179
GERHARDIE WILLIAM: (1895-1977) Anglo-Rus
1/5
Description
GERHARDIE WILLIAM: (1895-1977) Anglo-Russian Novelist and Playwright, one of the most critically acclaimed English writers of the 1920s. Series of four A.Ls.S. and a T.L.S., William, and one with his full signature, seven pages (total), small 4to, Portland Place, London, December 1960 - November 1961, all to Neville [Braybrooke]. Gerhardie writes regarding the publication of his tetralogy This Present Breath, in part, 'Here are the opening and closing chapters of my tetralogy and the two drawings of the angels copied from the entablature of our old St. Petersburg house. This baroque house is both a talisman and a motto-theme running through the entire tetralogy, and this same friend of mine who copied the kneeling angels is making a drawing of the house for the book, to appear as end-papers and also on the jacket - unless having the two trumpeting angels on the jacket of the novel might be a better idea…..their function is to point to the musical construction of the tetralogy…..I asked my friend to provide them with trumpets. And I must say he has made a beautiful job of it. There is something of William Blake about the two angels. They have a dedicated, ecstatic expression, and really blow their slender silver trumpets with conviction. My friend's name is James Parkhill Rathbone…..Please don't think me fussy over my instructions to the printers…..but having lived with this idea for fifteen years, it would be a terrible shock if the printers (as printers are apt to do) substituted a lay-out with lettering of their own facile invention, contrived out of nothing better than contrariness and a wish to justify their inventiveness' (31st December 1960), 'Here are five new pages to be substituted for the five you have bearing the same page numbers. Then there are some corrections to be made in the text in your possession. These are marked on the other pages I enclose. The new pages are a great improvement, as you will see' (16th June 1961), 'I am returning the corrected galley-proofs today….I have made my point clear about the elaboration of the And sign before the chapter numerals and the galley margin. How happy I should be if the exquisite giant And sign could be reproduced in all its…..glory in miniature before the numerals! The whole title-plus contents page, with the Dante quotation, is laid out in such impeccable proportions that I look at it again, and again, in sheer aesthetic delight! It's more than printing: it's architecture' (7th November 1961), 'Olivia wrote a very charming article about my books, with special reference to the tetralogy in one volume - the one she half hoped you might like as an introductory piece in The Wind and the Rain. It was published in The Times…..and called 'Buried Alive'' (19th November 1961). Together with Gerhardi's original design for the contents page of his tetralogy The Present Breath, with two rough sketches of the angels blowing their trumpets and various instructions, in part 'I have attempted to indicate the different lettering needed but have not quite managed to get the proportions right. The sign & (which has symbolical significance, as appears in the penultimate chapter…..) should here divide, as it were, the title page from the contents page (sharing the same page between them)…..The ornamental lettering of Movement is perhaps too large in proportion….The quotation from Dante should be in rather smaller italics. The angels should not be reduced in size, or they will lose their individual expression of solemn, rapturous, ecstatic acclamation. The draw attention to the symphonic unity of the work' and also including eight original pages of typescript from the manuscript of This Present Breath, with various corrections (some in holograph) and signed by Gerhardie to the final page. An interesting series of letters. Some with ink and pencil annotations by Braybrooke and some staining, paperclip rust stains and light overall age wear, G, 13
Neville Braybrooke (1923-2001) English Poet, Writer, Editor, Literary Critic and Publisher.
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GERHARDIE WILLIAM: (1895-1977) Anglo-Russian Novelist and Playwright, one of the most critically acclaimed English writers of the 1920s. Series of four A.Ls.S. and a T.L.S., William, and one with his full signature, seven pages (total), small 4to, Portland Place, London, December 1960 - November 1961, all to Neville [Braybrooke]. Gerhardie writes regarding the publication of his tetralogy This Present Breath, in part, 'Here are the opening and closing chapters of my tetralogy and the two drawings of the angels copied from the entablature of our old St. Petersburg house. This baroque house is both a talisman and a motto-theme running through the entire tetralogy, and this same friend of mine who copied the kneeling angels is making a drawing of the house for the book, to appear as end-papers and also on the jacket - unless having the two trumpeting angels on the jacket of the novel might be a better idea…..their function is to point to the musical construction of the tetralogy…..I asked my friend to provide them with trumpets. And I must say he has made a beautiful job of it. There is something of William Blake about the two angels. They have a dedicated, ecstatic expression, and really blow their slender silver trumpets with conviction. My friend's name is James Parkhill Rathbone…..Please don't think me fussy over my instructions to the printers…..but having lived with this idea for fifteen years, it would be a terrible shock if the printers (as printers are apt to do) substituted a lay-out with lettering of their own facile invention, contrived out of nothing better than contrariness and a wish to justify their inventiveness' (31st December 1960), 'Here are five new pages to be substituted for the five you have bearing the same page numbers. Then there are some corrections to be made in the text in your possession. These are marked on the other pages I enclose. The new pages are a great improvement, as you will see' (16th June 1961), 'I am returning the corrected galley-proofs today….I have made my point clear about the elaboration of the And sign before the chapter numerals and the galley margin. How happy I should be if the exquisite giant And sign could be reproduced in all its…..glory in miniature before the numerals! The whole title-plus contents page, with the Dante quotation, is laid out in such impeccable proportions that I look at it again, and again, in sheer aesthetic delight! It's more than printing: it's architecture' (7th November 1961), 'Olivia wrote a very charming article about my books, with special reference to the tetralogy in one volume - the one she half hoped you might like as an introductory piece in The Wind and the Rain. It was published in The Times…..and called 'Buried Alive'' (19th November 1961). Together with Gerhardi's original design for the contents page of his tetralogy The Present Breath, with two rough sketches of the angels blowing their trumpets and various instructions, in part 'I have attempted to indicate the different lettering needed but have not quite managed to get the proportions right. The sign & (which has symbolical significance, as appears in the penultimate chapter…..) should here divide, as it were, the title page from the contents page (sharing the same page between them)…..The ornamental lettering of Movement is perhaps too large in proportion….The quotation from Dante should be in rather smaller italics. The angels should not be reduced in size, or they will lose their individual expression of solemn, rapturous, ecstatic acclamation. The draw attention to the symphonic unity of the work' and also including eight original pages of typescript from the manuscript of This Present Breath, with various corrections (some in holograph) and signed by Gerhardie to the final page. An interesting series of letters. Some with ink and pencil annotations by Braybrooke and some staining, paperclip rust stains and light overall age wear, G, 13
Neville Braybrooke (1923-2001) English Poet, Writer, Editor, Literary Critic and Publisher.
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