antequera. An Education of the Virgin Mary at the same convent has also been attributed to him. Until now, Robledo had essentially been considered to be a painter who used Flemish prints as inspiration for his work.”
One hypothesis which this painting invites, observing its style, is that Robledo had travelled to New Spain. The presence of numerous flowers spread over the altarpiece, as well as the red bows that decorate the Madonna and Child suggest this to be the case.
This painting implies the addition of a new, previously unknown work to the artist’s pictorial set, and after the analysis of the History of Job, Professor Fernández notes: "This is, definitively, a painting of artistic interest, especially if we take into account that the discovery of the identity of its painter can contribute to a greater knowledge of the Antequera School of the second half of the 17th century and, in the future, allow us to attribute more paintings to the artist.”
"On Prophets, Saints and Princesses"
Sale Date(s)
Lots: 170
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The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
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VII. SCALE OF BIDS. The bids are set according to the following scale:
From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€
From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€
From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€
From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€
From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€
From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€
From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.
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X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.
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15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.
XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.
XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.
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XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.
Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".
