British & European Paintings, Old Master & Modern Works on Paper

* Attributed to Hans Rottenhammer the Elder (1564/5-1625). The Crucifixion, circa 1605, oil on bevelled panel, with the panel maker’s mark WB vers...

* Follower of Jacques Callot (1592-1635). Les Deux Pélerins, probably 17th century, oil on paper, laid onto wood panel with thick card backing, 43...

* English School. Portrait of a Gentleman, circa 1670-1675, oil on canvas, half-length portrait of a gentleman, wearing white shirt with elaborate...

* Dutch Italianate School. River landscape with figures, boats, and house by the shore, circa 1670, oil on canvas, 25.5 x 32 cm (10 x 12 1/2 ins),...

* Flemish School. Landscape with Coursing Party, circa 1680-1720, oil on canvas, of figures mounted on horses and standing with greyhounds, prepar...

* French School. Iphis and Ianthe, mid to later 18th century, oil on copper, 21 x 29 cm (8 3/8 x 11 3/8 ins), incised number 577 to verso, old gil...

* Netherlandish School. A poor man outside his farmhouse offers a bowl and jug to three visitors, late 16th/early 17th century, bronze plaquette w...

* Spanish Colonial School. Saint Joseph with the Christ Child, early 18th-century, oil on canvas, laid down on later board, a crowned St Joseph ho...

* Spanish Colonial School. Virgin Mary and Infant Jesus, early to mid 18th century, oil on leather, depicting the Virgin Mary carrying the infant ...

* After Peter Paul Rubens (1577-1640). The Triumph of the Eucharist over Idolatry, probably late 18th or early 19th century, oil on canvas, reline...

* After Rembrandt van Rijn (1606-1669). Man with the Golden Helmet, mid to later 18th-century, oil on canvas, re-lined, areas of craquelure, some ...

* Attributed to Guiseppe Bernardino Bison (1762-1844). Flora, oil on card, 15 x 9.4 cm (6 x 3 3/5 ins), old gilt frame, backing board with 20th ce...

* English School. Portrait of a Gentleman, circa 1750-1775, oil on wood panel, showing a young gentleman wearing a dark coat with pale yellow lape...

* Norwich School. Norfolk landscape with thatched cottages, circa 1790-1800, oil on bevelled panel, 20.5 x 30.5 cm (8 x 12 ins), in an ornate gild...

* Naive School. Portrait of an Infant, circa 1800, oil on canvas, an infant sitting in a wooden carver chair, wearing lace trimmed white gown and ...

* Wolgemut (Michael, 1434-1519). Baptism of Christ, & Circumcision, 1491, a single sheet of laid paper with two full-page contemporary hand-colour...

* Durer (Albrecht, 1471-1528). The Abduction on a Unicorn, 1516, etching on laid paper, a good, dark Meder c impression with the rust marks in the...

* Van Leyden (Lucas, 1494-1533). David Playing the Harp before Saul, circa 1508, engraving on laid paper, with posthorn watermark, trimmed to plat...

* Cranach (Lucas, 1472-1553). Christ Taken Captive, 1509, woodcut on laid paper, a good clear impression, with the artist's initials LC and the da...

* Altdorfer (Albrecht, 1480-1538). Maxmillian as Architect (from Ehrenpforte Kaiser Maximilians), circa 1515, woodcut on laid paper (a portion of ...

* Hopfer (Hieronymus, 1528-1563). The Landscape with Cannon, after Durer, 1520–1550, etching on laid paper, a strong clear impression, collector's...

* Raimundi (Marcantonio, 1480-1534). The Adoration of the Shepherds, circa 1504, engraving on laid paper, with watermark of a Hat, very similar to...

* Attributed to Hans Sebald Beham (1500-1550). Profile Head of a Man with Ram's Horns, pen and black ink on laid paper, some marks and light paper...

* Vico (Enea, 1523-1567). Frieze with Rinceaux, a Siren and Four Children, circa 1541, engraving on laid paper, a fine, rich impression, initialle...

* Attributed to Tiziano Aspetti (1559–1606). Temperance and Prudence, 16th century, two pen, brown ink, and brown wash studies for statues of the ...

* Scultori (Adamo, also known as Adamo Ghisi, 1520-1582). Allegory of Slavery (Servitude), after Andrea Mantegna, 1573, engraving on laid paper, t...

* Attributed to Jacques Bellange (circa 1575-1616/38). Striding Youth with a staff, black chalk on laid paper, verso with later pencil inscription...

* Goltzius (Hendrick, 1558-1617). Cliff on a Seashore, with Hermit, from the series Four Small Landscapes, 1597-1600, chiaroscuro woodcut from thr...

* After Polidoro da Caravaggio (circa 1499-circa 1543). The Rape of the Sabine Women, circa 1550-1600, pen, brown ink and brown wash, heightened w...

* Callot (Jacques, 1592-1635). The Fair at Gondreville, published by Israel Silvestre, circa 1624-25, etching on laid paper, narrow margins, sheet...

* Muller (Jan Harmensz., 1571–1628). Venus and Mercury, after Bartholomeus Spranger, engraving on laid paper, 39.8 x 27.3 cm (15 5/8 x 10 3/4 ins)...

* Attributed to Guido Reni (1575-1642). Figure by a tree, pen and brown ink on laid paper, of a young man (or woman?) looking around the side of a...

* Collaert (Adriaen, circa 1560-1618). Avium Vivae Icones, circa 1600-1610, six engravings only from the set of 32 (plates 2, 6, 8, 9, 24 and 25) ...

* Filippo Napoletano (Teodoro Filippo Liagno, 1589-1629). Young Cavalier, full-length, red chalk on laid paper, 242 x 146 mm (9 1/2 x 5 3/4 ins), ...

* Mazzucchelli (Pier Francesco, called il Morazzone, 1573-1626). Saint Peter, red chalk on laid paper, a study of a full-length bearded male figur...

* Sadeler (Aegidius, 1570-1629). Portrait of Tobias Scultetus, 1610, fine engraving on laid paper, with elaborate allegorical outer border, trimme...

* Thomassin (Philippe, 1562-1622). The Battle of the Lapiths, after Bernadino Passeri (1540-1596), Rome, 1617-1619, fine large circular engraving ...

* Attributed to Francois Perrier, le Bourgignon (1590-1650). A Cavalry Skirmish, pen, black ink, light grey-blue and pale red-brown wash on laid p...

* Callot (Jacques, 1592-1635). The Old Woman with the Cats, from the series The Beggars (Les Gueux), circa 1622-23, etching on laid paper, depicti...

* Callot (Jacques, Nancy 1592-1635). Tuscan Farmyard, pen and brown ink on vellum, sheet size 119 x 168 mm (4 3/4 x 6 5/8 ins), a few surface mark...

* Follower of Peter Paul Rubens (1577-1640). Mother and Child, 17th or 18th century, red and white chalk on laid paper, with old (probably 18th ce...

* Reni (Guido, 1575-1642). Infant Christ and St. John the Baptist, circa 1595-1600, etching on laid paper, sheet size 130 x 185 mm, plate size 119...

* Kilian (Lucas, 1579-1637). Portrait of Johann Fürleger, 1626, engraving on laid paper, with castle watermark, printed inscription 'Lucas Kililan...

* Circle of Anthony van Dyck (1599-1641). Madonna and Child, pen, brown ink with red and pale brown wash on light brown laid paper, single-rule br...

* Rembrandt (van Rijn, 1606-1669). The Raising of Lazarus (The Large Plate), 1632, etching on laid paper, with partially visible watermark at cent...

* Callot (Jacques, 1592-1635). Vita et Historia Beatae Mariae Virginis Matris Dei, 1633, the series of 14 etchings including title on laid paper, ...

* Rembrandt (van Rijn, 1606-1669). Self Portrait in a Velvet Cap with Plume, 1638 [but later], etching on pale cream laid paper, with indistinct w...

* Bella (Stefano Della, 1610-1664). Head of a Wild Boar, & Head of a Child, two pen and brown ink drawings on cream laid paper (one with partial w...

* Circle of Anthony van Dyck (1599-1641). Study of a Tree, red chalk on laid paper, mounted on old backing paper, with double-rule outer border in...

* Roman School. Sinorix carried from the Temple of Artemis trying to escape the effects of the poisoning, after Pietro Testa (1611-1650), 17th cen...

* Rembrandt (Harmensz van Rijn, 1606-1669). A Woman Making Water, 1631, etching on pale cream laid paper, probably later 18th century, collector's...

* Galle (Joannes, 1600-1676). Omnes Sancti. O quam gloriosum est regnum, in quo cum Christo gaudent omnes Sancti, engraving after Rubens on wove p...

* Lommelin (Adriaen, circa 1687- circa 1677). Marie de Barbancon, Princess of Arenberg, Antwerp: Joannes Meyssens, circa 1645, engraving on laid p...

* Vorsterman (Lucas, 1595-1675). Portrait of Jacques Callot, after Anthony van Dyck, circa 1645, etching and engraving on pale cream laid paper, a...

* Circle of Peter Paul Rubens (1577-1640). Profile Head of an Old Man (Nicolo da Uzzano), after Leonardo da Vinci, black chalk on laid paper, some...

* Attributed to Giovanni Benedetto Castiglione (1609-1664). Moses Striking Water from the Rock, circa 1650, red chalk on laid paper, laid down on ...

* Italian School. Saint William of Aquitaine taking vows before Bishop Benedict of Ariane, second half 17th century, pen, brown ink and pale red w...