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Albrecht Dürer (1471-1528) The Angel with the Key to the Bottomless Pit, from: The Apocalypse …
Albrecht Dürer (1471-1528)The Angel with the Key to the Bottomless Pit, from: The ApocalypseWoodcut, circa 1497-98, an early impression from the f...
Salvator Rosa (1615-1673) The dream of Aeneas; Ceres and Phytalus; Glaucus and Scylla; Apollo and …
Salvator Rosa (1615-1673)The dream of Aeneas; Ceres and Phytalus; Glaucus and Scylla; Apollo and the Cumaean SibylFour works, etchings with drypoi...
Jacopo da Leonardis (1723-1794) The Quack Dentist, after Giovanni Domenico Tiepolo (1727-1804)
Jacopo da Leonardis (1723-1794)The Quack Dentist, after Giovanni Domenico Tiepolo (1727-1804)Engraving, 1765, on thick Venetian laid paper with pa...
French School (18th century) Study of the "Old Centaur", after The Furietti Centaurs; Abraham …
French School (18th century)Study of the "Old Centaur", after The Furietti Centaurs; Abraham standing with knifeTwo works, red chalk on laid paper...
Giovanni Battista Piranesi (1720-1788)Veduta del piano superiore del seraglio della fiera fabbricato da Domiziano...Etching and engraving, 1757, a...
Rembrandt van Rijn (1606-1669)Beggar with a wooden legEtching, circa 1630, a good impression of New Hollstein's third state (of four) on laid pape...
Rembrandt van Rijn (1606-1669)Abraham and IsaacEtching and drypoint, 1645, a good impression of New Hollstein's second state (of two), on thick Ar...
Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, an excellent impression of New Hollstein's second state (of two), ...
Rembrandt van Rijn (1606-1669)Three Oriental Figures (Jacob and Laban?)Etching, 1641, a good impression of New Hollstein's second state (of two) p...
Rembrandt van Rijn (1606-1669)A Blind Hurdy-Gurdy Player and Family Receiving AlmsEtching and drypoint, 1648, but a later impression of New Hollst...
Rembrandt van Rijn (1606-1669)Beggar with a Wooden LegEtching, circa 1630, a later impression of New Hollstein's final state (of four), on thick i...
Rembrandt van Rijn (1606-1669)The Rest on the Flight: a Night PieceEtching with drypoint, circa 1644, a good impression of New Hollstein's seventh...
Rembrandt van Rijn (1606-1669)The Tribute MoneyEtching, circa 1635, a good albeit later impression of New Hollstein's final state (of four), print...
Rembrandt van Rijn (1606-1669)Diana at the BathEtching, circa 1631, a lightly inked impression of the only state with some signs of wear within th...
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good impression before too much wear in the d...
Rembrandt van Rijn (1606-1669)The Star of the Kings: A Night PieceEtching and drypoint, circa 1651, but a later impression of New Hollstein's fina...
Rembrandt van Rijn (1606-1669)David at PrayerEtching with drypoint, 1652, a good impression of New Hollstein's second state (of three) with the fa...
Lucas van Leyden (1494-1533)A Nobleman and a Lady Seated in a LandscapeEngraving, 1520, on thin laid paper without watermark, laid onto support, s...
Pierre-Auguste Renoir (1841-1919)Berthe MorisotEtching, on laid paper, with full margins, sheet 328 x 256mm (12 7/8 x 10 1/8in) ...[more]
Paul Cézanne (1839-1906)Portrait of GuillauminEtching, 1873, printed later, on laid paper, with full margins, sheet 330 x 252mm (13 x 10in)
James Abbott McNeill Whistler (1834-1903) The Whitesmiths, Impasse des Carmélites [and another] (2)
NO RESERVE James Abbott McNeill Whistler (1834-1903)The Whitesmiths, Impasse des CarmélitesLithograph, 1894 but circa 1904, on antique laid paper ...
Pierre Bonnard (1867-1947)Le Marchand des Quatre-Saisons (Bouvet 65)Lithograph printed in colours, 1899, the edition was 100, as included in 'Quel...
Pierre Bonnard (1867-1947) after.Bonnard LithographeThe book, 1952, comprising 98 lithographs printed in colours, with the title-page, text and ju...
δ Oskar Kokoschka (1886-1980)Max Reinhardt (Head) (Arntz 112; Wingler & Welz 135)Lithograph, 1919, signed in pencil, numbered from the edition of ...
Louis Icart (1888-1950)Seated womanDrypoint with aquatint printed in colours, 1926, inscribed 202 in pencil, printed by Ad. Valcke, Paris, publish...
Louis Icart (1888-1950)Two Young Women and a MonkeyEtching with hand-colouring, 1922, signed and inscribed 122 in pencil, published by L'Estampe M...
Louis Icart (1888-1950)Young woman with a broken vaseEtching with hand-colouring, circa 1923, signed and inscribed 278 in pencil, published by the...
Louis Icart (1888-1950)VenusEtching with hand-colouring, 1928, signed in pencil and numbered 210, published by the artist, with their blindstamp, ...
δ Jean Dufy (1888-1964)StockholmPencil on wove paper, signed in pencil, titled in blue biro, image 260 x 413mm (10 1/8 x 16 1/4in)δ This lot is so...
δ Fernand Léger (1881-1955) after.Deauville (Saphire E13)Lithograph printed in colours, 1950, a proof aside from the edition of 120, printed by Mo...
δ Fernand Léger (1881-1955)Les Constructeurs et sculptures polychromesLithograph printed in colours, 1951, from the edition of 800, published by M...
δ Henri Laurens (1885-1954)ContesThe book, 1953, comprising ten woodcuts printed in colours in-texte, with title-page, text and justification, num...
δ Maurice de Vlaminck (1876-1958)VlaminckThe book, 1958, comprising five lithographs, one printed in colours, with the title-page, text and justif...
δ Jean Cocteau (1889-1963)Menton. Festival de MusiqueLithograph printed in colours, 1954, a proof before the poster edition, printed by Mourlot, P...
δ Jean Cocteau (1889-1963)Nu au VoileLithograph printed in colours, 1954, a proof before the edition, printed by Mourlot, Paris, with the Atelier ...
δ Raoul Dufy (1887-1953)Nu CouchéLithograph printed in colours, 1957, a proof before the edition, printed by Mourlot, Paris, on wove paper, with f...
Raoul Dufy (1877-1953) after. 11me Festival de Peinture et SculptureLithographic poster printed in colours, c. 1957, from the edition of unknown s...
Georges Rouault (1871-1958) after.Stella VespertinaThe book, 1947, comprising twelve reproductions printed in colours, with the title-page, text a...
δ Roger Vieillard (1907-1987)Descartes Discours de la Methode The book, 1948, comprising 16 engravings, with text and title-page, published by Aux...
NO RESERVE Aristide Maillol (1861-1944)From Odes d'Horace; Les Géorgiques IVThree woodcuts, 1939 and 1950, from the editions of unknown size, on w...
δ Antoni Clave (1913-2005)Corrida (La mort du Torero)Lithograph, 1951-2, signed and inscribed 'epreuve d'artiste' in pencil, artist's proof aside ...
δ Pablo Picasso (1881-1973)Picasso Lithographes I-IV (Cramer 55, 60, 77, 125)The complete set of four volumes of the catalogue raisonné, 1949-64, ...
δ Pablo Picasso (1881-1973)L'Ecuyère (Bloch 999; Mourlot 333)Lithograph, 1960, from the edition of 1000, on wove paper, with full margins, sheet 5...
Pablo Picasso (1881-1973) after.40 dessins De Picasso En Marge Du Buffon (Cramer 84)The book, 1957, comprising the title-page, text, justification...
Pablo Picasso (1881-1973) after. One lithograph, from Dans l'Atelier de Picasso (see Cramer 88)
Pablo Picasso (1881-1973) after. One lithograph, from Dans l'Atelier de Picasso (see Cramer 88)Lithograph printed in colours, 1957, a proof aside ...
Pablo Picasso (1881-1973) after. Dessins, Gouaches, Aquarelles Museé Reattu Poster (Czwiklitzer 131)
Pablo Picasso (1881-1973) after.Dessins, Gouaches, Aquarelles Museé Reattu Poster (Czwiklitzer 131)Lithograph with collotype printed in colours, 1...
Pablo Picasso (1881-1973) after.Colombe au SoleilLithograph printed in colours, 1962, a proof before text, from the edition of unknown size, print...
Joan Miró (1893-1983) after. Lithograph, from Joan Miró un Katalonien (Maeght 667; Cramer 131)
Joan Miró (1893-1983) after. Lithograph, from Joan Miró un Katalonien (Maeght 667; Cramer 131)Lithograph printed in colours, 1969, from the unsign...
Joan Miró (1893-1983) after. Personnage et OiseauLithograph printed in colours, 1969, from the edition of 500, published by Mourlot, Paris, with t...
Joan Miró (1893-1983) after. Two Mourlot PostersTwo offset lithographs printed in colours, 1984-1990, after designs by Joan Miró, each printed by ...
δ Marc Chagall (1887-1985)Plate 13, from The Tempest (Sorlier 853; see Cramer 97)Lithograph, 1975, a proof aside from the edition of 250, publishe...
δ Marc Chagall (1887-1985)L'Acrobate Vert (Cramer 110; Mourlot 945)Lithograph printed in colours, 1979, from the edition of 20,000, as included in...
Marc Chagall (1887-1985) after.Lovers by the Eiffel TowerLithograph printed in colours, 1994, a proof aside from the edition of 750, printed by Mo...
Marc Chagall (1887-1985) after.Le SongeLithograph printed in colours, 1994, a proof aside from the edition of 750, with the publication details pr...
δ Salvador Dalí (1904-1989)Leonardo da Vinci (Field 68-4L; Michler & Löpsinger 287)Etching, 1968, signed and inscribed 'EA' in pencil, an artist's...
δ Salvador Dalí (1904-1989)Van Gogh (Field 68-4M; Michler & Löpsinger 288)Etching, 1968, signed and inscribed 'EA' in pencil, an artist's proof nu...
δ Salvador Dalí (1904-1989)Rembrandt (Field 68-4K; Michler & Löpsinger 292)Etching, 1968, signed and inscribed 'EA' in pencil, an artist's proof n...
δ Salvador Dalí (1904-1989)Chagall (Field 68-4J; Michler & Löpsinger 293)Etching, 1968, signed and inscribed 'EA' in pencil, an artist's proof num...
δ Salvador Dalí (1904-1989)Picasso (Field 68-4I; Michler & Löpsinger 294)Etching, 1968, signed and inscribed 'EA' in pencil, an artist's proof num...
δ Salvador Dalí (1904-1989)From Biblia Sacra Vol. 4 (Field 69.3; Michler & Löpsinger 1600)Four lithographs printed in colours, 1969, from the edit...