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"Saint James the Pilgrim". Carved, polychromed and gilded wooden sculpture. Castilian School. Late 1
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Description
"Saint James the Pilgrim". Carved, polychromed and gilded wooden sculpture. Castilian School. Late 16th century. Total measurements: 105 x 48,5 x 43 cm. This sculpture is doubly interesting due to its exquisite quality, which is further emphasised by the gilding which inundates the clothing and also the fact that on its back is a niche closed by a small door with period ironwork, which would have stored and protected some extremely valuable element, perhaps a reliquary which would have contained a relic of the Patron Saint of Santiago de Compostela. The saint is depicted as standing, with his face lost in thought, a forked beard of enormous ringlets, a wide moustache and a mane of long hair that falls in various locks both on his shoulders and his back. He has been portrayed with the typical attributes of the pilgrim. Thus, we can observe the scallop or pilgrim’s shell on the front of the pilgrim’s hat on his head, which is the icon of the "Camino de Santiago" or Way of St. James. The left hand grips the pilgrim’s staff, on which the gourd is fastened for keeping water for hydration whilst walking on the paths. The right hand holds a book which confirms his condition as apostle. He also wears the typical pilgrim’s attire, known as the sanrocchino: a long tunic that reaches the feet, cinched at the waist with a chord and a cloak fastened at the chest which covers his back. Both garments are gilded and, moreover, on the lower part of the tunic the polychromer has painted a border with vegetation motifs in various colours. The hands have been carved independently of the body and are joined to it with rods. It gives the impression that these hands are not original -in fact the way in which they are worked suggests this- but were substituted at a later moment, perhaps when it was decided to make the niche in the back and hide it with the vertical, rectangular door. This interior space appears to have a type of plinth inside the lower part, a large niche, and in the lower part of this is a hollow which is even deeper, which suggests to us that the element that was kept inside would have had large dimensions and that the drilling had been finished in a way meant that the unknown object would have fitted perfectly inside the saint’s interior.As we have mentioned, the sculpture has been restored. One restoration is the hands, but the staff and the hands also seem to be posterior, as well as, perhaps, the hollow in the saint’s back. While the image could be dated to the late 16th century, as the wide Roman-style moustache suggests, as well as the ample vertical folds in the tunic, the restoration work could have been done in the late 17th century or even in the following century. We would like to thank Javier Baladrón, doctor in History of Art, for identifying and cataloguing this piece.
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"Saint James the Pilgrim". Carved, polychromed and gilded wooden sculpture. Castilian School. Late 16th century. Total measurements: 105 x 48,5 x 43 cm. This sculpture is doubly interesting due to its exquisite quality, which is further emphasised by the gilding which inundates the clothing and also the fact that on its back is a niche closed by a small door with period ironwork, which would have stored and protected some extremely valuable element, perhaps a reliquary which would have contained a relic of the Patron Saint of Santiago de Compostela. The saint is depicted as standing, with his face lost in thought, a forked beard of enormous ringlets, a wide moustache and a mane of long hair that falls in various locks both on his shoulders and his back. He has been portrayed with the typical attributes of the pilgrim. Thus, we can observe the scallop or pilgrim’s shell on the front of the pilgrim’s hat on his head, which is the icon of the "Camino de Santiago" or Way of St. James. The left hand grips the pilgrim’s staff, on which the gourd is fastened for keeping water for hydration whilst walking on the paths. The right hand holds a book which confirms his condition as apostle. He also wears the typical pilgrim’s attire, known as the sanrocchino: a long tunic that reaches the feet, cinched at the waist with a chord and a cloak fastened at the chest which covers his back. Both garments are gilded and, moreover, on the lower part of the tunic the polychromer has painted a border with vegetation motifs in various colours. The hands have been carved independently of the body and are joined to it with rods. It gives the impression that these hands are not original -in fact the way in which they are worked suggests this- but were substituted at a later moment, perhaps when it was decided to make the niche in the back and hide it with the vertical, rectangular door. This interior space appears to have a type of plinth inside the lower part, a large niche, and in the lower part of this is a hollow which is even deeper, which suggests to us that the element that was kept inside would have had large dimensions and that the drilling had been finished in a way meant that the unknown object would have fitted perfectly inside the saint’s interior.As we have mentioned, the sculpture has been restored. One restoration is the hands, but the staff and the hands also seem to be posterior, as well as, perhaps, the hollow in the saint’s back. While the image could be dated to the late 16th century, as the wide Roman-style moustache suggests, as well as the ample vertical folds in the tunic, the restoration work could have been done in the late 17th century or even in the following century. We would like to thank Javier Baladrón, doctor in History of Art, for identifying and cataloguing this piece.
Millésime 22 · Medieval & Colonial Art
Sale Date(s)
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Conde de Salvatierra, 8
Barcelona
08006
Spain
General delivery information available from the auctioneer
The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
Important Information
Millésime, (a French numeral which expresses the number "a thousand" for small and carefully made creations) is our desire to remember and celebrate once again, and at last, the roaring twenties of last century, with the return to a printed and meticulously prepared catalogue. It comprises a selection of works of art that have been chosen with care for their rarity, beauty, quality and also simply because we would like to make a gesture of thanks to everyone who has trusted us and our work over the last thirty years, and to those who make it possible for La Suite, our dream, to carry on.
With Millésime 22 we begin a series which we hope will repeat at the beginning of every year, at least throughout our beloved twenties.
Art, in all its facets, feeds the spirit and makes us better. Long live literature, music and art!
Dedicated to our marvellous daughter Lúa who gives sense to everything.
Beatriz du Breuil and Rafael Adrio
La Suite Subastas
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From 50.-€ to 200.-€…………………………………………..at 10.-€
From 200.-€ to 500.-€…………………………………… …25 in 25.-€
From 500.-€ to 1.000.-€………………………………..…..….50 in 50.-€
From 1.000.-€ to 2.000.-€………………………………..…100 in 100.-€
From 2.000.-€ to 5.000.-€……………………………….….250 in 250.-€
From 5.000.-€ to 10.000.-€…………………………………500 in 500.-€
From 10.000.-€ to 20.000.-€……………………………1.000 in 1.000.-€
From 20.000.-€ to 50.000.-€……………………………2.500 in 2.500.-€
From 50.000.-€ to 100.000.-€…………………………..5.000 in 5.000.-€
From 100.000.-€ to 100.000.-€………………………10.000 in 10.000.-€
From 200.000.-€ to 200.000.-€………………………25.000 in 25.000.-€
From 500.000.-€ to 500.000.-€………………………50.000 in 50.000.-€
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XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.
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Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".
