British & European Paintings & Watercolours, Old Master & Modern Prints & Drawings

* Dürer (Albrecht, 1471-1528). The Holy Family in Egypt, from The Life of the Virgin, circa 1503 [but slightly later], woodcut on laid paper (with...

* Master of the Parrot (active Antwerp, 1525-1550). Virgin and Child with bunch of grapes, oil on wood panel, of the Virgin Mary seated, presentin...

* Attributed to Carlo Caliari (1570-1596). Head of an Old Man, black and white chalk on pale blue-grey laid paper with thin black ink border, shee...

* Tempesta (Antonio, 1555-1630). Battling Animals, circa 1600, 8 etched prints on laid paper, from the series of 25 (plus title) prints, published...

* Circle of Anthony van Dyck (1599-1641). Study of a Tree, red chalk on laid paper, mounted on old backing paper, with double-rule outer border in...

* Breenbergh (Bartholomeus, Deventer 1598-1657 Amsterdam). Italianate Landscape with soldiers and hunting dogs going, early morning, oil on wood p...

* Flemish School. Susanna at the Well, early to mid 17th century, pen and brown ink on laid paper, of a partly naked woman by a stone well, turnin...

* Galle (Cornelis, 1576-1650). Maphaei S.R.E. Card. Barberini nunc urbani Pp. VIII Poemata, Antwerp: Ex officina Plantiniana Balthasaris Moreti, 1...

* Rembrandt Harmenszoon van Rijn (1601-1669). Landscape with a cottage and haybarn, late 18th or early 19th-century, counterproof etching on wove,...

* Lommelin (Adriaen, circa 1687- circa 1677). Marie de Barbancon, Princess of Arenberg, Antwerp: Joannes Meyssens, circa 1645, engraving on laid p...

* Bolswert (Schelte A., 1586-1659). Justus Lipsius Historiographus (from Icones Principum Virorum), circa 1635, stipple engraving and line engravi...

* Venetian School. Seated Male Nude, 17th century, red chalk on light pale grey-green laid paper, with indistinct watermark, numbered 2 in pencil ...

* Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown, pen, brown and black ink, grey wash heightened with white,...

* Manner of Frans Hals (1580-1666). Portrait of a Boy, wearing a brown tunic with white lace collar and cuffs, possibly late 17th or early 18th ce...

* Ricci (Giovanni Battista, 1550-1627). An Allegory of Papacy, pen and brown ink and brown wash on cream laid paper, depicting an allegory of Papa...

* Marot (Daniel, 1661-1752). Patrons d'étoffes et de velours (Patterns of Fabric and Velvet), Plates 1 & 2, 1712-1716, two etchings on laid paper,...

* English School. Oval portrait miniature of a lady, early-mid 18th century, watercolour on card, head and shoulders portrait of a young lady with...

* After Richard Cosway (1742-1821). His most Serene Highness Louis Phillip Joseph Duke of Orleans & The Right Hon'ble Harriet Viscountess Bulkeley...

* Italian School. Biblical Figure, 18th century, black chalk with touches of white chalk, on watermarked paper, depicting a saint one hand holding...

* Continental School. Panoramic landscape with figures and distant view of a city, possibly Salzburg, circa 1750-75, pen, ink and watercolour on l...

* Roberts (James, circa 1740-1809). Actor in Costume, watercolour, depicting a well dressed young gentleman wearing a white, green and red feather...

* Piranesi (Giovanni Battista, 1720-1778). Veduta del Tempio ottangolare di Minerva Medica, from Veduta di Rome, 1764, etching on thick laid paper...

* Piranesi (Giovanni Battista, 1720-1778). Veduta interna del Tempio della Tosse, from Vedute di Roma, 1764, etching on thick laid paper, the firs...

* Munro (Dr Thomas, 1759-1833). Mountainous landscape with trees, black chalk, grey wash, with scratching out, on pale blue laid paper, 190 x 224 ...

* Attributed to Richard Earlom (1743-1822). Academic study of a statue of a male nude with raised arm, circa 1770, black chalk heightened with whi...

* German School. Prince Ernest Augustus, Duke of Cumberland and King of Hanover (1771-1851), circa 1775, oval oil on canvas, a half length portrai...

* Attributed to John Smart (1741-1811). A pair of oval portrait miniatures, of an unidentified gentleman and lady, circa 1770s, opaque watercolour...

* Style of Michelangelo Maestri (1741-1812). Four Allegorical Female Figures (including the muses of healing and dance), early to mid 19th century...

* Hamilton (Gavin, 1723-1798). The Erythraean Sibyl, after Michelangelo (1475-1574), later 18th century, black and red chalk on laid paper, sheet ...

* Italian School. The Death of Germanicus, later 18th century, oil on wood panel, a study of a dying soldier on a throne, his armour on the floor,...

* Le Cave (Peter, active c.1769-circa 1811). Travellers by a Cottage, & Taking Cattle to Market, a pair of oils on canvas, the first signed lower ...

* Attributed to Guiseppe Bernardino Bison (1762-1844). Flora, oil on card, 15 x 9.4 cm (6 x 3 3/5 ins), old gilt frame, backing board with 20th ce...

* Moderno (Galeazzo Mondella, 1467-1528). The Crucifixion, circa 1485-90, bronze relief plaquette, with integral graduated outer border, depicting...

* Nuremberg School. Wild Boar, Nuremberg, circa 1520, bronze, modelled in the standing position with long legs, pointed snout and short curved tus...

* Italian School. Emperor Vespasian (reigned 69-79 AD), possibly Florence, 16th century, circular bronze relief portrait of the Roman Emperor Vesp...

* Dupré (Guillaume, circa 1579-1640). Henri IV (1589-1610) and Marie de Medici, 1602, cast bronze medal with the conjoined busts of Henry and Mari...

* After Gian Lorenzo Bernini (1598-1680). David, 1675 [but later], bronze figure of David, bending to the right, about to discharge his sling, wit...

* Alabaster Relief Panels. The Burning of the Philosophers, & The Beheading of Saint Catherine, probably early 19th century, a pair of plaster rel...

* Henning (John, 1771-1851). Two plaster reliefs of the Parthenon frieze, circa 1816-20, two fine low relief plaster panels, one depicting horses ...

* Barye (Antoine-Louis, 1796-1875). Panthère couchée (Recumbant Panther), bronze with dark reddish brown patina, incised BARYE, and with incised n...

* Barye (Antoine-Louis, 1796-1875). Eléphant d'Asie (Asian Elephant), bronze with black and brown patina, signed BARYE to the base, the underside ...

* Continental School. A cast iron oval plaque depicting a classical female head in profile facing left, 19th century, the reverse with cast initia...

* Steell (Sir John Robert, 1804-1891). Reverend Thomas Guthrie, circa 1856, cast bronze bust with impressed mark to the base, 51 cm high QTY: (1...

* After Claude Michel Clodion (1738-1814). Bacchus and Putto, bronze sculpture, showing the young Bacchus with grapes and tambourine, leaning over...

* English School. Portrait of a Gentleman, later 19th century, bronze half bust, modelled as a smartly dressed gentleman wearing a cravat, waistco...

* Pegram (Henry, 1862-1937). Two Figures by a Fire, 1891, oval plaster relief panel, incised signature and date, a profile view of two nude figure...

* Déprez (Gaston, 1872-1941). Bust of the poet and writer Paul Verlaine (1844-1896), circa 1896, lost wax casting, signed on the left side ‘Déprez...

* After Eugenio Bellosio (1847-1927). Battle of Lapiths and Centaurs, circular bronze dish, with a mythological battle scene in relief, representi...

* Clay (J., late 19th/early 20th century). Head-and-Shoulders Portrait of a Gentleman, early 20th century, bronze half-length bust of a well-dress...

* Nicolini (Giovanni, 1872-1956) Ebbro (Drunk), bronze sculpture of a nymph and satyr reclining on a rock, signed G. Nicolini, with foundry plaque...

AR * Piffard (Jeanne, 1892-1971). Zebra, bronze, with a rich brown patina, signed 'J. Piffard', foundry stamp to base 'C. Valsuani / Cire / Perdu...

* Manzu (Giacomo, 1908-1991). Wolfgang Amadeus Mozart, gilt bronze commemorative medal by Giacomo Manzu 1956, the obverse showing a profile of of ...

AR * Tweed (Jill, 1931-). Kicking Horse, 1974, bronze sculpture on a polished slate base, signed, dated and numbered 'Tweed 74 1/6', approximate ...

* Roman School. The Companion of Odysseus (or the Wineskin-Bearer), later 20th century, a near pair of replica plaster cast busts, each covered in...

* Attributed to Thomas Stothard (1755-1834). Night Scene, pen and black ink with dark brown wash on laid paper, depicting two men within an occult...

* French School. Oval portrait miniature of a young lady, French, circa 1800, watercolour and gouache on card, head and shoulders portrait, half p...

* Nicholson (Francis, 1753-1844). St Vincent's Rock and the Hot Wells, Bristol, watercolour with traces of pencil on paper, titled by the artist i...

* Payne (William, 1775-1830). Lime Kiln near the mouth of Neath River, 1806, watercolour, 11 x 16.5 cm (4 3/8 x 6 1/2 ins) mount aperture, mounted...

* Circle of Benjamin West (1738-1820). Seated Boy, 1808, pen, brown ink and watercolour, showing a study of a young boy sitting against a step, pl...

* Attributed to Robert Field (1769-1819). A pair of marriage portraits, 1808, watercolour on thin card, each signed and dated lower left, 191 x 19...