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Attributed to Giovanni Battista Castello, "il Bergamesco" (Gandino, Bergamo, circa 1509 - Madrid, 15
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Description
Attributed to Giovanni Battista Castello, "il Bergamesco" (Gandino, Bergamo, circa 1509 - Madrid, 1569)
"Holy Family with a Martyr Saint".
Miniature in tempera and gold on parchment. With an embossed, 18th century silver frame with floral motifs. 13,5 x 11 cm. Frame measurements: 22,5 x 17,5 cm.
Depiction of the Holy Family with a martyr saint holding a palm leaf, painted in a cramped space with a small window which looks out on an urban landscape. The Virgin Mary is wearing an elegant lapis lazuli blue tunic. The child is naked and looks at his father devotedly, while the saint appears lost in thought, contemplating the Christ Child.
As Elena de Laurentiis Accornero, notes in the chapter of the book "España y Génova. Obras, artistas y coleccionistas" (Spain and Genoa. Works of art, artists and collectors): "En la Vita de Gio. Battista Castello was an extremely hardworking Genovese miniature painter. He was included among the first commemorative history of the artists who worked in Genovese territories in the 16th and 17th centuries, Le Vitte de’ Pittori, Scultori et Architetti genovesi e de'Forastieri che in Genova operarono, by Raffaele Soprani. Published posthumously in 1674, the author explains that Castello became a miniaturist after having been a gold and silversmith in his youth. Under the tutelage of Luca Cambiaso, who guided him in the study of drawing, he began to make miniature devotional images which were frequently displayed on portable altars or in reliquaries. Very quickly he reached such "excellence" and "perfection" in this art that "he became famous in the world". Battista Castello’s reputation, considered by Soprani to be one of the best miniature-painters of the period after Giulio Clovio, was not limited to Italy, but was known all over Europe. His miniatures appear in famous palaces of the period such as the Palazzo Borghese in Rome, that of Giovanni Andrea Doria in Genoa and the Ducal Palace in Pesaro".
In Spain, Philip II called him to the court to paint miniatures on the liturgical books for the Royal Monastery El Escorial.
Bibliographic reference:
- Boccardo, P., Colomer, J. L. y Di Fabio, C. (2003). "España y Génova. Obras, artistas y coleccionistas" Centro de Estudios Europa Hispánica.
"Holy Family with a Martyr Saint".
Miniature in tempera and gold on parchment. With an embossed, 18th century silver frame with floral motifs. 13,5 x 11 cm. Frame measurements: 22,5 x 17,5 cm.
Depiction of the Holy Family with a martyr saint holding a palm leaf, painted in a cramped space with a small window which looks out on an urban landscape. The Virgin Mary is wearing an elegant lapis lazuli blue tunic. The child is naked and looks at his father devotedly, while the saint appears lost in thought, contemplating the Christ Child.
As Elena de Laurentiis Accornero, notes in the chapter of the book "España y Génova. Obras, artistas y coleccionistas" (Spain and Genoa. Works of art, artists and collectors): "En la Vita de Gio. Battista Castello was an extremely hardworking Genovese miniature painter. He was included among the first commemorative history of the artists who worked in Genovese territories in the 16th and 17th centuries, Le Vitte de’ Pittori, Scultori et Architetti genovesi e de'Forastieri che in Genova operarono, by Raffaele Soprani. Published posthumously in 1674, the author explains that Castello became a miniaturist after having been a gold and silversmith in his youth. Under the tutelage of Luca Cambiaso, who guided him in the study of drawing, he began to make miniature devotional images which were frequently displayed on portable altars or in reliquaries. Very quickly he reached such "excellence" and "perfection" in this art that "he became famous in the world". Battista Castello’s reputation, considered by Soprani to be one of the best miniature-painters of the period after Giulio Clovio, was not limited to Italy, but was known all over Europe. His miniatures appear in famous palaces of the period such as the Palazzo Borghese in Rome, that of Giovanni Andrea Doria in Genoa and the Ducal Palace in Pesaro".
In Spain, Philip II called him to the court to paint miniatures on the liturgical books for the Royal Monastery El Escorial.
Bibliographic reference:
- Boccardo, P., Colomer, J. L. y Di Fabio, C. (2003). "España y Génova. Obras, artistas y coleccionistas" Centro de Estudios Europa Hispánica.
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Attributed to Giovanni Battista Castello, "il Bergamesco" (Gandino, Bergamo, circa 1509 - Madrid, 1569)
"Holy Family with a Martyr Saint".
Miniature in tempera and gold on parchment. With an embossed, 18th century silver frame with floral motifs. 13,5 x 11 cm. Frame measurements: 22,5 x 17,5 cm.
Depiction of the Holy Family with a martyr saint holding a palm leaf, painted in a cramped space with a small window which looks out on an urban landscape. The Virgin Mary is wearing an elegant lapis lazuli blue tunic. The child is naked and looks at his father devotedly, while the saint appears lost in thought, contemplating the Christ Child.
As Elena de Laurentiis Accornero, notes in the chapter of the book "España y Génova. Obras, artistas y coleccionistas" (Spain and Genoa. Works of art, artists and collectors): "En la Vita de Gio. Battista Castello was an extremely hardworking Genovese miniature painter. He was included among the first commemorative history of the artists who worked in Genovese territories in the 16th and 17th centuries, Le Vitte de’ Pittori, Scultori et Architetti genovesi e de'Forastieri che in Genova operarono, by Raffaele Soprani. Published posthumously in 1674, the author explains that Castello became a miniaturist after having been a gold and silversmith in his youth. Under the tutelage of Luca Cambiaso, who guided him in the study of drawing, he began to make miniature devotional images which were frequently displayed on portable altars or in reliquaries. Very quickly he reached such "excellence" and "perfection" in this art that "he became famous in the world". Battista Castello’s reputation, considered by Soprani to be one of the best miniature-painters of the period after Giulio Clovio, was not limited to Italy, but was known all over Europe. His miniatures appear in famous palaces of the period such as the Palazzo Borghese in Rome, that of Giovanni Andrea Doria in Genoa and the Ducal Palace in Pesaro".
In Spain, Philip II called him to the court to paint miniatures on the liturgical books for the Royal Monastery El Escorial.
Bibliographic reference:
- Boccardo, P., Colomer, J. L. y Di Fabio, C. (2003). "España y Génova. Obras, artistas y coleccionistas" Centro de Estudios Europa Hispánica.
"Holy Family with a Martyr Saint".
Miniature in tempera and gold on parchment. With an embossed, 18th century silver frame with floral motifs. 13,5 x 11 cm. Frame measurements: 22,5 x 17,5 cm.
Depiction of the Holy Family with a martyr saint holding a palm leaf, painted in a cramped space with a small window which looks out on an urban landscape. The Virgin Mary is wearing an elegant lapis lazuli blue tunic. The child is naked and looks at his father devotedly, while the saint appears lost in thought, contemplating the Christ Child.
As Elena de Laurentiis Accornero, notes in the chapter of the book "España y Génova. Obras, artistas y coleccionistas" (Spain and Genoa. Works of art, artists and collectors): "En la Vita de Gio. Battista Castello was an extremely hardworking Genovese miniature painter. He was included among the first commemorative history of the artists who worked in Genovese territories in the 16th and 17th centuries, Le Vitte de’ Pittori, Scultori et Architetti genovesi e de'Forastieri che in Genova operarono, by Raffaele Soprani. Published posthumously in 1674, the author explains that Castello became a miniaturist after having been a gold and silversmith in his youth. Under the tutelage of Luca Cambiaso, who guided him in the study of drawing, he began to make miniature devotional images which were frequently displayed on portable altars or in reliquaries. Very quickly he reached such "excellence" and "perfection" in this art that "he became famous in the world". Battista Castello’s reputation, considered by Soprani to be one of the best miniature-painters of the period after Giulio Clovio, was not limited to Italy, but was known all over Europe. His miniatures appear in famous palaces of the period such as the Palazzo Borghese in Rome, that of Giovanni Andrea Doria in Genoa and the Ducal Palace in Pesaro".
In Spain, Philip II called him to the court to paint miniatures on the liturgical books for the Royal Monastery El Escorial.
Bibliographic reference:
- Boccardo, P., Colomer, J. L. y Di Fabio, C. (2003). "España y Génova. Obras, artistas y coleccionistas" Centro de Estudios Europa Hispánica.
Images. The Divine and the Human
Sale Date(s)
Lots: 211
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Conde de Salvatierra, 8
Barcelona
08006
Spain
General delivery information available from the auctioneer
The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
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Aufgeld / Premium: 22 %
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jeweils zusätzlich USt. / both plus VAT: 21 %
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CONDITIONS OF THE AUCTION:
I. REGISTRATION. To bid in the room customers must register at the beginning, filling out a form and picking a number that will identify them during the auction. Customers may be required to register in bank references or other guarantee system and if they do not prove the solvency "LST" will not accept bids and award the auction.
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VII. SCALE OF BIDS. The bids are set according to the following scale:
From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€
From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€
From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€
From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€
From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€
From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€
From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
VIII. RIGHT OF ADMISION. "LST" reserves the right to admission to the auction room and to reject, at its judgment, any purchase order, from clients whose solvency is not duly proved as well as not to sale auctions.
IX. SALE PRICES. The successful bidder of one or more lots must pay "LST" the final sale price achieves at auction, plus the 22 % plus 21% VAT on the commission, at total 26,62 % on Hammer Price.
X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.
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15 days after the auction without having the buyer paid and removes the sold lots, "LST" will inform the seller and there will begin judicial proceeding in order to obtain payment. The delay in payment by the purchaser of his/her sold lots will carry an interest increase at a rate of 1,5% per month.
XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio Histórico Español" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.
XIV. VALUE ADDED TAX (I.V.A). This tax will be accrued on commissions of "LST" for buyers, using the rates prevailing on the date of the auction.
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XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.
Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".
