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"The Embrace of Saint Francis and Saint Dominic”. Polychromed and gilded terracotta sculpture. Andal
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Description
“The Embrace of Saint Francis and Saint Dominic”. Polychromed and gilded terracotta sculpture. Andalusian School. Third quarter of the 18th century.
Total measurements: 25,5 x 19 x 12 cm.
Magnificent sculpture that depicts the fraternal meeting between Saint Francis of Assissi, with his stigmata on his hand, and Saint Dominic of Osma with the star on his forehead which appeared during his baptism. In the case of Saint Dominic, the polychroming of flowers and gold on the sculpture is truly magnificent.
The theme of the embrace between Saint Francis of Assisi and Saint Dominic of Osma, the respective founders of the Franciscan and the Dominican orders, was a very widespread icon in the monasteries of both orders, both as pictorial depictions and in sculptures. An outstanding example of one of these sculptures is that kept at the Royal Monastery of Saint Thomas, by Luis Salvador Carmona (1708-1767). It tells the legend of the time Saint Dominic coincided with Saint Francis at Mass in a church in Rome, and said to him: “You are my companion. We will work together, supporting one another toward the same end, and no one will prevail against us.” For this reason, the embrace between them, whether historical or legendary, has come to represent the brotherhood between both missionary, apostolistic and mendicant orders.
This small and exquisite sculptural group was made in polychromed terracotta in a workshop in Andalusia or the Levant, zones where it was more frequent to work with this material. However, we cannot rule out the idea that this could be a colonial piece. It presents both saints embracing one another with naturalness and forming a compact block. Both saints lean in to the embrace, the stigmata can be seen on Saint Francis’ hand and foot. Despite the fact that the hands are rather out of proportion, these are two very proper sculptures with perfectly modelled heads. The faces of both the saints have identical features (lively eyes, straight, aquiline noses, half-open mouths to suggest conversation, fine moustaches and forked beards ending in twisted horns) and the same type of beard and tonsure. They are only differentiated by the star on Saint Dominic’s head which alludes to that which appeared in Heaven on the day of his baptism.
Each saint wears the habit of his order: Saint Francis is in a simple brown tunic cinched at the waist with a natural Franciscan cordon, while Saint Dominic wears a white tunic and scapulary with a black cloak. Both pieces of clothing are decorated with borders and gilded brushwork, as well as other botanical elements in diverse colours, as well as gilded and punch-marked geometrical forms. The fact that the habit of the founder of the Order of Preachers is so sumptuous may indicate that this sculpture comes from one of its monasteries. The carnation is polished, there is a rosy tinge to the cheeks and red lips.
Despite the fact that this is a rococo sculpture, the absence of curved or ridged folds on the surfaces of the clothes may indicate that the sculptor had already been influenced by neoclassicism which was starting to develop. Due to the style perceptible in the faces, the delicacy of their figures, the type of polychrome and the use of the punch-marking technique, the sculpture may well date around the 1760’s.
We would like to thank Javier Baladrón, doctor in History of Art, for cataloguing this piece.
Total measurements: 25,5 x 19 x 12 cm.
Magnificent sculpture that depicts the fraternal meeting between Saint Francis of Assissi, with his stigmata on his hand, and Saint Dominic of Osma with the star on his forehead which appeared during his baptism. In the case of Saint Dominic, the polychroming of flowers and gold on the sculpture is truly magnificent.
The theme of the embrace between Saint Francis of Assisi and Saint Dominic of Osma, the respective founders of the Franciscan and the Dominican orders, was a very widespread icon in the monasteries of both orders, both as pictorial depictions and in sculptures. An outstanding example of one of these sculptures is that kept at the Royal Monastery of Saint Thomas, by Luis Salvador Carmona (1708-1767). It tells the legend of the time Saint Dominic coincided with Saint Francis at Mass in a church in Rome, and said to him: “You are my companion. We will work together, supporting one another toward the same end, and no one will prevail against us.” For this reason, the embrace between them, whether historical or legendary, has come to represent the brotherhood between both missionary, apostolistic and mendicant orders.
This small and exquisite sculptural group was made in polychromed terracotta in a workshop in Andalusia or the Levant, zones where it was more frequent to work with this material. However, we cannot rule out the idea that this could be a colonial piece. It presents both saints embracing one another with naturalness and forming a compact block. Both saints lean in to the embrace, the stigmata can be seen on Saint Francis’ hand and foot. Despite the fact that the hands are rather out of proportion, these are two very proper sculptures with perfectly modelled heads. The faces of both the saints have identical features (lively eyes, straight, aquiline noses, half-open mouths to suggest conversation, fine moustaches and forked beards ending in twisted horns) and the same type of beard and tonsure. They are only differentiated by the star on Saint Dominic’s head which alludes to that which appeared in Heaven on the day of his baptism.
Each saint wears the habit of his order: Saint Francis is in a simple brown tunic cinched at the waist with a natural Franciscan cordon, while Saint Dominic wears a white tunic and scapulary with a black cloak. Both pieces of clothing are decorated with borders and gilded brushwork, as well as other botanical elements in diverse colours, as well as gilded and punch-marked geometrical forms. The fact that the habit of the founder of the Order of Preachers is so sumptuous may indicate that this sculpture comes from one of its monasteries. The carnation is polished, there is a rosy tinge to the cheeks and red lips.
Despite the fact that this is a rococo sculpture, the absence of curved or ridged folds on the surfaces of the clothes may indicate that the sculptor had already been influenced by neoclassicism which was starting to develop. Due to the style perceptible in the faces, the delicacy of their figures, the type of polychrome and the use of the punch-marking technique, the sculpture may well date around the 1760’s.
We would like to thank Javier Baladrón, doctor in History of Art, for cataloguing this piece.
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“The Embrace of Saint Francis and Saint Dominic”. Polychromed and gilded terracotta sculpture. Andalusian School. Third quarter of the 18th century.
Total measurements: 25,5 x 19 x 12 cm.
Magnificent sculpture that depicts the fraternal meeting between Saint Francis of Assissi, with his stigmata on his hand, and Saint Dominic of Osma with the star on his forehead which appeared during his baptism. In the case of Saint Dominic, the polychroming of flowers and gold on the sculpture is truly magnificent.
The theme of the embrace between Saint Francis of Assisi and Saint Dominic of Osma, the respective founders of the Franciscan and the Dominican orders, was a very widespread icon in the monasteries of both orders, both as pictorial depictions and in sculptures. An outstanding example of one of these sculptures is that kept at the Royal Monastery of Saint Thomas, by Luis Salvador Carmona (1708-1767). It tells the legend of the time Saint Dominic coincided with Saint Francis at Mass in a church in Rome, and said to him: “You are my companion. We will work together, supporting one another toward the same end, and no one will prevail against us.” For this reason, the embrace between them, whether historical or legendary, has come to represent the brotherhood between both missionary, apostolistic and mendicant orders.
This small and exquisite sculptural group was made in polychromed terracotta in a workshop in Andalusia or the Levant, zones where it was more frequent to work with this material. However, we cannot rule out the idea that this could be a colonial piece. It presents both saints embracing one another with naturalness and forming a compact block. Both saints lean in to the embrace, the stigmata can be seen on Saint Francis’ hand and foot. Despite the fact that the hands are rather out of proportion, these are two very proper sculptures with perfectly modelled heads. The faces of both the saints have identical features (lively eyes, straight, aquiline noses, half-open mouths to suggest conversation, fine moustaches and forked beards ending in twisted horns) and the same type of beard and tonsure. They are only differentiated by the star on Saint Dominic’s head which alludes to that which appeared in Heaven on the day of his baptism.
Each saint wears the habit of his order: Saint Francis is in a simple brown tunic cinched at the waist with a natural Franciscan cordon, while Saint Dominic wears a white tunic and scapulary with a black cloak. Both pieces of clothing are decorated with borders and gilded brushwork, as well as other botanical elements in diverse colours, as well as gilded and punch-marked geometrical forms. The fact that the habit of the founder of the Order of Preachers is so sumptuous may indicate that this sculpture comes from one of its monasteries. The carnation is polished, there is a rosy tinge to the cheeks and red lips.
Despite the fact that this is a rococo sculpture, the absence of curved or ridged folds on the surfaces of the clothes may indicate that the sculptor had already been influenced by neoclassicism which was starting to develop. Due to the style perceptible in the faces, the delicacy of their figures, the type of polychrome and the use of the punch-marking technique, the sculpture may well date around the 1760’s.
We would like to thank Javier Baladrón, doctor in History of Art, for cataloguing this piece.
Total measurements: 25,5 x 19 x 12 cm.
Magnificent sculpture that depicts the fraternal meeting between Saint Francis of Assissi, with his stigmata on his hand, and Saint Dominic of Osma with the star on his forehead which appeared during his baptism. In the case of Saint Dominic, the polychroming of flowers and gold on the sculpture is truly magnificent.
The theme of the embrace between Saint Francis of Assisi and Saint Dominic of Osma, the respective founders of the Franciscan and the Dominican orders, was a very widespread icon in the monasteries of both orders, both as pictorial depictions and in sculptures. An outstanding example of one of these sculptures is that kept at the Royal Monastery of Saint Thomas, by Luis Salvador Carmona (1708-1767). It tells the legend of the time Saint Dominic coincided with Saint Francis at Mass in a church in Rome, and said to him: “You are my companion. We will work together, supporting one another toward the same end, and no one will prevail against us.” For this reason, the embrace between them, whether historical or legendary, has come to represent the brotherhood between both missionary, apostolistic and mendicant orders.
This small and exquisite sculptural group was made in polychromed terracotta in a workshop in Andalusia or the Levant, zones where it was more frequent to work with this material. However, we cannot rule out the idea that this could be a colonial piece. It presents both saints embracing one another with naturalness and forming a compact block. Both saints lean in to the embrace, the stigmata can be seen on Saint Francis’ hand and foot. Despite the fact that the hands are rather out of proportion, these are two very proper sculptures with perfectly modelled heads. The faces of both the saints have identical features (lively eyes, straight, aquiline noses, half-open mouths to suggest conversation, fine moustaches and forked beards ending in twisted horns) and the same type of beard and tonsure. They are only differentiated by the star on Saint Dominic’s head which alludes to that which appeared in Heaven on the day of his baptism.
Each saint wears the habit of his order: Saint Francis is in a simple brown tunic cinched at the waist with a natural Franciscan cordon, while Saint Dominic wears a white tunic and scapulary with a black cloak. Both pieces of clothing are decorated with borders and gilded brushwork, as well as other botanical elements in diverse colours, as well as gilded and punch-marked geometrical forms. The fact that the habit of the founder of the Order of Preachers is so sumptuous may indicate that this sculpture comes from one of its monasteries. The carnation is polished, there is a rosy tinge to the cheeks and red lips.
Despite the fact that this is a rococo sculpture, the absence of curved or ridged folds on the surfaces of the clothes may indicate that the sculptor had already been influenced by neoclassicism which was starting to develop. Due to the style perceptible in the faces, the delicacy of their figures, the type of polychrome and the use of the punch-marking technique, the sculpture may well date around the 1760’s.
We would like to thank Javier Baladrón, doctor in History of Art, for cataloguing this piece.
Images. The Divine and the Human
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