British & European Paintings & Prints, The Bristol School of Artists

* After Nicholas Hilliard (circa 1547-1619). Portrait of Sir Walter Raleigh, 1614, miniature oval opaque watercolour highlighted with bodycolour o...

* Italian School. Saint Jerome, 18th century, oil on canvas, depicting a seated Saint Jerome reading the gospels within a rocky landscape, with li...

* Manner of Herman Swanevelt (circa 1603-1655). Italian Landscape, oil on wooden panel, depicting a country landscape with a figure in red standin...

* Dutch Italianate School. River landscape with figures, boats, and house by the shore, circa 1670, oil on canvas, 25.5 x 32 cm (10 x 12 1/2 ins),...

* After Giovanni Battista Salvi (1609-1685). Madonna in Preghiera, oil on canvas, depicting a young woman head covered, eyes closed and hands toge...

* Flemish School. Landscape with Coursing Party, circa 1680-1720, oil on canvas, of figures mounted on horses and standing with greyhounds, prepar...

* Manner of Agnostini Buonamici Tassi (1578-1644). Landscape with figures by a river, late 17th century, circular oil on copper, 18 cm diameter (7...

* Attributed to Petr Brandl (1668-1735). Head of an Apostle, circa 1700, oil on canvas, head and shoulders portrait of a bearded older man wearing...

* Venetian School. Saint Mark the Evangelist, circa 1730-1750, oil on an oval sheet of copper, a miniature study of St Mark wearing flowing red an...

* After Philips Wouwerman (1619-1668). Hunting Party at Rest, 18th century, oil on canvas, of aristocratic couples out hunting with hawks, dogs wi...

* Flemish School. Le Duc, 18th century, oil on wood panel, depicting six men wearing military uniform, two standing by a fire, four in a group one...

* Follower of Allan Ramsay (1713-1784). Portrait of a young lady, oil on canvas, half-length portrait of a young woman wearing a lace-edged pink a...

* After Domenico Fedeli il Maggiotto (1712-1794). Study of an Old Man and Child, 18th century, oil on canvas, relined, oval stretcher 25.6 x 20.5 ...

* Circle of Gavin Hamilton (1723-1798). Seated Roman Soldier, circa 1770, oil on canvas study, laid down on chamfered wood panel, some surface mar...

* Downman (John, 1750-1824). Portrait of a youth, in three-quarter profile, circa 1770-1785, oval graphite on laid paper, with sanguine chalk bord...

* Circle of Nicolas-Bernard Lépicié (1735-1784). Study of a boy sleeping, oil on paper laid down on panel, an unusual study of a sleeping young bo...

* Wright of Derby (Joseph, 1734-1797). Portrait of John Harrison, surgeon of Derby, circa 1781, oil on canvas, half-length in three-quarter profil...

* Norwich School. Norfolk landscape with thatched cottages, circa 1790-1800, oil on bevelled panel, 20.5 x 30.5 cm (8 x 12 ins), in an ornate gild...

* Dutch School. Still Life, circa 1850, oil on canvas, unsigned, depicting a large number of flower varieties including poppies, dahlias, roses, b...

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* Attributed to Pietro Bernardi (circa 1585/90-1623). St. Francis receiving the Stigmata, black chalk heightened with white on fibrous, grey-green...

* Filippo Napoletano (Teodoro Filippo Liagno, 1589-1629). Young Cavalier, full-length, red chalk on laid paper, 242 x 146 mm (9 1/2 x 5 3/4 ins), ...

* Attributed to Domenichino (Domenico Zampieri, 1581-1641). Falling Putto, red chalk on laid paper, laid down on a sheet of 18th century laid back...

* Callot (Jacques, Nancy 1592-1635). Tuscan Farmyard, pen and brown ink on vellum, sheet size 119 x 168 mm (4 3/4 x 6 5/8 ins), a few surface mark...

* Circle of Anthony van Dyck (1599-1641). Study of a Tree, red chalk on laid paper, mounted on old backing paper, with double-rule outer border in...

* Reni (Guido, Calvenzano di Vergato 1575-1642 Bologna). Three Putti, circa 1630, pen and brown ink on laid paper, bearing later identification in...

* Italian School. Three Male Heads, 17th century, brown wash, heightened with white body colour on oval laid paper, numbered 36 in an early hand t...

* Attributed to Stefano Della Bella (1610-1664). Study of a standing woman in profile, pen and brown ink on heavy laid paper, residue of mount pap...

* Attributed to Richard Wilson (1713/14-1782). Wooded Landscape, chalk on buff laid paper, with watermark B Colombier, Paris, (Heawood 2432), some...

* Italian School. Head of a Cherub, circa 1680s, red chalk on pale blue laid paper, a profile study of a cherub's head looking left, with Henri Le...

* Studio of Francesco Solimena (Canale, 1657 - 1747 Naples). Glorification of a Saint, pen and brown ink with grey wash on scallop-shaped buff lai...

* Attributed to Johann Andreas Wolff (1652-1716). Study for an Altarpiece of the Assumption of the Virgin, pen, brown ink, and watercolour on laid...

* Creti (Donato, 1671-1749). Head of an Apostle, black chalk on pale brown laid paper with watermark of an anchor within a circle, six-point star ...

* French School. Apollo, & Prometheus, circa 1750, red chalk studies on laid paper, some marks and water stains, fraying to sheet edges, sheet siz...

* Jeaurat (Etienne, 1699-1789). Young man with a panier, black and white chalk on blue laid paper, single-line black chalk ruled to outer border o...

* Van der Schley (Jakob, 1715-1779). The Procession on the Ice, 1751, fine small-scale pen, black ink and grey wash drawing on laid paper, signed ...

* Dixon (George, 1731-1785). Still Life with Flowers, 1762, gouache and ink on paper, some areas of pencil underdrawing, various flowers including...

* Fuseli (Henry, 1741-1825). Study after Michelangelo's Last Judgement, circa 1775, pen and brown ink on antique laid paper, with watermark of a c...

* Devis (Anthony Thomas, 1729-1817). Above Larbrook, near Albury, Surrey, pen, ink and grey wash on wove paper, with traces of pencil, bears artis...

* Roberts (James, circa 1740-1809). Actor in Costume, watercolour, depicting a well dressed young gentleman wearing a white, green and red feather...

* Humphrey (Ozias, 1742-1810). Portrait of Edward Leveson Gower, 1782, coloured chalk on paper, inscribed and dated by the artist to verso in pen ...

* Attributed to Benjamin West (1738-1820). Betrothal Scene, circa 1799, black chalk, on laid paper with an O Taylor watermark, 185 x 281 mm (7 1/4...

* Legrand de Lerant (Pierre-Nicolas, 1758-1829). Study for a soldier in the 'Apotheosis of Nelson', circa 1805, black and red chalk on buff laid p...

* German Nazarene School. The Coronation of Saint Nicholas of Tolentino, after Raphael, attributed to Joseph von Fuhrich (1800-1876), pencil on la...

* Carpi (Ugo da, circa 1470-1532). The Deposition, after Raphael, circa 1520, chiaroscuro woodcut printed from three blocks in dark brown, ochre, ...

* Boldrini (Nicolo, active 1540-1566). Landscape with a milkmaid at right and a boy at left, after Titian, circa 1535-40, woodcut on laid paper, s...

* Vicentino (Giuseppe Niccolo, active c.1510-c.1550). Olympus (Surprise), after Girolamo Francesco Maria Mazzola, known as Parmigianino, circa 154...

* Vico (Enea, 1523-1567). Frieze with Rinceaux, a Siren and Four Children, circa 1541, engraving on laid paper, a fine, rich impression, initialle...

* Aldegrever (Heinrich, 1502 Paderborn - Soest 1555/1561). Ornamental design with mask and eagle flanked by two kneeling fauns, 1549, ornamental g...

* Scultori (Adamo, circa 1530-1585). Three Putti with Dolphins, after Giulio Romano (c.1499-1546), circa 1560, engraving on laid paper, double rin...

* Cavalieri (Giovanni Battista de', 1526–1597). A collection of 44 engravings from Antiquarum Statuarum urbis Romaquae in publicis privatisque loc...

* Sadeler (Jan, 1550-1600). Annunciation of the Birth of Christ to the Shepherds, after Jacopo Bassano, etching, together withGalle (Philipp, 1537...

* Saenredam (Jan, 1565-1607). Marriage for Wealth officiated by the Devil, after Hendrick Goltzrus, 1595, engraving on laid paper, numbered 2 towa...

* Durer (Albrecht, 1471-1528). Virgin and Child seated by a tree, 1513, etching on laid paper, a later copy in reverse (probably late 16th century...

* Motham (Jacob, 1571-1631). Veronica with the Sudarium, after Abraham Bloemaert, 1605, engraving on laid paper, a very good impression, trimmed t...

* Kilian (Lucas, 1579-1637). Portrait of Johann Fürleger, 1626, engraving on laid paper, with castle watermark, printed inscription 'Lucas Kililan...

* Soutman (Pieter, 1580-1657). The Last Supper, after Rubens, after the fresco by Leonardo da Vinci, 1620, etching on laid paper, a characterful i...

* Callot (Jacques, 1592-1635). Gentleman with Sword, & Noblman with Folded Cloak, from the series La Noblesse, circa 1623, two etchings on laid pa...

* Vorsterman (Lucas, 1595-1675). Nicolas Lanier, after Jan Lievens, published by Francoise van den Wyngarde, engraving on paper, trimmed close to ...

* Jegher (Christoffel, 1596-1652/53). The Garden of Love, after Rubens, circa 1633-36, pair of large-scale conjoined wood blocks, printed in dark ...