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* Dürer (Albrecht, 1471-1528). The Nativity, 1504, engraving, a good, but slightly later, Meder d-e impression, without watermark as is consistent...
* Beatrizet (Nicolas, circa 1507- circa 1566). The Combat between Reason and Amor, after Baccio Bandinelli (1493-1560), 1545, engraving, a good im...
* Master of the Die (Rome, active 1530–1560) after Raphael (circa 1530-1560). The Victory of Scipio over Syphax, 1530-1560, engraving on laid pape...
* Straet (Jan van der, 1523-1605). The Jailer about to kill himself, converted by Saint Paul, & Saint Paul before the High Priest, plates 28 and 3...
* Cavalieri (Giovanni Battista de', 1526–1597). A collection of 44 engravings from Antiquarum Statuarum urbis Romaquae in publicis privatisque loc...
* Rogers (William, active 1584-1604). Sir Thomas Docwra, full-length in armour as a Knight of St John of Jerusalem, 1595-1602, engraving, a very g...
* Visscher (Cornelis, 1628/9-1658). The Large Cat, circa 1657, engraving, a good impression of the second (final) state on laid paper, with margi...
* Huyberts (Cornelis, 1669-1712). The Triumphs of Caesar, after Andrea Mantegna, circa 1696, the set of nine engravings on laid paper, each letter...
Hafner (Johann Christoph, 1688-1724). Forest Interior with Swamp, after Van der Meulen, etching
* Hafner (Johann Christoph, 1688-1724). Forest Interior with Swamp, (after Adam Frans van der Meulen), circa 1690-1710, etching on laid paper, pub...
* Piranesi (Giovanni Battista, 1720-1778). Veduta del Ponte Lugano su l'Anione, from Vedute di Roma, 1763, etching on laid paper, a strong impress...
* Attributed to Eustache le Sueur (1617-1655). A Friar in Supplication, red chalk on laid paper laid to the mount, bearing contemporary ink inscri...
Earlom (Richard, 1743-1822). A Flower Piece, and A Fruit Piece, after van Huysum, 1778, mezzotints
* Earlom (Richard, 1743-1822). A Flower Piece, and A Fruit Piece, after Jan van Huysum, 1778, two mezzotints, both fine impressions on laid paper ...
Goya (Francisco de, 1746-1828) Los Caprichos, 1799, the complete set of 80 etchings, FIRST EDITION
Goya y Lucientes (Francisco de, 1746-1828). Los Caprichos, FIRST EDITION, 1799, published by the artist, the complete set of eighty etchings with ...
* Lasinio (Conte Carlo, 1759-1838). The Rod of Aaron and the Brazen Serpent, after Benozzo Gozzoli (1420-1497), hand coloured etching with gouache...
* Prague School. Studies of male and female figures, circa 1580, three pen and brown ink and grey wash on fine laid paper, depicting a male travel...
* Guerra (Giovanni, circa 1540-1618). Scenes from the Life of the Pope, pen and brown ink and brown wash on laid paper; a pentimento for the centr...
* Attributed to Abraham Danielsz. Hondius (1625-1691). Wild Boars, circa 1672, pen and brown ink and grey wash on laid paper, inscribed ‘Hondius’ ...
French School. Virgin and Child before a Parapet, late 17th Century, gouache in the stippled manner
* French School. Virgin and Child, late 17th century, oval gouache applied in the stippled manner, showing the Virgin and Child seated before a pa...
* North Italian School. Allegory of the Coronation of the Pope, circa 1720-40, oval pen and brown ink and brown and grey wash over black chalk, de...
* Dutch School. A View of a Town with a Barn, a Milkmaid and two Cows in the foreground, 18th century, watercolour and bodycolour on laid paper wi...
* Follower of Giovanni Battista Piranesi (1720-1778). The Inquisitorial Dungeon, Doge's Palace, after 1750, pen and brown ink, with black, grey an...
* French School. Capriccio of Rome, with Bernini's Fontana del Tritone in Piazza Barberini, circa 1750, watercolour on laid paper with a pen and i...
* Neoclassical School. Apollo, & Prometheus, probably French, circa 1750, red chalk studies on laid paper, some marks and water stains, fraying to...
* Venetian School. View of a Venetian Lagoon, with the Basilica of San Marco beyond, early to mid 18th century, pen and brown ink on fine laid pap...
* German School. The Martyrdom of Saint Andrew, 1764, pen and brown ink over black chalk, squared for transfer in black chalk, dated in pen and br...
* Dance (George, 1741-1825). Three Dancing Figures, watercolour on laid paper with vertical join, depicting a frieze of figures, comprising a man ...
French School. Landscape with figures admiring the temple at Tivoli, late 18th century, watercolour
* French School. Landscape with figures admiring the temple at Tivoli, circa 1770-1790, watercolour heightened with white bodycolour over pen and ...
English School. Oval half-length portrait of a young woman in Regency dress, later 19th century
* English School. Oval half-length portrait of a young woman in Regency dress, probably later 19th century, coloured chalks on paper, signed 'Will...
* Carvalho Negreiros (José Manuel de, 1751-1815). Study of a Naked Youth, red chalk on paper, in the manner of Michelangelo, horizontal fold to up...
* Attributed to Benjamin West (1738-1820). Betrothal Scene, circa 1799, black chalk, on laid paper with an O Taylor watermark, 185 x 281 mm (7 1/4...
* Academy Studies from Life. A collection of 21 chalk life studies, circa 1800-1802, mostly black chalk (some heightened with white chalk), includ...
* Academy Studies after the Antique. A collection of 17 ink drawings of classical and antique sculptures, circa 1795-1800, in black ink and grey w...
* Circle of Lucas Cranach the Elder (1472-1553). The Crucifixion, with Mary Magdalene, John and the Virgin Mary at the foot of the Cross, circa 15...
* Studio of Hans van Aachen (1552-1615). The Martyrdom of Saint Sebastian, circa 1554, oil on bevelled panel, with Christie’s catalogue entry atta...
* Attributed to Hans Rottenhammer the Elder (1564/5-1625). The Crucifixion, circa 1605, oil on bevelled panel, with the panel maker’s mark WB vers...
* After Peter Paul Rubens (1577-1640). The Descent from the Cross, after 1614, oil on canvas, 81 x 59.5 cm (31 7/8 x 23 3/8 ins), glazed, in an or...
* After Gerrit von Honthorst (1590-1656). Portrait of Princess Elizabeth, Queen of Bohemia, 19th century, oil on canvas, inscribed centre left ‘El...
* Byzantine School. Christ Pantocrator, Veneto-Cretan, late 17th or 18th century, large fragment of a painted fresco, depicting Christ blessing, h...
* Dutch School. Portrait of a Gentleman, circa 1650-80, oil on copper plate, depicting the head and shoulders of a gentleman wearing a curled brow...
After Luca Giordano (1634-1705). Sermon of St. Vincent Ferrer, later 17th century, oil on canvas
* After Luca Giordano (1634-1705). The Sermon of St. Vincent Ferrer, later 17th century, oil on cradled canvas, 55 x 51 cm, with old Christie’s st...
* After Pietro da Cortona (1596-1669). Pope Urban VIII, probably first half 18th century, large-scale oil on canvas, a copy in reverse of the port...
* After Sir Godfrey Kneller (1646/9-1723). Portrait of Jean-Baptiste Monnoyer, 18th century, oil on canvas half-length portrait within a feigned o...
* Loutherbourg (Philip James de, 1740–1812) Italianate pastoral landscape, with a cattle drover and his herd crossing a ford before a ruin, oil on...
* Wright of Derby (Joseph, 1734-1797). Portrait of John Harrison, surgeon of Derby, circa 1781, oil on canvas, half-length in three-quarter profil...
* Smith (John Raphael, 1751-1812). Portrait of John Harrison, surgeon of Derby, after Joseph Wright of Derby (1734-1797), circa 1781, mezzotint on...
* Norwich School. A River Landscape with thatched cottages, late 18th / early 19th century, oil on bevelled panel, 20.5 x 30.5 cm (8 x 12 ins), in...
* Chinese Ancestor Portraits. A pair of Chinese ancestor portraits, circa 1800-1850, one depicting a Ming dynasty official in red robes, cranes on...
* Moriwaki (Koma, ?????, 20th century). Graylag Geese by the Water's Edge, watercolour brush drawing on silk, depicting two geese on a riverbank, ...
* Kunisada III (Utagawa, 1786-1865). Kaomachi of Tama-ya, circa 1830, woodblock print, depicting a courtesan with two young children, small closed...
Mughal School. 20th century
* Mughal School. Prince on horseback, & Warrior with a shield, early 20th century, two gouaches on old parchment, depicting a prince mounted with ...
* Chinese School. River Landscape with Boats and Figures, early 19th century, watercolour and gouache heightened with gum arabic on wove paper, sh...
Chinese Export School. An album of butterfly and insect pith paintings, mid-19th century, watercolour heightened with gold on pith paper (17.6 x 2...
* Indian Miniature Portraits. Seven small Indian portrait miniatures, circa 1850, comprising two portraits of noblemen in watercolour and gouache ...
* Rajasthan School. A series of 21 miniature paintings of Hindu deities, circa 1850, opaque watercolour with pen and ink on wove paper, some heigh...
Russian School. Icon: Synaxis of Saints and Holy Fathers, 19th century, tempera and gilt on panel
* Russian School. Icon: Synaxis of Saints and Holy Fathers, 19th century, gesso, tempera and gilding on panel, depicting God the Father, the Pietà...
* Oriental School. Kingfisher, circa 1920s, watercolour and ink on paper, depicting a white throated kingfisher sitting in a magnolia tree, monogr...
* Fai (Chang Chin, 1951-). Bicycle Shop, Singapore, 1993, watercolour on heavy handmade paper, signed lower left, with pencil inscription to verso...
* Vinkeles (Johannes, 1783- circa 1814). Hunting Scene at Fontainebleau, 1807, watercolour and ink on wove paper laid down on paper, depicting a h...
* French School. View of the Roman Campagna, circa 1820, oil on bevelled panel, a panoramic Italian landscape, with a gentleman on foot asking the...
* Luny (Thomas, 1759-1837). Landing the Catch, Dawlish, 1829, oil on wood panel, signed and dated lower left, 30 x 41.5 cm (11 1/2 x 16 ins), gilt...
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